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Géraud Marie - Beadweaving with cabochons: 30 stunning jewelry designs

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Géraud Marie Beadweaving with cabochons: 30 stunning jewelry designs
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Beadweaving with cabochons: 30 stunning jewelry designs: summary, description and annotation

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Provides full-color photographs and step-by-step instructions for eleven craft projects, with variations, to create beaded jewelry with cabochons--shaped and polished stones--includes advice on choosing beads and assembling all the elements of the design.

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Contents
Guide
For my children whose talents are numerous and whose support is invaluable - photo 1

For my children,
whose talents are numerous and whose support is invaluable.

Thank you to Franois, who endorsed and accompanied my change of direction.

Thanks to Sandrine, who diligently and patiently tested each sample.

Thanks to Danile and Sylvie, the first for the photos, the second for the bijoux; I have appreciated their assistance as much as I loved working with them in another phase of my life.

Thank you to Christine, who taught me, long-distance, to use beading design software.

Beadweaving
with Cabochons
30 Stunning Jewelry Designs
Marie Graud

The author and publisher have provided this e-book to you for your personal use - photo 2

The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the authors copyright, please notify the publisher at: us.macmillanusa.com/piracy.

introduction

There are beads so petite one can hardly believe they are made of glass, available in such a variety of finishesbrilliant, colorful, iridescent, metallic, matte, antiqued, lustrous, transparent, and giltso different and so numerous that its easy to be intimitated by the possibilities they present. By choosing among these options and combining them to good effect, and weaving them together with care, you can create lovely jewelry that reflects the height of fashion: sparkling, refined, and so delicate. In fact, the word Delica designates the type of beads used for the projects in this book. You need master only the simplest techniques to make these jewels, so if you mix a little patience with your creative impulses, youll easily execute unique accessoriesones that seem to come from elsewhere, that are mistaken (perhaps, who knows?) for authentic pieces from the past.

Beadweaving techniques are numerous, theyve been in use since the dawn of history on all continents, as their names attest: peyote stitch, fishbone or herringbone stitch, and brick stitch, among others. They are varied, specific, and sometimes complexit would take time to master them all. But you need facility with just a few techniques in order to create all the projects given here.

Many of the projects are made with a large center bead or cabochon, around which other beads are arranged. Once the center bead is applied, you simply place one or more beads on your needle as instructed, pass the needle again through the center, and repeat, then add more beads, round after round, to create detailed designs. Some of the projects require close attention, but once you have practiced a bit, youll find your mind can wander freely while making most of the others beading is like meditation!

supplies Beads Delicas are a specific type of small glass bead generically - photo 3

supplies
Picture 4 Beads

Delicas are a specific type of small glass bead (generically called seed beads) made in Japan by the Miyuki company; other makers use different names: Magnifica by Mill Hill, Trsor by Toho. They are cylindrical with a large hole, and thus distinguished from rocailles, which are more or less spherical and usually have a small hole.

Most of the beads in this book are Miyuki Delicas; in the materials lists they are indicated by the code DB or DBC, followed by a numeral that specifies the color. There are also a few Toho beads; these are indicated by the code TO followed by a color number. To simplify the directions, I refer to all similar beads as Delica.

Delicas: smooth or faceted? Many Delica beads are smooth, but you can also find some with a regularly faceted surface. Viewed on end, these beads are hexagonal, which explains why they are often referred to as hex or cut, (the C in the DBC code refers to cut beads). This form adds relief, sparkle, and a unique touch to jewelry; faceted Delica beads mix well with smooth ones.

Because of their precise cylindrical shape Delica beads produce an effect - photo 5

Because of their precise cylindrical shape, Delica beads produce an effect quite different from round rocailles. They align perfectly, one next to the other, creating a regular surface that looks much like a woven textile. Projects made with them are supple and easy to manipulate.

Bead sizes are indicated by a numeral followed by a/followed by zero. The higher the numeral, the smaller the bead. The jewelry in this book is made with size 11/0 beads, which are 1.7 mm in diameter, with a hole diameter of .64 mm.

This measuring system applies equally to Delicas and rocailles, and some rocailles are used in this book. But the rocailles I used most often are tinier still, size 15/0, which are about 1.3 mm in diameter. If you want this smaller size, choose good quality Japanese rocailles from the same manufacturer as the 11/0 beads. In the materials lists, Miyuki rocailles are indicated with the code M, Toho rocailles by the code TO.

These small beads are the basic ingredients for the jewelry, but its by combining them with other beadslarger, more brilliant, more spectacularthat you are able to create exceptional pieces.

Youll find in the pages that follow beads made of glass, and of crystal, in a variety of pendant forms, and also crystal cabochons and rhinestones (chatons), large, small, round, square, oval, and always with a marvelous sparkle. The color names listed for these are for Swarovski crystal beads if that is what I used for the sample in the photo, otherwise the color name is simply descriptive.

The possibilities are infinite, yet the most appealing design can be spoiled if the colors chosen are not harmonious. Every design, whether simple or complex, is best when interpreted in pleasing colors with meticulous workmanship.

Needles Bead weaving is very similar to embroidery The beads are threaded - photo 6

Picture 7 Needles

Bead weaving is very similar to embroidery. The beads are threaded together with a special long, thin needle. The needle size is indicated by a number; the higher the number, the finer and more fragile the needle. You may begin a project using a size 10 or 12 needle, but as the work progresses and the thread passes through the beads repeatedly, the holes become smaller and you may need to complete the work with a smaller size needle. However, you should never need a needle smaller than size 13 for the projects in this book. (Smaller needles exist but they are very difficult to thread indeed, and above all, terribly fragile, so work that requires them holds little interest for me.)

Picture 8 Thread

Beads, needles, thread the thread used for the projects in this book is a multi-filament nylon thread; it is not the same as garment sewing thread. There are several brands (Nymo, Silamide, and C-Ion are widely available). I almost always use C-Ion (size D) because it is easy for me to find, it doesnt stretch, and it comes in many colors that match the beads, on 65 yard (60 m) spools.

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