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Wagoner - After the Point of No Return

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Wagoner After the Point of No Return
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    After the Point of No Return
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Cover; Return; Note to the Reader; Dedication; Contents; 1; After the Point of No Return; A Brief History; The Ends of My Fingers; The Fun House; Convivium; Driving; In the Congregational Basement; Kissing Cousins; A Footnote to the History of theNew York Central Railroad; My Fathers Body; My Lost Uncles; Mothers Night; Onstage; Walking Along the Beach with a Five-Year-Old; Pleasant Dreams; For My Daughters during Their First Penumbral Eclipse; Playground; The Boy Who Ran Away from Me; 2; A Letter to an Old Poet; How to Live; Writing for Money; That Night in London.;David Wagoners study of American nostalgias is as eloquent as that of James Wright.?Harold Bloom.

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Note to the Reader Copper Canyon Press encourages you to calibrate your - photo 1
Note to the Reader Copper Canyon Press encourages you to calibrate your - photo 2 Note to the Reader Copper Canyon Press encourages you to calibrate your settings by using the line of characters below, which optimizes the line length and character size: Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesque euismod magna Please take the time to adjust the size of the text on your viewer so that the line of characters above appears on one line, if possible. When this text appears on one line on your device, the resulting settings will most accurately reproduce the layout of the text on the page and the line length intended by the author. Viewing the title at a higher than optimal text size or on a device too small to accommodate the lines in the text will cause the reading experience to be altered considerably; single lines of some poems will be displayed as multiple lines of text. If this occurs, the turn of the line will be marked with a shallow indent. Thank you.

We hope you enjoy these poems. This e-book edition was created through a special grant provided by the Paul G. Allen Family Foundation. Copper Canyon Press would like to thank Constellation Digital Services for their partnership in making this e-book possible. These are all for Robin with love.

Contents
1
After the Point of No Return
After that moment when youve lost all reason for going back where you started, when going ahead is no longer a yes or no but a matter of fact, youll need to weigh, on the one hand, what will seem on the other, almost nothing against something slightly more than nothing and must choose again and again, at points of fewer and fewer chances to guess, when and which way to turn.
A Brief History
A poet writes the history of his body.
A Brief History
A poet writes the history of his body.

HENRY DAVID THOREAU, THE JOURNAL Where it went, what it came back to, where and why it laid itself down and tried to sleep, what happened to it without advice or consent, what it failed at, how it disobeyed its own commands to no purpose, what it held in its hands when it was told and told to let go, what it neglected to open its arms for, how it wouldnt stand still, not even when it might as well have had no legs at all to be running away with, or the times when it would sit and wait without knowing what it was waiting for in places where it didnt belong, how it broke down, how but not why it made marks again and again on pieces of paper.

The Ends of My Fingers
I was listening to the man on the radio plucking strings with his fingers and fingernails and telling us how to play. I was holding the open doors of our upright cabinet and feeling so full of music I lift ed my whole body, and the radio toppled toward me and slammed me to the floor. The edge cut off the ends of two of my right fingers. My mother, who could sing and play on the piano, carried me in her arms through the bleeding living room, through the front door and down the steps while we both sang a song Id never heard, across our yard to the house where the old doctor lived, where I sat in his lap, where my mother gave him the two red ends, and then we went on singing while he clamped them on again and wrapped them out of sight. He told me not to look inside or try to find out what color they might be.

He said hed open them like a present with his fingers next week when I was three.

The Fun House
Youre supposed to go inside. Theyre showing you how to get up the steps and through the door into a narrow hallway where its dark, where someones laughing over a loudspeaker. Whoevers holding your hand lets go of it. You put one shoe ahead of another shoe to show you remember how. What looks like a window has a doorknob on it that turns and turns and turns when you turn it, but doesnt work.

You see somebody scary in front of you. You both open your mouths at the same time, and its you in a mirror. The floor goes crooked. Its jiggling. You have to go but theres nowhere to go. Too many lights go on, and suddenly go back off before you can shut your eyes.

Somebody uglys under a white sheet. Youre being sick on a rug that cost good money.

Convivium
In memoriam Emily Carlson After wed redivided Gaul into twenty-three parts, our seventh-grade Latin class in sandals and off-white togas threw a convivium. Over the fried chicken our haruspex announced the signs as bene, bene, bene, so we pitched and proved we could conjugate, decline, and define some verbs and nouns sometimes almost as well as Miss Emily Carlson. All fall shed listened to us mumble and mispronounce with a set smile on her face and at least one eye half closed behind thick horn-rim glasses. We failed her, and she passed us. She believed we were carrying on some semiclassical tradition, if not for her sake, for our own, that at least a few of the radices shed watered in our poor soil wouldnt shrivel but would finally rise and shine.

When all our games were over and after shed handed out the small edulis prizes, wrapped and trimmed and inscribed with her own neat, careful digits, she shouted toward the ceiling an exclamatio and fell down on the floor and began to shake, shudder, and jitter the whole length of her gray dress, her mouth uttering through white foam untranslatable words, then died post meridiem.Oh sunt lacrimae rerum.

Driving
You were behind the wheel of the used family car at night with no license, no key. It turned on all by itself. You could see through the dusty windshield, not the garage wall but the road ahead running under. It was yours. It wasnt yours.
In the Congregational Basement
On an old piece of plywood the size of a Ping-Pong table we built Jerusalem out of oatmeal, flour, and water.
In the Congregational Basement
On an old piece of plywood the size of a Ping-Pong table we built Jerusalem out of oatmeal, flour, and water.

When Reverend MacLaurie showed us pictures, we knuckled down and did it with bare hands, all thirty of which, if left idle a little too long, might have done the devils work instead of the carpenters. We bulldozed crooked streets with thumbs and Popsicle sticks, made temples and huts and Christ knew what out of cardboard. We painted it brown and gold, poured dunes out of real sand, and stuck real rocks on hills and out-of-proportion horses and chariots, not on fire, but on roads, and then we played Bible games for an hour, and Jerusalem wasnt looking too good when we went home. And the next Sunday, after Reverend MacLaurie sang a song by William Blake, we had to scrape Jerusalem off into cans out in the alley.

Kissing Cousins
In Grandmas kitchen garden, while whip-poor-wills whooped softly between the lettuce and red beets, my lips as dry as hers, my left hand trembling in hers like hers, my right arm reaching almost halfway around her through that breathless evening, not knowing how to, I kissed Ada Rose. She was as wide as Grandma, but for miles there was no one else I could kiss, and the girls back home played spin the bottle with older boys, not me, and Id been dreaming of girls with their clothes off, and here stood Cousin Ada Rose in a garden.

We didnt breathe because I didnt dare so close to her glasses and because she couldnt with her mouth shut tight against the deepest longings of asthma. With a gasp and a glancing blow of the hips we parted, and I sneaked upstairs to hide my life under a comforter. If only Id kissed her hard with a hard grin like Humphrey Bogart, cracking some kind of joke, or given her a sisters birthday peck or a Jimmy Cagney smack smack on the cheek. But Id done it scared and solemn, a dumb cowboy forgetting when to head into the sunset. All night, sleeping and waking, I tried to do it differently while the curtains billowed toward me like nightgowns, like the vapor from the machine that breathed in her bedroom.

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