2017 by the University Press of Kansas
All rights reserved
An earlier version of parts of chapter 3 appeared in The Civilian Conservation Corps and the Construction of the Virginia Kendall Reserve, 19331939 (Kent State University Press, 2013), and is used with permission.
Published by the University Press of Kansas (Lawrence, Kansas 66045), which was organized by the Kansas Board of Regents and is operated and funded by Emporia State University, Fort Hays State University, Kansas State University, Pittsburg State University, the University of Kansas, and Wichita State University.
Library of Congress Cataloging-in-Publication Data
Names: Bindas, Kenneth J.
Title: Modernity and the Great Depression : the transformation of American society, 19301941 / Kenneth J. Bindas.
Description: Lawrence, Kansas : University Press of Kansas, 2017. | Series: CultureAmerica | Includes bibliographical references and index.
Identifiers: LCCN 2016047591 | ISBN 9780700624003 (cloth : alk. paper) | ISBN 9780700624010 (ebook)
Subjects: LCSH: United StatesCivilization19181945. | Social changeUnited StatesHistory20th century. | Depressions1929United States. | New Deal, 19331939. | Civilization, Modern.
Classification: LCC E169.1 .B4974 2017 | DDC 973.916 dc23
LC record available at https://lccn.loc.gov/2016047591.
British Library Cataloguing-in-Publication Data is available.
Printed in the United States of America
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The paper used in this publication is recycled and contains 30 percent postconsumer waste. It is acid free and meets the minimum requirements of the American National Standard for Permanence of Paper for Printed Library Materials Z39.48-1992.
introduction
order, planning, and reason
When Franklin D. Roosevelt became president in 1933, the country was teetering on the brink of collapse. Many people saw hope in the new president, even though he had not yet done anything. For several weeks after his March inauguration, people wrote letters and sent telegrams to the White House expressing their admiration and respect, sometimes comparing his election to a second coming of sorts. Of course they knew he wasnt really the Son of God, nor did they associate his time in office as the arrival of the millennium, yet given the depth of the crisis that was the Great Depression, many people resorted to metaphors rooted in religious meaning to acknowledge the seriousness to the situation. There was in their appropriation and dissemination of this language, where terms such as faith, salvation, conversion, and a host of many more held secular meanings, a recognition that a new era and new way of thinking was necessary to confront the immediacy of the crisis and to build a better future.
Much of their usage of this language was rooted in their understanding of modernity, which held that through reason, order, and planning, a foundation for a better world could be builta better world that was as much a feeling as a way of being. In many ways these were inseparable. Modernity offered a new way of being, and with that promise came a variety of practices and belief structures that provided hope for the future. The salvation modernists espoused was not eternal but temporal, tangible, andfor a generation with little to hold on topractical. Oftentimes this version of modernism manifested itself in organizational structures, but in other times it came through utilizing rhetorical connections to religious understandings and ideals. In the end, modernitys emphasis on order, planning, and reason became part of the way in which people experienced the Depression era and spoke to their commitment and belief that a better world could be built upon the ruin to which they were witnesses. This does not imply that modernity substituted or replaced religion, but that the times demanded new language, new solutions, and new meanings for terms that reflected back on Americas religious traditions.
Pare Lorentzs classic documentary on the Resettlement Administration, The Plow That Broke the Plains (1936), opens with the sounds of Virgil Thomsons religious (or at least spiritual) musical score as the film visually outlines how the country had, in a jeremiad version of the frontier thesis, sinned against the bounty provided by God in the pursuit of wealth. Once the narration begins, spoken in the fashion of a homily, the documentary details how unplanned growth and the relentless rape of natural resources had reduced the country to a shambles, challenging the very meaning of democracy and Americas exceptionalism. Even the traditional symbols of American mythologycowboy, plowman, and citizen soldierare transformed into symbols of vanity whose mindless exploitation of the countrys bounty brought about what came to be called the Great Depression, a label that is in itself an important signifier. Although the documentary dealt specifically with the ravages of the Great Plains and the ensuing Dust Bowl, to the millions of Americans who viewed the film, the connection to their own situation was clearsomething had gone terribly wrong and the only solution lay in the faith that through more reasoned planning and organization, a secure future could be expected.
The narrative of The Plow underscores the search during the Depression era for credible answers that would place human agency over that of the supernatural, while at the same time relying on the power of faith to unify ideological divisions. This required a shift in consciousness. John Dewey pointed to this change in 1934, writing how the new secular way comes with its own set of rites, communion, and collective identity, where the temple [is] a public institution. The social modes of education, politics, economics, and culture, he argued, opened the mind to new possibilities that would benefit many while shifting consciousness away from the superstitious nature of organized religion and into the realm of a new way of beingmodernism. Here are all the elements for a religious faith that shall not be confined to sect, class, or race, he concluded, but one that has always been implicitly the common faith of mankind. It remains to make it explicit and militant.
The transition of the 1930s involved the acceptance and appropriation of modern solutions and ideas to the issues facing the nation. This process involved making modernity approachable, understandable, and nonthreatening. These three aspects came in diverse manifestations, some organized, most not, but all orbiting the belief that the present situation and the future lay firmly in the hands of human choice, and whatever world lay ahead would come from the application of reason and logic, and the belief that through planning by appropriate experts, salvation in the here and now could be achieved. Modernity and the Great Depression examines several significant symbolic and representational manifestations of this process to reveal an ideological shift and its larger implications for US society.