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Kim Robinson - Aurora

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Kim Robinson Aurora
  • Book:
    Aurora
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    Orbit
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  • Year:
    2015
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    New York
  • ISBN:
    978-0-316-37874-1
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Aurora: summary, description and annotation

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A major new novel from one of science fictions most powerful voices, AURORA tells the incredible story of our first voyage beyond the solar system. Brilliantly imagined and beautifully told, it is the work of a writer at the height of his powers. Our voyage from Earth began generations ago. Now, we approach our new home. AURORA.

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Kim Stanley Robinson

AURORA

1 STARSHIP GIRL Freya and her father go sailing Their new home is in an - photo 1

1

STARSHIP GIRL

Freya and her father go sailing. Their new home is in an apartment building that overlooks a dock on the bay at the west end of Long Pond. The dock has a bunch of little sailboats people can take out, and an onshore wind blows hard almost every afternoon. That must be why they call this town the Fetch, Badim says as they walk down to take out one of these boats. We always catch the brunt of the afternoon wind over the lake.

So after theyve checked out a boat, they have to push it straight off the side of the dock into the wind, Badim jumping in at the last minute, hauling the sail tight until the boat tilts, then aiming it toward the little corniche around the curve of the lakeshore. Freya holds the tiller most firmly, as instructed. The boat leans over and they go right at the tall lake wall until they almost hit it, then Badim exclaims, Coming about, just as he said he would, and Freya swings the tiller hard and ducks to get under the boom as it swings over them, and then theyre tacking in the other direction, in a reach across the end of the bay. The little sailboat cant point up into the wind very far, Badim says, and he calls it a tub, but affectionately. Its just big enough for the two of them, and has a single big sail, sleeved over a mast that to Freya looks taller than the boat is long.

It takes quite a few tacks to get out of the little bay and into the wider expanse of Long Pond. Out there, all of Nova Scotia is visible to them: forested hills around a lake. They can see all the way to the far end of Long Pond, where afternoon haze obscures the wall. The deciduous trees on the hills are wearing their autumn colors, yellow and orange and scarlet all mixed with the green of the conifers. The prettiest time of year, Badim says.

Their sail catches the bigger wind that rushes across the middle of the lake, which is silvery blue under the gusts. They shift to the windward side of the cockpit, lean out until they balance the boat against the wind. Badim knows how to sail. Quick shifts in the wind, to which they lean in or out; now theyre dancing with the wind, as Badim puts it. Im very good ballast, he says, rocking the boat a little as he moves. See, we dont want the mast straight up, but tilted downwind a bit. Same with the sail, not pulled as tight as you can, but off enough for the wind to curve across it the best. You can feel when its right.

Look at the water there, Badim. Is that a cats paw?

Good eye, that is a cats paw. Lets get ready for that, were going to get wet!

The surface of the lake winkles in a mirrorflake curl, approaching them fast, and when the gust causing the cats paw hits them, the boat heels hard. They lean back into it and the boat gurgles forward, slaps into and across the oncoming waves, knocks up dashes of spray that blow back at them. Long Ponds water tastes like pasta, Badim says.

At the end of forty tacks (Badim claims to keep count but with a smile that says he doesnt), theyre just a kilometer or so up Long Pond. Its time to turn and make the straight run downwind to their dock. They turn and suddenly its as if theres hardly any wind: the boat goes quiet, the sail bellies out ahead and to the side as Badim lets out the sheet, the little tub rocks forward in jerks and seems to be going slower. They watch the backs of waves pass them. The water is bluer now, and they can see farther down into it; sometimes they catch glimpses of the lakes bottom. The water bubbles and gurgles, the boat rocks awkwardly, all in all it feels like theyre laboring, yet in no time at all theyre coming back into their bay, and its obvious by the way they pass the other docks and the corniche that theyre really bombing along. Theres time to watch their own dock come at them, and now in the bay they can again feel the wind rushing past, and hear the waves passing the boat, falling over in little gurgling whitecaps.

Uh-oh, Badim says as he leans out to see past their bellying sail. I should have come at the dock with the sail on the other side! I wonder if I can swing back out and get on the other beam, and come back in right.

But the dock is almost on them. Do we have time? Freya asks.

No! Okay hold on, take the tiller and hold it just like it is now. Im going to go forward and jump off onto the dock and grab the boat before you go by me! Keep your head down, dont let the boom hit you!

And then theyre heading right at the corner of the dock. Freya ducks into the seat and holds the tiller hard, the bow of the boat crashes into the corner of the dock while Badim is in the middle of his leap, he sprawls far onto the dock, there is a loud cracking sound where boom meets mast, the boat cants and swings around the dock, sail flapping hard out in front of the mast, the boom loose and flopping out there too. Badim scrambles to his feet and from the docks side leans out to grasp the boats bow, just within his reach, and then he has to lie flat on the dock and hang on. The boat swings around on the wind and points up into it, the sail swings around wildly and Freya ducks to get under it, but with the boom disconnected from the mast she has to jump down into the cockpit to get below it.

Are you okay? Badim exclaims. Their faces are only a meter or two apart, and his look of dismay is enough to make her laugh.

Im okay, she assures him. What should I do?

Come up into the bow and jump up onto the dock. Ill hold on.

Which he has to, because the boat is still trying to go downwind, but backward now, and into the shallows. People on the corniche are watching them.

She jumps up beside him. Her push almost drags him off the dock; his knee is braced against a cleat in a way that looks painful to Freya, and indeed his teeth are clenched. She reaches out to help him pull the boat closer and he says, Dont catch your fingers between the boat and the dock!

I wont, she says.

Can you reach down in there, and get the rope in the bow?

I think so.

He pulls hard, draws the boat in closer, she leans way out and snatches the rope where it goes through a metal ring in the very bow of the boat. She pulls the rope out of the boat and takes a turn around the cleat on the back corner of the dock, and Badim quickly snatches it and helps her take more turns.

They lie there on the dock, staring face-to-face, eyes round.

We broke the boat! Freya says.

I know. Youre okay? he asks.

Yes. What about you?

Im fine. A bit embarrassed. And Ill have to help fix this boom. Thats a very weak link though, I must say.

Can we go sailing again?

Yes! He gives her a hug and they laugh. Well do it better next time. The thing to do is to come in with the sail on the other side of the boat, so we can curve in toward the side of the dock, just ease across the wind and come in from the side, then turn up into the wind at the last second, and grab the side of the dock just as were slowing down into the wind. Should have thought of that before.

Will Devi be angry?

No. Shell be happy were both safe. Shell laugh at me. And shell know how to make that joint between the boom and mast stronger. Actually, Id better look that thing up and find out what its called. Im pretty sure it has a name.

Everything has a name!

Yes, I guess thats right.

And since that thing is broken, I think shes going to be a little angry.

Badim says nothing to this.

Picture 2

The truth is, her mother is always angry. She hides it pretty well from most people, but Freya can always see it. Its there in the set of her mouth; also she often makes little impatient exclamations to herself, as if people cant hear her. What? shell ask the floor, or a wall, and then go on as if she hasnt said anything. And she can get obviously mad really fast, like instantly. And the way she slumps in her chair in the evenings, staring grimly at the feed from Earth.

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