Joseph Alexander - 100 Classic Jazz Licks for Guitar: Learn 100 Jazz Guitar Licks In The Style Of 20 of The World’s Greatest Players (Guitar Licks in the Style of...)
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- Book:100 Classic Jazz Licks for Guitar: Learn 100 Jazz Guitar Licks In The Style Of 20 of The World’s Greatest Players (Guitar Licks in the Style of...)
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100 Classic Jazz Licks for Guitar goes much further than other lick books. Rather than a cold list of licks with little explanation, this book contains an in-depth insight into the playing styles of the worlds most influential jazz guitarists. You wont just copy licks parrot fashion youll learn the concepts behind the licks and be able to incorporate these ideas into your everyday playing.
- Learn to play in the style of the 20 greatest jazz guitarists
- Master 5 defining guitar licks for each player
- Combine and personalize vocabulary into your own unique style
- Get creative and jam over the original backing tracks
- Learn two complete classic jazz guitar solos and develop your own musical language
- Discover extensive biographies and essential discographies for every player
Django Reinhardt | Charlie Christian | Herb Ellis | Tal Farlow | Johnny Smith | Wes Montgomery | Barney Kessel | Jimmy Raney | Joe Pass | Jim Hall | Kenny Burrell | Grant Green | Lenny Breau | John McLaughlin | George Benson | Pat Martino | Larry Carlton | John Scofield | Mike Stern | Pat Metheny
100 Classic Jazz Licks for Guitar- Are you struggling to learn the language of jazz guitar?
- Do you want to combine jazz guitar licks into meaningful, personalized solos?
- Do you need a complete theoretical and technical breakdown of jazz guitar soloing?
- Do you want to develop a never-ending arsenal of authentic jazz guitar licks?
Along with extensive biographies, the musical style and language of 20 jazz guitar greats is discussed and analysed through five signature, in the style of, defining licks, which are broken down note by note.
Heres What You Get:- 100 classic jazz guitar licks that teach the language of 20 guitar legends
- Playing advice and a breakdown of every jazz guitar lick, from fingering to performance notes
- Two solo studies that teach you to combine jazz licks into musical phrases, unique to your own musical voice
- Backing tracks to make the music come alive while you develop your chops
- Perfectly notated examples with tab and studio-quality audio to download for free
Bonus One: Essential discography for every player
Bonus Two: Tips on phrasing, articulation and how to make each lick your own
Go Way Beyond Traditional Guitar Lick Books100 Classic Jazz Licks for Guitar is different to other books on the market. You wont just learn licks verbatim with no context. Instead, detailed insight is given into each line, explaining both the theory and technique. This means you will understand the concepts behind the licks and be able to absorb them into your own playing.
As well as discovering 100 musical jazz guitar licks, you will be able to master two complete guitar solos created from licks in the book and you can practise them over the free accompanying backing tracks.
Learning classic jazz guitar licks from paper is one thing, but once you hear how to apply them, they become music. 100 Classic Jazz Licks for Guitar contains over 100 supporting audio examples and 19 backing tracks to help you get inside the music and quickly apply each lick in any real musical situation.
Buy it now to bring the authentic language of classic jazz guitar legends into your playing.
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Learn 100 Jazz Guitar Licks In The Style Of 20 of The Worlds Greatest Players
Published by www.fundamental-changes.com
Copyright 2018 Joseph Alexander
Edited by Tim Pettingale
The moral right of this author has been asserted.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior permission in writing from the publisher.
The publisher is not responsible for websites (or their content) that are not owned by the publisher.
Twitter: @guitar_joseph
Over 10,000 fans on Facebook: FundamentalChangesInGuitar
Instagram: FundamentalChanges
For over 350 Free Guitar Lessons with Videos Check Out
www.fundamental-changes.com
Cover Image Copyright: Shutterstock: Zheltyshev
In the Style of? What does that mean?
To write this book we immersed ourselves in the music of each of the artists covered and spent hours listening to hundreds of tracks. While these one hundred licks are not transcribed directly from the records, they are as stylistically accurate as we can make them.
Each of the five licks for every artist is designed to encapsulate their approach to soloing in a couple of bars. For example, a Wes Montgomery lick in this book should make you say Ahhh! Thats Wes alright!
Of course, its impossible to encapsulate the style of a player in just five phrases the musicians featured here are all talented, complex individuals with rich musical vocabularies; a whole book could be devoted to each one (maybe one day well do that)!
Rather, the phrases here are intended as a starting point for your exploration of each guitarist and their music. If you work through all the examples in this book and practise the licks so that you absorb them into your playing, youll build a comprehensive jazz vocabulary and be well on your way to developing your own style.
You may have bought this book as a shortcut to jazz guitar soloing. We are confident it will help you, especially with the stylistic aspects of each player. Most jazz vocabulary is arpeggio based, but the way that each guitarist makes phrases personal and unique to them is probably the biggest insight this book can give you.
We all expand our vocabulary by copying phrases from other people its how language works. So the best practice you can do to take your playing further is to transcribe the solos of your favourite artists. Turn off the cell phone, close Facebook and just sit with your guitar, figuring out the licks you love. Cherry pick the lines that jump out at you and master them, note by note. That way youll expand your vocabulary in the style you love and, above all, youll sound like you .
Finally, please download the audio for the book. Reading music off paper is one thing, but you really need to hear each lick to get a feel for how its played. Jazz is all about feel. While the notation will show you the notes, the audio will give you the all-important phrasing and nuance. Instructions for getting the audio for free are on the next page.
Above all, have fun exploring the music of these incredible jazz guitarists. Apply everything musically and focus on learning what you enjoy hearing.
We had a huge amount of fun putting this book together. We hope its equally as enjoyable to learn from and provides a unique insight into the music of the guitarists you love.
Good Luck!
Joseph and Pete
Our advice is to pick your favourite guitarist and dive right into their licks. Pay attention to the chords each lick is played over, as they have a profound effect on the feeling of the melody. Once you have the basic grasp of a lick, play it over the accompanying backing track to hear how it sounds and focus on the feel. Play it at 1/4 speed if you need to, until youre comfortable, then gradually bring the lick up to speed with the help of a metronome.
Once youre confident, experiment and play the line in different ways. Phrasing is everything, so begin the lick at different points in the bar. How about sliding, or hammer-ons / pull-offs instead of picking? Aim to make each lick your own.
Use each lick as a basis for your own solos. Learn to develop the lick by changing notes, placement, phrasing, extending, contracting there are hundreds of ways to alter a musical phrase, so trust your ears and have fun; its impossible to make a mistake! Something can be learned from every lick, even if you just take a small part of it and play it at a different speed, or just capture the general vibe. Treat each lick as a starting point rather than a destination. Explore and see where they take you.
Josephs book, Blues Guitar Melodic Phrasing goes into great depth about all these concepts and more. It teaches you how to develop a personal musical language with soul and great phrasing. Youll learn all about placement and displacement and we recommend it as an ideal companion to this book.
Some of the licks in this book, by more speedy players like Pat Metheny and Mike Stern, are technically demanding, as they are played quickly and include many fast note subdivisions. If these licks are too quick for you right now, dont worry because playing them to tempo is a long-term goal.
For further study of jazz and to get more ideas about how to apply these licks, check out the following books from Fundamental Changes.
_ Beyond Chord Melody with Martin Taylor
_ Chord Tone Soloing for Jazz Guitar
_ Fundamental Changes in Jazz Guitar
_ Minor ii V Mastery
_ Voice Leading Jazz Guitar
_ Bebop Jazz Blues Guitar
_ Jazz Blues Soloing for Guitar
The audio files for this book are available to download for free from www.fundamental-changes.com . The Download Audio link is on the menu at the top right. Click the type of book youve bought (guitar, bass etc). This will take you to a form page where youll select the title of your book from the drop-down list. Follow the instructions to get the audio.
We recommend that you download the files directly to your computer, not to your tablet, then extract them before adding them to your media library. You can then put them onto your tablet, iPod or burn them to CD. On the download page there is a help PDF and we also provide technical support via the contact form.
For over 350 Free Guitar Lessons with Videos Check out:
www.fundamental-changes.com
Twitter: @guitar_joseph
Over 10,000 fans on Facebook: FundamentalChangesInGuitar
Instagram: FundamentalChanges
To get the most out of this book, remember that you can double tap any image to enlarge it . Turn off column viewing and hold your Kindle in landscape mode.
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It makes the book come alive, and youll learn much more!
If you have a problem, please get in touch before writing a negative review:
response@fundamental-changes.com
The very few negative reviews we receive are normally based around audio/technical issues that we can solve quickly for you!
Jean Django Reinhardt was born in Belgium on 23rd January 1910 into a family of Manouche Romani (gypsy) descent. Reinhardt spent the majority of his youth in various Romani camps situated around Paris and began his musical career at an early age, initially playing violin, then later the guitar and banjo. It is believed that his father was also musical, playing piano within the family group.
Reinhardt learned guitar quickly and copied many of the musicians he was exposed to, including his uncle who played both guitar and violin. Such was his talent, by the age of 15 he was able to make a living as a performing musician. His first recordings (playing the banjo-guitar) were made in 1928 accompanying three accordionists and a singer called Maurice Chaumel. Reinhardts reputation as a fluid and inventive guitarist grew rapidly and he soon came to the attention of musicians outside of France, including the British bandleader Jack Hylton who subsequently offered him a job.
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