CHINUA ACHEBE
NIGERIAN AUTHOR
- Born in Ogidi (Nigeria) in 1930.
- Died in Boston in 2013.
- Literary awards:
- St. Louis Literary Award, 1999
- Man Booker International Prize, 2007
- Peace Prize of the German Book Trade, 2011
- Notable works:
- Things Fall Apart (1958), novel
- No Longer at Ease (1960), novel
- Arrow of God (1964), novel
- Home and Exile (2000), essays
Chinua Achebe was born in Ogidi, Nigeria, one of the first towns in the country to be visited by Anglican missionaries. His parents had converted to the Church Mission Society, a Protestant denomination, but continued to respect their ancestors traditions.
Achebes gift for reading and writing in English earned him entry to the prestigious Government College in Umuhaia, which was modelled on English public schools and funded by the colonial administration, and had been set up to educate Nigerias future elite. It was a very academically demanding school, and students were only allowed to talk to each other in English, the language of their colonisers.
In 1948, he was awarded a bursary to study medicine at University College in Ibadan, but during his time there he developed an interest in literature and became increasingly critical of the ways Africa and its people were depicted in European fiction. After reading Mister Johnson by Joyce Cary, in which all the Nigerian characters were portrayed as either savages or buffoons, Achebe was so disgusted that he decided to abandon his medical studies and become a writer in order to prevent such glaring cultural ignorance and change peoples perceptions of Africa.
After graduating, he began writing his first novel, which was a major challenge because very few African works of fiction had previously been published in English. However, on a trip to London he met the writer Gilbert Phelps, who introduced him to his agent in 1958. The agent sent Achebes manuscript to numerous publishing houses, and Heinemann decided to take a chance on it. The novel, Things Fall Apart , met with popular and critical enthusiasm in England, but the reception in Nigeria was more mixed. However, years later the Nobel Prize-winning Nigerian writer Wole Soyinka described it as the first English-language novel to describe Africa from a truly African perspective.
Achebe has been described as the father of African literature, not just because of his prolific literary career (he was the author of over 20 books, comprising novels, essays, short stories and poetry collections), but also because of his commitment to getting other African writers published. This, coupled with an impressive academic career that saw him teach in both African and American universities, enabled him to transform African literature and the reputation of its writers.
Achebe died in Boston in 2013, but was buried in his native town of Ogidi. Although he never won the Nobel Prize in Literature, he is widely considered to be one of the greatest writers of the 20 th century, and the over 30 honorary doctorates and countless prestigious literary awards he has received attest to the esteem in which he is held.
Did you know?
Achebe was highly critical of classic authors such as Joseph Conrad. In his essay An Image of Africa: Racism in Conrad's Heart of Darkness , he described the Polish-British writer as a thoroughgoing racist due to his dehumanisation of Africans and his depiction of Africa as a vast, dangerous battlefield devoid of humanity.
THINGS FALL APART
THE END OF AN ERA
- Genre: novel
- Reference edition: Achebe, C. (2001) Things Fall Apart . London: Penguin.
- st edition: 1958
- Themes: masculinity and femininity, tradition versus modernity, pride, disobedience
Things Fall Apart was Chinua Achebes first successful work, and is now considered to be a classic of African literature. Since it was first published in 1958, it has sold over eight million copies and been translated into more than 50 languages, making Achebe the most-translated African author of all time.
The novel tells the story of the celebrated wrestler Okonkwo, who is fighting to escape from the legacy left by his lazy, irresponsible father, and to overcome the problems resulting from the arrival of white missionaries in his town, Umuofia. His world is collapsing around him, and all he can do is struggle in vain against it, even if it costs him his life. The novel is a dazzling fusion of Western realism and Igbo oral tradition with its rituals, festivities, proverbs, tales and songs. It paved the way for a new generation of writers and profoundly altered both how Africans perceived themselves and how they were viewed by the rest of the world.
SUMMARY
LIFE IN UMUOFIA
Umuofia is one of the nine villages of the Igbo nation, and is one of the most feared by its neighbours. It is home to Okonkwo, whose impressive feats have earned him a reputation as one of the most respected wrestlers in the region. He had a difficult childhood because of his father, an idle man who loved good wine and good food, but his efforts to rise above his past have paid off: he is now one of the most respected men in his clan, and has three wives, eight children, two barns and a number of goats and chickens. The rest of the community have realised that he is nothing like his father and see him as a role model.
The first part of the novel introduces us to Okonkwos world through a series of episodes which illustrate what life is like in Umuofia, and by extension in the Igbo world as a whole. It has a rich culture with its own rituals, etiquette, moral codes, religious beliefs, songs and proverbs. As we become familiar with this world, we develop a deep wellspring of empathy which means that we are moved by what happens later on in the novel.
One such episode is the Week of Peace, during which nobody works and the neighbours all bury their grudges and come together to drink palm wine as a way of honouring the earth goddess who is responsible for making sure that crops grow. There is also the New Yam Festival, a celebration for giving thanks and honouring the earth goddess and the clans spiritual ancestors. During the festival, the new yams cannot be eaten until they have been offered to the gods.
The death of Ikemefuna serves as an illustration of Umuofias inhabitants religious beliefs. When a woman from Umuofia was killed in Mbaino, the 14-year-old Ikemefuna was sent to live with Okonkwos family as a token of peace and a way of avoiding further bloodshed. He was welcomed as a member of the family, all of whom immediately warmed to him, especially Okonkwos eldest son Nwoye, who has come to see him as an older brother. However, the Oracle decrees that Ikemefuna must be taken out of Umuofia and killed, and Okonkwo is forced to accept this and participate in the killing or he will be considered weak. Ikemefunas death marks the beginning of Nwoyes rupture with his village and its customs, although he does not realise it at the time.
The second part of the novel opens with Okonkwos exile, which provides us with a further illustration of the way Umuofias laws work. During the frenzied dancing and drum-beating at the funeral of one of the villages greatest warriors, Okonkwo accidentally shoots the dead mans 16-year-old son in the heart. Killing a member of the clan is a crime against the earth goddess, so he has no choice but to leave the village. However, he is allowed to return after seven years because the killing was accidental.