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Niall Ferguson - The Pity of War

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Niall Ferguson The Pity of War
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The controversial revisionist history of World War I that made Niall Fergusons name

The First World War killed around eight million men and bled Europe dry. More than any other event, it made the twentieth century. In this boldly conceived book and provocative, aimed to appeal not only to students but also to the general reader, Niall Ferguson explodes many of the myths surrounding the war.

Niall Ferguson is Herzog Professor of Financial History at the Stern School of Business, New York University, Visiting Professor of History, Oxford University and Senior Research Fellow, Jesus College, Oxford. His other books for Penguin include Empire, The Cash Nexus, Colossus, The War of the World, Virtual History, High Financier and Civilization.

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Amazon.com Review

If someone less distinguished than Jesus College, Oxford, fellow Niall Ferguson had written The Pity of War, you could be forgiven for thinking the book was out for a few cheap headlines by contradicting almost every accepted orthodoxy about the First World War. Ferguson argues that Britain was as much to blame for the start of the war as Germany, and that, had Britain sacrificed Belgium to Germany, the 1917 Bolshevik Revolution would never have happened. Germany, he continues, would have created a united European state, and Britain could have remained a superpower. He also contends that there was little enthusiasm for the war in Britain in 1914; on the other hand, he claims the war was prolonged not by clever manipulation of the media, but by British soldiers taking pleasure in combat. If that isnt enough, he further maintains that it wasnt the severity of the conditions imposed on Germany at Versailles in 1919 that led inexorably to World War II, and blames instead the comparative leniency and the failure to collect reparations in full.

The Pity of War, with no pretensions to offering a grand narrative of the war, goes over its chosen questions like a polemical tract. As such it is immensely readable, well researched, and controversial. You may not end up agreeing with all of Fergusons arguments, but that should not deter you from reading it. All of us need our deeply held views challenged from time to time, even if only to remind us why weve got them. --John Crace, Amazon.co.uk

From Publishers Weekly

Many readers will disagree with Oxford historian Fergusons (Paper and Iron) daring revisionist account of the Great War as presented in this superbly illustrated book, but none will be bored by his elegant marshaling of facts to support his case. Ferguson argues that Germany had a justifiable fear of Russian and French militarism and was merely making a preemptive strike in August 1914. He suggests that Britain forced the escalation of what could have been a limited continental war by entering on the side of the Allies and then increased the body count on both sides through sheer ineptitude. An economic historian, Ferguson explains that Germany was efficient at inflicting maximum slaughter at minimum expense, paying just $5133 to kill each Allied serviceman. The bungling but economically advantaged Allies, on the other hand, paid $16,754 for each German head. For all the books strengths, however, Ferguson comes up short in his flawed, briefly sketched analyses of the ebb and flow of diplomatic and battlefield events. Grand strategy goes unstudied. Fergusons war is, in the end, simply an economic problem. Scarcity equals loss, and whoever has the most supplies will prevail. Ultimately, it is hard to feel satisfied with Fergusons narrow analysis of what is surely a far more complex equation.
Copyright 1999 Reed Business Information, Inc.

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NIALL FERGUSON The Pity of War PENGUIN BOOKS Contents PENGUIN BOOKS THE - photo 1
NIALL FERGUSON
The Pity of War
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PENGUIN BOOKS

Contents

PENGUIN BOOKS

THE PITY OF WAR

A confrontational book. A formidably clever as well as an impressively industrious historian, Ferguson delights in overturning conventional assumptions Peter Clarke, Sunday Times

A hugely enjoyable and challenging revision of much of the accepted wisdom on the war Richard Overy, Sunday Telegraph

Turns upside down almost every single preconception we have about the Great War Andrew Roberts, Mail on Sunday

His provocative and tough-minded analysis renews our thinking about this formative episode of the twentieth century Charles Maier, New Republic

Highly ambitious and brilliantly successful [a] tour de force Daniel Johnson, Prospect

His book will mightily stir the pot of controversy Max Hastings, Evening Standard

He has written a terse, cogent and challenging survey of the Great War. He traverses an impressive range with authority and confidence Brian Holden Reid, The Times Higher Education Supplement

ABOUT THE AUTHOR

Niall Ferguson is one of Britains most renowned historians. He is the author of Paper and Iron, The House of Rothschild, The Pity of War, The Cash Nexus, Empire, Colossus, The War of the World, The Ascent of Money and Civilization. He writes regularly for newspapers and magazines all over the world. He has written and presented five highly successful television documentary series for Channel Four: Empire, American Colossus, The War of the World, The Ascent of Money and, most recently, Civilization.

For
J G F
and
T G H

Figures
Tables

For by my glee might many men have laughed,
And of my weeping something had been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.

Wilfred Owen,
Strange Meeting

The Sinister Spirit sneered: It had to be!
And again the Spirit of Pity whispered, Why?

Thomas Hardy,
And There Was a Great Calm

Illustrations
Introduction
J G F

John Gilmour Ferguson had just turned sixteen when the First World War

My grandfather was one of the lucky 73.6 per cent. He was shot through the shoulder by a sniper whose bullet would certainly have killed him if it had struck a few inches lower. He survived a gas attack, though his lungs suffered permanent damage. His most vivid recollection of the war or at least the one he related to his son was of a German attack. As the enemy troops ran towards his trench, he and his comrades fixed bayonets and prepared for the order to go over the top. At the last moment, however, the command was given to the Cameronians further down the line. So heavy were the casualties in the ensuing engagement that he felt sure he would have died if the order had been given to the Seaforths.

Not many records survive of John Fergusons war. Like the overwhelming majority of the millions of men who fought in the First World

All these, however, are no more than educated guesses. Apart from his rank and serial number, the only hard evidence I have is a small box containing a tiny bible, three medals and a few photographs of him in uniform a rather stony-faced lad in a kilt. The first of the medals, the British Medal, depicts a nude man on horseback. Behind the rider is the date 1914; at the horses nose, the traditional terminus 1918. Under its rear hooves apparently about to be crushed is a skull. (Does this represent a triumph over Death or some unfortunate German?) The other side resembles nothing more than an old coin. It bears the morose regal profile and the inscription:

GEORGIVS V BRITT: OMN: REX ET IND: IMP:

The imagery of the Victory Medal is also classical. On the front there is a winged angel bearing an olive branch in her right hand and waving her left, though it is not quite clear whether this represents British womanhood welcoming the survivor home or the angel of death waving him goodbye. The inscription on the obverse (this time in English) reads:

THE GREAT
WAR FOR
CIVILISATION
19141919

My grandfathers third medal was an Iron Cross a souvenir from a dead or captured German soldier.

That my grandfather fought on the Western Front was, and still is, a strange source of pride. If I try to analyse that pride, I suppose it has to do with the fact that the First World War remains the worst thing the people of my country have ever had to endure. To survive it was to be mysteriously fortunate. But survival also seemed to suggest great resilience. Most impressive of all was the fact that my grandfather returned to lead a relatively stable and (at least outwardly) contented civilian life. He got a job with a small export house and was sent to sell whisky and hardware in Ecuador. That was as exotic as it got. After a couple of years he returned to Scotland, settled in Glasgow, married, set himself up as an ironmonger, had a son, lost his wife through illness, married my grandmother, and had another son: my father. The rest of his life he spent in a council house in Shettleston, an eastern suburb of Glasgow, then dominated by a huge, reeking ironworks. Despite inflicting further damage on his lungs by chain-smoking (a habit probably acquired in the trenches, where tobacco was the universal drug), he had the strength to keep his small business afloat through a succession of economic storms, and lived to dandle his two grandchildren wheezily on his knee. He seems to have been able to live, in other words, quite normally. In this, of course, he resembled the great majority of men who fought in the war.

He did not talk much about it to me; after his death, however, I came to think about it a great deal. It was rather hard not to. Shortly after the war, the school my parents sent me to, the Glasgow Academy, had been formally dedicated to the memory of those who had died in the war. Between the ages of six and seventeen, therefore, I was educated literally inside a war memorial. Each morning, the first thing I saw as I approached the school was a pale, granite slab which stood at the corner of Great Western Road and Colebrooke Terrace and bore the names of former pupils of the school who had died in the war. There was a similar roll of honour on the second floor of the main school building, a cavernous neo-classical edifice. Sometimes, on the way from Algebra to Latin, we walked right past it. The balcony was so narrow that we had to go in single file, and each time I had the chance to read one of the names: I seem to remember there being at least one Ferguson, though no relation of mine. And above all those dead names, in bold capitals, there was the legend which I came to know as well as the Lords Prayer we mumbled each morning at assembly:

SAY NOT THAT THE BRAVE DIE.

I think my first serious historical thought was an objection to that stern injunction. But they did die. Why deny it? And, as John Maynard Keynes once sarcastically remarked, in the long run we are all dead even those with the luck to survive the First World War. Eighty years have passed since the Armistice of 11 November 1918, and as far as it is possible to know in the absence of an official veterans register no more than a few hundred of those who fought in the British forces are still alive. The World War I Veterans Association has 160 members; the Western Front Association around ninety old soldiers. Five hundred is the highest conceivable total of survivors. The numbers cannot be much higher in the other combatant countries. Soon the First World War will join the Crimean War, the American Civil War and the Franco-Prussian War beyond the reach of first-hand recollection. Say not that the brave die? A schoolboy could accept, without giving it too much thought, the bald assertion that all who had died in the war had been brave. But the idea that engraving their names on a wall somehow kept them alive: that was unconvincing.

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