Baron - From pencils to pixels: reading, writing, and the digital revolution
Here you can read online Baron - From pencils to pixels: reading, writing, and the digital revolution full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: USA;New York;Oxford, year: 2009, publisher: Oxford University Press, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:
Romance novel
Science fiction
Adventure
Detective
Science
History
Home and family
Prose
Art
Politics
Computer
Non-fiction
Religion
Business
Children
Humor
Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.
- Book:From pencils to pixels: reading, writing, and the digital revolution
- Author:
- Publisher:Oxford University Press
- Genre:
- Year:2009
- City:USA;New York;Oxford
- Rating:4 / 5
- Favourites:Add to favourites
- Your mark:
- 80
- 1
- 2
- 3
- 4
- 5
From pencils to pixels: reading, writing, and the digital revolution: summary, description and annotation
We offer to read an annotation, description, summary or preface (depends on what the author of the book "From pencils to pixels: reading, writing, and the digital revolution" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.
Baron: author's other books
Who wrote From pencils to pixels: reading, writing, and the digital revolution? Find out the surname, the name of the author of the book and a list of all author's works by series.
From pencils to pixels: reading, writing, and the digital revolution — read online for free the complete book (whole text) full work
Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "From pencils to pixels: reading, writing, and the digital revolution" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.
Font size:
Interval:
Bookmark:
A Better Pencil
Readers, Writers, and the Digital Revolution
DENNIS BARON
Oxford University Press, Inc., publishes works that further Oxford Universitys objective of excellence in research, scholarship, and education.
Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto
With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam
Copyright 2009 by Oxford University Press, Inc.
Published by Oxford University Press, Inc. 198 Madison Avenue, New York, NY 10016
www.oup.com
Oxford is a registered trademark of Oxford University Press
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press.
Library of Congress Cataloging-in-Publication Data
Baron, Dennis E.
A better pencil : readers, writers, and the digital revolution / Dennis Baron.
p. cm.
ISBN 978-0-19-538844-2
1. WritingMaterials and instrumentsHistory. 2. Written communicationTechnological innovations. I. Title.
Z45.B37 2009
302.2244dc22
2008055214
1 3 5 7 9 8 6 4 2
Printed in the United States of America on acid-free paper
for Iryce, Rachel, and Jonathon, to whom all my work is dedicated
In the past twenty years, our attitude toward computers and the internet has moved from suspicion or curiosity to dependency. When the World Wide Web was young, people used to find something online and ask, How do I know if its any good? Now we think, If its not online, its probably not worth looking for.
In what seems from a historical perspective like the blink of an eye, weve shifted our focus from distrusting the internet to embracing it. Computer technology has taken control over our words in ways and at a speed that no previous technology of literacy ever did before. Some of us approached the computer revolution with optimism, others with suspicion, and many with caution. But most of the people reading this book by now own a PC, or use one regularly at work, at school, or in a public library. In the decades between the 1980s and the present, the personal computer has gone from an expensive and forbidding, and far from personal, curiosity to a near necessity. The 2000 census reported that more than half of Americas 105 million households had a computer. That percentage is a lot higher today.
Not everyone celebrates our increasing dependence on digitized words, and a few staunch critics see the computer destroying life as we know it. But for most Americans, and for more and more people elsewhere in the world, the computer is becoming the tool of choice for writing, whether for work, for school, or for what we do when were not working or studying, and while not too many people are reading electronic books yet, more and more of us are gradually shifting the rest of our reading from the page to the screen.
Computer users regularly shop online, bank online, meet online, read online, and write online, not just in America, but elsewhere in the world as well. Even so, there are always trust issues with text, and even the most wired users have some internet activity that they shun: they may choose to have their paycheck deposited electronically, but they wont pay bills online; they may embrace virtual shopping but draw the line at online dating services; they may have found their soul mate on JDate but balk at the idea of citing Wikipedia in a research paper.
Worse yet, theres a lot of dark matter in cyberspace: fraud, hate, and exploitation abound online, not to mention inconsistency and inaccuracy and a whole lot of cyberjunk. Were still in the process of sorting the good from the bad online, the useful from the spam. Were still in the process of figuring out just what to use the internet for. And were still learning to trust the web, even as we become ever more dependent on it for the things that we need to do every day.
A Better Pencil puts our complex and still-evolving hate-love relationship with computers and the internet into perspective. Its a book about how the digital revolution is impacting our reading and writing practices, and how the latest technologies of the word differ from what came before. It looks at our use of computers as writing tools in light of the history of communication technology, a history of how we love, fear, and actually use our writing machinesnot just computers, but also typewriters, pencils, and clay tablets; how we deploy these technologies to replicate the old ways of doing things while actively generating new modes of expression; how we learn to trust a new technology and the new and strange sorts of texts that it produces; how we expand the notion of who can write and who cant; and how we free our readers and writers while at the same time trying to regulate their activities.
The World Wide Web wasnt the first innovation in communication to draw some initial skepticism. Writing itself was the target of one early critic. Plato warned that writing would weaken memory, but he was more concerned that written wordsmere shadows of speechcouldnt adequately represent meaning. His objections paled as more and more people began to structure their lives around handwritten documents. Centuries later, the innovative output of Gutenbergs printing press was faulted for disrupting the natural, almost spiritual connection between the writer and the page. Eventually we got used to printing, but Henry David Thoreau scorned the telegraph when it was invented in the 1840s because this technology for quickly transporting words across vast distances was useless for people who had nothing to say to one another. The typewriter wasnt universally embraced as a writing tool when it appeared in the 1870s because its texts were impersonal, it weakened handwriting skills, and it made too much noise. And computers, now the writers tool of choice, are still blamed by skeptics for a variety of ills, including destroying the English language, slowing down the writing process, speeding writing up to the point of recklessness, complicating it, trivializing it, and encouraging people to write who may, as Thoreau might put it, have nothing to say.
Despite Platos warning, we have come to value writing, sometimes even more than speech. But at the dawn of letters, few people could read, and fewer still could write. People greeted the first written texts with distrust: How do I know that Philoflatus really wrote this? theyd ask suspiciously when they received a letter, or, looking at a deed, a royal decree, or a set of directions for turning lead into gold, theyd wonder, How do I know its not all a pack of lies? Before writing became an ordinary activity, any words not delivered in person, directly from the horses mouth, not only lacked the personal touch; they could also be some kind of trick.
Not all writing technologies begin with communication in mind. Writing, the first and most basic communication technology, was conceived initially as more of a memory device than a medium for transmitting words across time and space. Archaeological evidence suggests that it arose in the ancient Mediterranean to track inventory, not to record speech. Had writing remained just a storage device, we probably wouldnt be considering how computers shape reading and writing today.
Next pageFont size:
Interval:
Bookmark:
Similar books «From pencils to pixels: reading, writing, and the digital revolution»
Look at similar books to From pencils to pixels: reading, writing, and the digital revolution. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.
Discussion, reviews of the book From pencils to pixels: reading, writing, and the digital revolution and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.