T his book is for kids at least seven years old, teens, and adults-anyone who wants to learn about the traditional Chinese way to write words and make paintings. You can read about and make the paintings on your own, or you can read the book with a parent or teacher, a brother, sister, or friend, and talk about what to do and why. Someone who knows about painting can be a big help.
This book shows you how to hold the brush Chinese-style and make the basic brush-strokes. You will learn to write some words and numbers in Chinese. Then you will learn how to use the same basic brushstrokes to create pictures of classic Chinese subjects, including orchids, bamboo, pine trees, and landscapes. This book explains how Chinese artists think about these subjects and what principles and traditions they follow in painting them. After you copy some examples and understand the principles, you can make your own designs. When you have completed some paintings, you can choose from several suggested ways to mount them for display.
You may wonder why the paintings in this book are not in color. The reason is that traditional Chinese paintings used only black ink. Different mixes of gray were treated like colors. Later, the Chinese added a few colors. After European styles became known in China, brush painting became more and more colorful and started copying Western water-color styles. The older and simpler way of painting started to be ignored. This book tries to keep the older tradition alive. Its beauty comes from lines and shapes, shades of gray, and contrast between black, gray, and white. Chinese brush paintings are interesting just as black-and-white photography is interesting in its own way, without using color.
To do brush painting, you must learn to control the brush with your eyes, your arm, and your mind. When all three work together, you will be surprised at how great your Chinese-style paintings can look. You will learn new tricks with the brush that you didnt know before. Brush painting takes a lot of practice, but it can also be a lot of fun and make you feel happy because of what you have learned and accomplished.
Mounting
Your
Paintings
The Purpose of Mounting
Oriental brush painting is done on thin rice paper that leaves puckers when the ink dries. The process of mounting or attaching the thin paper onto thicker, more substantial paper reinforces the thin paper and smooths out the puckers. It also helps to protect the paper against damage by insects, such as silverfish, who love rice paper for lunch. After a painting has been backed, you can put it in a mat or mount it as a hanging scroll.
Backing a Painting
The traditional way to back a painting is to use a paste like wallpaper paste. This method works fine with ink but does not work well with tempera paint because the paint tends to bleed out with the moisture from the paste. For this reason, it is better to mount your painting using a modern spray adhesive.
Materials Needed
All-purpose spray adhesive
A newspaper spread out to protect the table
A clean, dry, 34 brush to smooth out the wrinkles
A roll of backing paper with a different surface from the painting paper (you can get this where rice paper is sold), or else sheets of watercolor paper
Even up the edges of your painting if they are irregular.
Plan the size of the painting, and lay it down on the backing paper so you can add 12 beyond the painting. Remove your painting. Cut the backing paper with the extra 12 all around.
Spray the adhesive in a thin, even layer over the entire piece of backing paper .
Carefully lay the rice paper painting on top of the backing paper.
With the brush, gently stroke from the center of the painting outward to get rid of air bubbles and wrinkles. Use your finger to smooth out small wrinkles.
Let the adhesive dry overnight before moving the paper.
Matting a Painting
A mat is a cardboard frame around a picture. Pre-cut mats are available at art supply stores. The mat provides a structure and helps keep the paper and backing flat.
Attach the painting to the top inside of the mat with masking tape. Attach only the top, so that the paper can hang down with gravity and stretch. Do not attach the sides, as that can make the paper pucker.
To protect the back of the painting, tape a piece of thin tagboard to the top back of the mat.
If you protect your work this way, you can keep it for many years.
Making a Hanging Scroll
Another way to finish a painting is to make it into a hanging scroll, Chinese style, as shown on page 61.
Materials Needed
Two flat sticks, dowels, or half-round molding pieces for the top and bottom of the painting. The stick for the top should be 2 inches wider than the trimmed painting, so that it is 1 inch wider on each side. The stick for the bottom should be only as wide as the painting.
Household glue
Black cord or string to paint black. Use as much cord as necessary to hang the painting the desired height when attached to each end of the top stick.
Black tempera paint
Trim the backing paper around the painting so that the edges of the painting are neat and attractive.
Paint the top stick with black paint.
Paint the bottom stick with black paint.
If using string, paint the string black.
When the paint on the sticks is dry, glue the top stick to the top of the outside of the painting so that 1 inch extends beyond the painting on each side.
Glue the bottom stick to the bottom of the outside of the painting.
Tie the two ends of the cord or string together.
Loop the ends of the cord over the ends of the top stick.
Hang the scroll by hanging the cord on a hook on the wall. Hide the knot of the string behind one end of the top stick so that it will not show.
Finalizing Your Paintings
Mat or make a scroll of all your masterpieces, and keep them where you can enjoy seeing them.
Do You Remember ?