• Complain

Adams - Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë

Here you can read online Adams - Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: New York, year: 2009;2007, publisher: Random House Publishing Group;Ballantine Books, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë
  • Author:
  • Publisher:
    Random House Publishing Group;Ballantine Books
  • Genre:
  • Year:
    2009;2007
  • City:
    New York
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Coaxed through a depression by her golden retriever, Adams, a psychologist and former English professor, was drawn to five women writers who relied on their dogs for emotional support. Flush distracted Elizabeth Barrett after her favorite brothers death. Formidable, eccentric Emily Bronte, who once savagely beat her fierce mastiff, Keeper, for sleeping on her bed, refused to sentimentalize the human-dog bond in Wuthering Heights. Carlo, a Newfoundland, comforted Emily Dickinson in a dark time--when she may have been in love with a married man--and Edith Wharton mourned the death of one of her pooches more than the death of her mother. And Adams suggests that Virginia Woolf, depicting a dogs trauma in her biography of Flush, who was dognapped for ransom, dealt with her own childhood molestation. Lovers of both dogs and classic writers will identify with this sweet, quirky book.--From publisher description.;Elizabeth Barrett Browning & Flush -- Emily Bront & Keeper -- Emily Dickinson & Carlo -- Edith Wharton & Foxy, Linky, and the dogs in between -- Virginia Woolf & Gurth, Grizzle, Pinka.

Adams: author's other books


Who wrote Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë? Find out the surname, the name of the author of the book and a list of all author's works by series.

Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
For Marty Preface E LEVEN YEARS AGO my curiosity about the human-dog bond - photo 1
For Marty Preface E LEVEN YEARS AGO my curiosity about the human-dog bond - photo 2

For Marty

Preface

E LEVEN YEARS AGO , my curiosity about the human-dog bond was transformed into a compelling interest when Cody, my Golden Retriever, died. I am a psychologist, and I often reassure clients who are mourning the death of a dog that such emotion is normal and appropriate. However, this knowledge did not comfort me when I lost Cody. Even though he had lived a rich, full life, and I had done everything I could to make sure he had a good death, I was bereft when he died.

Cody was part of my daughter and son's childhood in Kansas City, Missouri. He was a puppy when Andrew was a toddler, and the two of them used to tumble on the lawn like littermates. First-grader Kate dressed Cody in doll clothes and took him for rides in a stroller. The three of them grew up together. When Kate was old enough to babysit for Andrew, I knew that Cody would watch over them both. That proved to be true the night some boys, intent on stealing our new television, broke into the house. While Kate huddled upstairs calling our neighbor for help, Cody shed his usual sweet Golden Retriever temperament. Growling and snapping, he chased the boys through the house and out the back door. The neighbor arrived to find the television in the yard and Cody upstairs calming Kate and Andrew.

When my husband was offered a position at a California winery, he was eager to accept, but the children and I were reluctant to leave Kansas City. For nine years, I had been teaching English at the University of Missouri, and I was fond of my students and colleagues. Kate and Andrew were happy with their school and friends. After much deliberation, we decided to make the change, and Cody became part of our family's transition from Missouri to California. Throughout the trip, he seemed to express the whole family's anxiety about moving from the Midwest. When we picked him up in the baggage claim area at the San Francisco airport, he greeted us with ringing barks of protest, which continued throughout the two-hour car ride to our new home in Sonoma. On the way, he saw his first cow, which inspired even more frantic barking. Finally at the new house, Cody saw the swimming poolanother first for himand ran around it in circles of joy, exhilarated to be free again. The children joined him, running and laughing in relief. Cody's exuberance made us all begin to feel at home.

In the next few months, Cody assumed another role. I had a difficult time adjusting to the move and became depressed. Cody would sit patiently when I cried and would stay up with me on the nights I could not sleep. Always calm, unperturbed by tears or anger, Cody would lean against me or lay his head on my lap. His solid presence demanded nothing of me: I did not have to pretend to be all right or feel guilty about being unable to overcome my unhappiness.

Eventually, thanks to a supportive family, a caring and skilled psychotherapist, and Cody, I emerged from depression. At the same time, I found a new direction for my life. I was inspired by the insights I had gained during psychotherapy, and a longtime interest in the field was rekindled. As a result, I began studying to become a psychologist.

During the next years, as I balanced family life with the demands of courses and internships, Cody moved to the background of my attention. Yet I could not ignore his growing stiffness on our morning walks or his whitening muzzle. Even though I saw these signs, his aging still seemed to happen overnight. One day, Cody was running circles around the pool; the next, he was too crippled to climb stairs.

A morning came when Cody did not get up, and he refused to eat or drink. I went for a long walk in the hills and remembered the way the white plume of his tail had shone through the tall grass as he ran ahead of me. I realized we had taken our last walk together weeks ago. I went home and called the veterinarian, who agreed to come to the house and euthanize Cody. Throughout that long day, the family took turns sitting by Cody, petting and talking to him. He appeared detached, but it comforted us to spend time with him. When the veterinarian arrived, Cody did not even look at him but continued to gaze steadily at me. I stroked his paw and kept telling him goodbye. The light in his eyes dimmed, and Cody was gone. We wrapped him in an afghan and buried him in the backyard under the redwoods.

Months later, I was still heartbroken. Cody had been so much a part of everyday life that we all experienced continual small shocks that reminded us he was gone. When we opened the back door, no high-pitched, dolphinlike cries of welcome greeted us. At dinner, there was no hovering presence under the table. In the evenings, we all walked around the place by the fire where he once slept.

Grief for Cody pushed me to examine this question: What explains our intense emotional attachment to our dogs? Determined to understand more about this powerful alliance, I undertook a serious study of the human-dog bond. All the research skills and energy I had applied to my graduate studies I now put to use learning about dogs and their connection to humans. I examined this tie from many points of view: historical, anthropological, psychological, and mythological. However, none fully explained the intense emotions I and others have felt for our dogs. For that, I turned once more to my knowledge of poetry and literature. I began with Emily Dickinson, whose poems I have loved since childhood.

One day, I discovered a note she had written to her literary mentor announcing the death of her dog: Carlo died: Would you instruct me now? I was stunned by the strong reaction I had to these few words. The spare language evoked the bleakness I had experienced after losing Cody. I kept wondering about the question Would you instruct me now? (emphasis added). Had Emily Dickinson relied on Carlo to somehow guide her poetry, to act as a muse? Rereading a collection of her letters, I made a second discovery: Emily Dickinson referred to Carlo as my mute confederate and my Shaggy Ally.

These casual terms of endearment, used by a writer so careful and deliberate with words, struck an immediate chord in me. I knew for certain that Emily Dickinson had cared about Carlo in the same way I cared about Cody.

Intrigued, I looked for other writers who wrote about their relationships with their dogs. Some were men, notably Lord Byron, Thomas Mann, and John Steinbeck. Still, I was drawn to women, especially to those who had depended on dogs for emotional support during childhood and in times of transition, because their experiences were closer to my own. Gradually, a small group seemed to fall naturally into place around Emily Dickinson and Carlo: Elizabeth Barrett Browning, Emily Bront, Edith Wharton, and Virginia Woolf. Had their dogs also acted as mute confederates and Shaggy Allies?

At first, I found it difficult to determine just how significant their dogs had been to them. With the exception of Elizabeth Barrett Browning's Flush, most were either overlooked by biographers or given only slight attention. And yet, photographs and paintings in the biographies often depicted the women with their dogs. For example, almost every book about Emily Bront included at least one of her drawings of the Bront dogs. To me, these images suggested that the dogs had indeed been an integral part of each woman's daily life.

Other sources confirmed this impression. Letters, memoirs, and recollections written by the writers' friends, family members, servants, and neighbors often mention the dogs. In research libraries and archives of the women's unpublished writing, I found drawings they themselves had made of their dogssketches tucked away in notebooks and scrawled in the margins of letters. I delved into contemporary newspaper articles, Victorian pet-keeping practices, village dog-tax records, and inscriptions on tombstonesall of which helped me place these stories in the context of the times in which the writers lived. Ultimately, though, the writers' own wordstheir diaries, letters, poems, or novelstruly revealed the powerful bond each woman had with her dog.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë»

Look at similar books to Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë»

Discussion, reviews of the book Shaggy muses: the dogs who inspired Virginia Woolf, Emily Dickinson, Edith Wharton, Elizabeth Barrett Browning, and Emily Brontë and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.