Warren Murphy - Power Play

Power Play

Richard Sapir and Warren Murphy

DEDICATION

Don't Read This Dedication

This is another improper dedication, which one could expect from improper people. In all these books, not one properly colored person has been honored by a dedication. There are many whites. The pages are littered with whites, but that is not surprising considering that the cheap white help who write these books tend to favor their own ilk. There are blacks. Many of the books are dedicated to blacks but not one properly colored person has been honored.

Why We Don't Care

It does not matter that I, Chiun, Master of Sinanju, who have made Sapir and Murphy rich beyond their wildest imaginings, have never been honored. Nor has any other properly colored person been honored, not even a Japanese or Thai, let alone a Korean or anyone from north of the 38th Parallel. I do not mind. Having dealt with Sapir and Murphy, I am well accustomed to basic ingratitude. I don't want a dedication.

A Simple Demand

What I do want is to review all future dedications, lest anti-Koreanism, virulent anti-Koreanism, slip its ugly tentacles into these very pages that should honor the House of Sinanju, on the beautiful West Korea Bay, possibly described as cold and bleak and rocky by those infected with anti-Koreanism.

Pskowski Not Korean

The first four names submitted to me are Pskowski, Cumerford, Freeman, and Cook. The last two are clear. A slave was given his freedom and therefore called Freeman. His name is David Freeman. The second obviously works in a kitchen and her name is Tammy Cook. (I have a vast knowledge of the white mind and its naming systems.)

Cumerford? Pskowski?

Yet in no English-Korean dictionary will you find a Cumerford. Or a Pskowski. And without verification, I cannot allow their dedications. One can be a Shoemaker or a Baker or a Tailor but nowhere have I ever seen in a book of vocations a Pskowski or a Cumerford.

Therefore rejected for dedication are Marge and Walter Pskowski, Mary and Jim Cumerford.

Saved Whose Life?

The Pskowski dedication came with a note that Walter Pskowski had helped bring Sapir to a nearby hospital, possibly saving Sapir's life in some way. And this brings up one of the problems of America. Many of you have suffered from junk mail, useless information which wastes your time reading it. That note about the hospital was junk information. There are few things less important in this world than whether Sapir's life is saved or not, and I have neither time nor inclination to ferret them out. I think the truffle season in the Loir Valley might be less important than Sapir's life.

Then again, there are people who like truffles. As far as I know, only Murphy likes Sapir.

In my awesome magnificence,

I am, with moderate tolerance for you,

Chiun, Master of Sinanju.

CHAPTER ONE

His dark, pin-striped suits were hand-tailored in London and cost over eight hundred dollars each. His shirts were single-needle white-on-whites that were custom-made for him for ninety-seven dollars and his shoes were black soft Italian leather slip-ons that cost two hundred eighty-four dollars a pair at a small bootmaker's in Milan. Wesley Pruiss bought twelve pairs at a time.

And he still looked like somebody you'd expect to see in the back seat of a bus bound for Baltimore.

Nature had not been kind to Wesley Pruiss. She had not given him the face or physique of a leader of men or a captain of industry. Instead, he was medium height with a medium weight problem. His hands were small and soft and his face was fleshy without being fat, the kind of face that had no discernible bone in it.

But Wesley Pruiss was a man with an idea. Before him, there had been three major revolutions in men's magazines. First, there was nudity, then pubic hair, then total tastelessness. Pruiss was the fourth revolution.

"If you like your magazine dirty, you'll love it when it's Gross," had read his first national advertisement. His first centerfold had been a photograph of an exquisite dark-haired woman, made up to look as if she were only fifteen years old, sitting naked on the back of a giant brahma bull that was sexually aroused.

The bull issue was snapped off the newsstands of America within three hours. His second issue was devoted to horses, all kinds of horses, bays and roans and palominos and Arabians, all stallions, all in heat. It was in the second issue that Pruiss made his next great contribution to the American sex magazine. He moved his main photo spread out of the centerfold and put it on the inside back cover with an extra fold-out panel. This got rid of the staples in the model's belly and made the picture more suitable for framing.

He also started to develop the distinctive Wesley Pruiss photographic style, which meant having his female model in very soft focus, as if seen through a fog, while the animal in the picture was stark and sharply outlined.

He was asked how he did it and replied that a lot of people rub vaseline on their lenses to get soft focus pictures.

"But how do you do it?"

"Me?" he said. "I rub my lenses with KY jelly because there isn't anything vaseline can do that KY jelly can't do better." The same issue had featured a long, scholarly article on sheep tupping and why it would always be more fulfilling than making love to cows and horses and goats and chickens.

At first, the press had tried to treat Pruiss as an aberration that would go away, if ignored. But they found it impossible. Gross was selling two million copies a month and had to be dealt with as a full-blown national phenomenon. It didn't hurt either that Pruiss always travelled in public with a retinue of beautiful women and was not reluctant to share them with whatever reporter came to interview him.

He knew he had it made when Time magazine did a cover story on him. The cover was a full-color cartoon of Pruiss, surrounded by beautiful women and by horses, bulls, sheep and goats, and its headline was:

"Wesley Pruiss. King of the Beasts."

Pruiss expanded into the nightclub field. Inside three years, he had opened eighteen Gross-Outs, nightclubs in big cities across the country, staffed by Grossie-Girls who worked topless in rooms that served liquor and topless and bottomless in rooms that didn't. A feature of each Gross-Out was a Plexiglass cage suspended from the ceiling over the main bar. In it, women dwarfs go-go danced naked.

The drinks were called Sheep Dip and Horse Dong and Bull Shot and sold for four dollars each, and the gift shop in each club did a brisk business in items like monogramed personal vibrators and molds to make your own frozen mayonaisse dildo. They also sold a lot of C-batteries.

The very first Gross-Out had been opened in Chicago and after a month of operation was picketed by women's groups who thought it was demeaning that grown women should be called Grossie Girls.

Pruiss replied to the press that none of the Grossie Girls were grown women. "I only use jail bait in my clubs," he said.

The women's groups were not pacified. They picketed the club, claiming that Pruiss was unfair to women. This was a viewpoint not shared by the Grossie Girls themselves who, counting tips, were averaging seven hundred dollars a week and paying tax on only three hundred dollars. They were not about to give that up for the honor of being called "Mizz," so they called the protest leaders to a consciousness-raising session, beat them up and stole their clothes. The lawsuits were still pending.

In fact, lawsuits were pending everywhere. It seemed every time Wesley Pruiss turned around somebody else was suing him or filing charges against him; he kept a staff of twenty lawyers working full time on salary just to defend him. And every time a new lawsuit was filed, and the press reported on it, the sales of Gross magazine went up and the nightclub business expanded. And Pruiss got richer and richer and the magazine, the cornerstone of his empire, got wilder and wilder.