The thrill of marbling is in the discovery and sometimes unpredictability of the process. Explore a few approaches to discover what you like, and youll soon amaze yourself with the gorgeous marbled paintings that youve created. Once you are set up and have learned the steps, the process is easy with immediate resultsalmost like magic. Be forewarned that marbling is seductive and can even be addictive! When you see what is possible, youll want to do it again and again, each time trying some new variation.
So, put on your old clothes and let the paint fly.
THE PROCESS
Dissolve powdered alum (pure aluminum sulphate) in water; then dip each paper to be marbled or apply the solution with a sponge. When the paper is dry, the alum will have bonded with it. If necessary, flatten the paper.
Blend carrageenan, a fine powder derived from seaweed, with water to make a thick liquid, called size. Pour the size into a shallow tray larger than the material to be marbled.
Thin several colors of acrylic paint with water and sprinkle them onto the surface of the size until it is covered with small paint droplets. Because the paint is lighter than the size, it floats on top.
If desired, use a stick to stir the floating paint. Combs and rakes can be used to form an intricate pattern, or the paint can be left as is.
Gently place treated paper or cloth on the surface of the tray to absorb the floating paint.
Lift off the paper, rinse it with water, and let it dry. Once dry, it can be developed into a painting using watercolor, acrylic, or collage.
Tools & Materials
Here are some tools you will need in order to create marbled artwork.
GENERAL SETUP
Table Youll want plenty of table space, as well as plastic to protect it. If youre working indoors, cover the floor with a sheet or cloth tarp, as wet plastic becomes slippery.
Protective clothing To avoid splattering yourself with paint as you marble, wear an apron or old clothing.
Marbling tray to hold your size. For small papers, I use a 1-inch-deep 13" x 18" heavy-duty aluminum baking tray. With a shallower tray, youll risk spilling carrageenan. I recommend painting the inside of your tray with a good-quality white acrylic paint made for metal. This will make your pattern easier to see and seals the tray against alum.
To make a tray for larger papers, I use American Easel wood panels, which Ive turned upside down, primed, and painted with white acrylic to seal any cracks.
Plastic trays to carry the painting to a rinsing vat. For oversized paper, I use a large plastic lid or a sheet of plexiglass or cardboard. Trays can also be used to hold paint jars.
ALUM SETUP
Measuring spoons
Plastic gloves
Marbling alum
Paper or cloth
Glass jar
Hot water
Sponge
Plastic tray
Spray bottle
CARRAGEENAN SETUP
Measuring cup and spoons
Carrageenan powder
Gallon jug
Blender
Cold water
PAINT MIXING
Acrylic paint
Surfactant: Marbling gall or wetting agent for balancing paint and patterning. For simplicity, Ill just call it gall.
Mixing spatula
4-ounce jars
Barrier cream for protecting your hands from paint (but not harsh chemicalswear gloves as well!)
PAINT APPLICATION
Broomstraw wand Grab a bundle of black plastic broom straw about as wide as a pencil and wrap it tightly with tape or rubber bands. This is used to stir the paint and apply drops of paint; you can also use eye droppers or pipettes .
PATTERN-MAKING
Chopsticks to cut the paint. If the stick is too skinny, it will slice through the paint without moving it.