Drawing is an incredibly instant, creative and expressive way to make an artwork. It can be big and bold, or small and sec retive, and people have being doing it ever since humans lived in caves and began to draw animals and people on the walls. It is also diverse; you can draw everything from photorealistic portraits to graphic novels, from doodled cartoons to huge architectural studies of buildings and cathedrals. Whatever style you like, from abstract drawings to Manga cartoons, there are a set of fundamental principles that if you take the time to learn them, will vastly improve your ability and talent, and you will be able to create the artworks that you have always wanted to make. This eBook plots out these starting principles, and teaches you what they are, how they work and the ways to learn them. Exercises are interspaced throughout the text, along as some additional ones at the end, to help this learning process. If at times you feel out of your comfort zone as you work through them, then that is no bad thing.
Feel free to follow the exercises and chapters in the order that suits you. They are organized in a way that allows for this, but at the same time, regardless of experience, it is never a bad idea to brush up on old skills. On the next page is a drawing I completed whilst working in the Australian outback for six months. It is made up of six sheets of A3 paper that I carried around with me as I worked. It combines every single principle that we will work through in the eBook, and is a good example of how each exercise and tip can be useful when they come together in an artwork.
Look Around You
This is Where It All Begins...
One of the most important things about drawing is to look at what you are drawing. Although this seems like an obvious point to make, it is a vital one. Many people, when confronted with an object, say a car, will draw an image of that object based on how they think it looks, rather than what they actually see in front of them. The first thought is to make sure that the drawing has four wheels, a body, headlights, windows and a steering wheel. These parts are undeniably physical aspects of a car, but they will always look slightly differently to how we expect to see them in our heads. For example, despite knowing that when we look at a car it has four wheels, we may only be able to see two or three of them depending on where we stand. Again, every car has a metal or plastic body and headlights, but it is the curves and lines of these that make it distinctive and give it character, just like a good drawing. How the car is lit affects how the windows look, does the sunlight reflect the scene around the car, or can you look through them into the interior and see the steering wheel? These are the details that make the difference in a drawing, and really add to the quality and integrity of your subject.
At first this could seem complicated and a lot to think about, but dont worry, there is an easy way to make sure you notice the de tails and bring out the real characteristics of what you want to draw. This can be summed up into a fairly simple rule: spend roughly twice as much time looking at your subject as actually drawing it . This may seem odd but it works.
The rule is also as literal as it sounds. There are a few fun drawing exercises that we will complete during the course of this book that will really help you to understand and realize how this rule will seriously improve your drawings skills. It is directly linked with the practice of drawing from life, simply meaning to draw what you see around you. For example, if you wanted to draw a portrait of your cat or pet, then you could sit down with a sketchbook and draw them while they were asleep on the floor or lying in the sun in the garden. If you decided to use a photo as your inspiration then you wouldnt be drawing from life. There is absolutely nothing wrong with working from photographs, it is essential for drawing certain subjects, but the point is that drawing from life will give your artworks an edge of realism and knowledge of your subject that is impossible to fake.
The great part of drawing from life is that it is so easy to practice. The potential for choosing something that you would like to draw is limitless. Take a second to look around yourself now, maybe you are relaxing at home, or reading on a train or even a beach if you are lucky. Look at the view or something you are wearing, or a piece of jewelry that you are particularly fond of; everything is a possible subject for you. Everything at all without exception, it is important to draw exactly what you want to draw yourself.
Copying
Where drawing from life develops the realism and integrity of your work, and trains your artistic eye at the same time, copying others allows you to learn to draw in different styles.
It is a technique that has been used for centuries by artists in order to practice and hone their skills. If there is a particular style that you are especially keen to learn, then I recommend making copies of the work that you admire. It teaches you how fine artists, designers, cartoonists, architects and graffiti, manga and graphic novel artists all tackle the visual intricacies of their particular craft. Through copying you will learn certain techniques, and then you can change and adapt these into your own unique drawings and artworks. There is also no reason why you cannot transfer skills that you learn from one style into another. For example, learning traditional figure drawing will increase your knowledge, skill and talent at understanding and representing the human form. You will be able to realize how joints and muscles move and react, how to show stress, strength and suppleness, and these are skills that will considerable improve the drawings that you would produce for, say, the characters of a graphic novel.
At the core of all this are traditional drawing skills. If you wish to make great drawings then take the time to learn and practice these skills. Even if you would prefer to always work in a certain stylized way, if you learn these fundamentals then the standard of your work, whatever the genre, will improve.