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Charles Bukowski - The Captain is Out to Lunch and the Sailors Have Taken Over the Ship

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    The Captain is Out to Lunch and the Sailors Have Taken Over the Ship
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The Captain is Out to Lunch and the Sailors Have Taken Over the Ship: summary, description and annotation

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A book length collaboration between two underground legends, Charles Bukowski and Robert Crumb. Bukowskis last journals candidly and humorously reveal the events in the writers life as death draws inexorably nearer, thereby illuminating our own lives and natures, and to give new meaning to what was once only familiar. Crumb has illustrated the text with 12 full-page drawings and a portrait of Bukowski.

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2/21/93 12:33 AM

Went to the track today in the rain and watched 7 consensus favorites out of 9 win. There is no way I can make it when this occurs. I watched the hours get slugged in the head and looked at the people studying their tout sheets, newspapers and Racing Forms. Many of them left early, taking the escalators down and out. (Gunshot outside now as I write this, life back to normal.) After about 4 or 5 races I left the clubhouse and went own to the grandstand area. There was a difference. Fewer whites, of course, more poor, of course. Down there, I was a minority. I walked about and I could feel the desperation in the air. These were 2 dollar bettors. They didn't bet favorites. They bet the shots, the exactas, the daily doubles. They were looking for a lot of money of a little money and they were drowning. Drowning in the rain. It was grim there. I needed a new hobby.

The track had changed. Forty years ago there had been some joy out there, even among the losers. The bars had been packed. This was a different world. There was no money to blow to the sky, no to-hell-with-it money, no we'll-be-back tomorrow money. This was the end of the world. Old clothing. Twisted and bitter faces. The rent money. The 5 dollars an hour money. The money of the unemployed, of the illegal immigrants. The money of the petty thieves, the burglars, the money of the disinherited. The air was dark. And the lines were long. They made the poor wait in long lines. The poor were used to long lines. And they stood in them to have their small dreams smashed.

This was Hollywood Park, located in the black district, in the district of Central Americans and other minorities.

I went back upstairs to the clubhouse, to the shorter lines. I got into line, bet 20 win on the second favorite.

When ya gonna do it? the clerk asked me.

Do what? I asked.

Cash some tickets. Any day now, I told him.

I turned and walked away. I could hear him say something else. Old bent white haired guy. He was having a bad day. Many of the mutuel clerks bet. I tried to go to a different clerk each time I bet, I didn't want to fraternize. The fucker was out of line. It was none of his business if I ever cashed a bet. The clerks rode with you when you were running hot. They would ask each other, What'd he bet? But go cold on them, they got pissed. They should do their own thinking. Just because I was there every day didn't mean I was a professional gambler. I was a professional writer. Sometimes.

I was walking along and I saw this kid rushing toward me. I knew what it was. He blocked my path.

Pardon me, he said, are you Charles Bukowski? Charles Darwin, I said, then spepped around him.

I didn't want to hear it, whatever he had to say.

I watched the race and my horse came in second, beaten out by another favorite. On off or muddy tracks too many favorites win. I don't know the reason but it occurs. I got the hell out of the racetrack and drove on in.

Got to the place, greeten Linda. Checked the mail.

Rejection letter from the Oxford American. I checked my poems. Not bad, good but not exceptional. Just a losing day. But I was still alive. It was almost the year 2,000 and I was still alive, whatever it meant.

We went out to eat at a Mexican place. Much talk about the fight that night. Chavez and Haugin before 130,000 in Mexico City. I didn't give Haugin a chance. He had guts but no punch, no movement and he was about 3 years past his prie. Chavez could name the round.

That night it was the way it was. Chavez didn't even sit down between rounds. He was hardly breathing heavily. The whole thing was a clean, sheer, brutal event. The body shots Chavez landed made me wince. It was like hitting a man in the ribs with a sledgehammer. Chavez finally got bored with carrying his man and took him out.

Well, hell, I said to my wife, we paid to see exactly what we thought we would see. The tv was off.

Tomorrow the Japanese were coming by to interview me. One of my books was now in Japanese and another was on the way. What would I tell them? About the horses? Maybe they would just ask questions. They should. I was a writer, huh? How strange it was but everybody had to be something didn't they? Homeless, famous, gay, mad, whatever. If they ever again run in 7 more favorites on a 9 race card, I'm going to start doing something else. Jogging. Or the museums. Or finger painting. Or chess. I mean, hell, that's just as stupid.

Charles Bukowski

The Captain Is Out to Lunch

10/9/91 12:07 PM

Computer class was a kick for sore ballls. You pick it up inch by inch and try to get the totality. The problem is that the books say one way and some people say the other. The terminology slowly becomes understandable. The computer only does, it doesn't know. You can confuse it and it can turn on you. It's up to you to get along with it. Still, the computer can go crazy and do odd and strange things. It catches viruses, gets shorts, bombs out, etc. Somehow, tonight, I feel that the less said about the computer, the better.

I wonder whatever happened to that crazy French reporter who interviewed me in Paris so long ago? The one who drank whiskey the way most men drink beer? And he got brighter and more interesting as the bottles emptied. Probably dead. I used to drink 15 hours a day but it was mostly beer and wine. I ought to be dead. I will be dead. Not bad, thinking about that. I've had a weird and wooly existence, much of it awful, total drudgery. But I think it was the way I rammed myself through the shit that made the difference. Looking back now, I think I exhibited a certain amount of cool and class no matter what was happening. I remember how the FBI guys got pissed driving me along in that car. HEY, THIS GUY'S PRETTY COOL! one of them yelled angrily. I hadn't asked what I had been picked up for or where we were going. It just didn't matter to me. Just another slice out of the senselessness of life. NOW WAIT, I told them. I'm scared. That seemed to make them feel better. To me, they were like creatures from outer space. We couldn't relate to each other. But it was strange. I felt nothing. Well, it wasn't exactly strange to me, I mean it was strange in the ordinary sense. I just saw hands and feet and heads. They had their minds made up about something, it was up to them. I wasn't looking for justice and logic. I never have. Maybe that's why I never wrote any social protest stuff. To me, the whole structure would never make sense no matter what they did with it. you really can't make something good out of something that isn't there. Those guys wanted me to show fear, they were used to that. I was just disgusted.

Now here I am going to a computer class. But it's all for the better, to play with words, my only toy. Just musing there tonight. The classical music on the radio is not too good. I think I'll shut down and go sit with the wife and cats for a while. Never push, never force the word. Hell, there's no contest and certainly very little competition. Very little.

9/30/91 11:36 PM

So, after some days of blank-braining it, I awakened this morning and there was the title, it had come to me in my sleep: The Last Night of the Earth Poems. It fit the content, poems of finality, sickness and death. Mixed with others, of course. Even some humor. But the title works for this book and this time. Once you a title, it locks everything in, the poems find their order. And I like the title. If I saw a book with a title like that I would pick it up and try to read a few pages. Some titles exaggerate to attrat attention. They don't work because the lie doesn't work.

Well, I'm done with that. Now what? Back to the novel and more poems. Whatever happened to the short story? It has left me. Here's a reason but I don't know what it is. If I worked at it I could find the reason but working at it wouldn't help anything. I mean, that time could be used for the novel or the poem. Or to cut my toenails.

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