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Wheeler Winston Dixon - A Short History of Film, Third Edition

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Wheeler Winston Dixon A Short History of Film, Third Edition

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With more than 250 images, new information on international cinemaespecially Polish, Chinese, Russian, Canadian, and Iranian filmmakersan expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.

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A SHORT HISTORY OF

FILM

A SHORT HISTORY OF

FILM

THIRD EDITION

WHEELER WINSTON DIXON AND GWENDOLYN AUDREY FOSTER

RUTGERS UNIVERSITY PRESS

NEW BRUNSWICK, NEWARK, AND CAMDEN, NEW JERSEY, AND LONDON

Third Edition

ISBN 978-0-8135-9512-2 (pbk)ISBN 978-0-8135-9513-9 (cloth)ISBN 978-0-8135-9514-6 (e-Pub)ISBN 978-0-8135-9515-3 (e-Pub)ISBN 978-0-8135-9516-0 (Web PDF)

The Library of Congress has cataloged the second edition of A Short History of Film as follows:

Library of Congress Cataloguing-in-Publication Data

Dixon, Wheeler W., 1950

A short history of film / Wheeler Winston Dixon and Gwendolyn Audrey Foster.

p. cm.

Includes bibliographical references and index.

ISBN 978-0-8135-6055-7 9 pbk. : alk. Paper 0-ISBN 978-0-8135-6057-1 (e-book)

1. Motion pictures-History. 2. Motion Picture industry-History.

I. Foster, Gwendolyn Audrey. II. Title

PN 1993.5.A1D53 2008

791.437dc22

2007022097

A British Cataloging-in-Publication record for this book is available from the British Library.

Copyright 2018 by Wheeler Winston Dixon and Gwendolyn Audrey Foster

All rights reserved

No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage and retrieval system, without written permission from the publisher. Please contact Rutgers University Press, 106 Somerset Street, New Brunswick, NJ 08901. The only exception to this prohibition is fair use as defined by U.S. copyright law.

Picture 1 The paper used in this publication meets the requirements of the American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1992.

www.rutgersuniversitypress.org

Manufactured in the United States of America

To the filmmakers,

historians,

and critics

of the twenty-first century

CONTENTS

Our first thanks go to Leslie Mitchner of Rutgers University Press for commissioning this volume and believing in it from the outset. We also give our deepest thanks to Dana Miller for a superb typing job; to Jerry Ohlinger for the many stills that grace this volume; to Michael Andersen for his assistance with the bibliography; to Dennis Coleman for help in research; to Virginia Clark for tirelessly checking facts and copyediting the first draft; to Eric Schramm for an excellent job of copyediting subsequent drafts; and to David Sterritt for a thorough and meticulous reading of the final text. We would also like to salute our many colleagues in the Department of English at the University of Nebraska, Lincoln, and its chair, Marco Abel, for his continuing support of our work.

For their many invaluable insights, we would like to thank our friends and companions over the years, too numerous to mention here, who first saw these films with us; the discussions we have had with our colleagues in film studies at other universities, as well as with our students, are surely reflected in this text as well. For this third edition of this volume, we also want to thank the many students and outside readers who enthusiastically read and critiqued the first two editions of this work. Finally, we thank the University of Nebraska Research Council for a Maude Hammond Fling Research Fellowship that aided us considerably in the completion of this book.

We wish to note that the material incorporated in this text on Dorothy Arzner, Jean Cocteau, Danile Huillet, Jean Renoir, and Jean-Marie Straub, written by Wheeler Winston Dixon, originally appeared in The Encyclopedia of Film , edited by James Monaco and James Pallot (New York: Perigee/Putnam, 1991), provided by Baseline StudioSystems. The material on Chantal Akerman, Dorothy Arzner, Jacqueline Audry, Joy Batchelor, Kathryn Bigelow, Muriel Box, Vera Chytilov, Julie Dash, and Doris Drrie, written by Gwendolyn Audrey Foster, from Women Film Directors: An International Bio-Critical Dictionary , is reproduced with permission of Greenwood Publishing Group, Westport, Connecticut. This material has been significantly revised for its inclusion here.

1832

The Phenakistoscope, a spinning wheel with an image at its center that seems to move, is invented by Joseph Plateau in Belgium.

1834

William Horner refines Plateaus Phenakistoscope into the Zoetrope.

1872

Edweard Muybridge shoots his famous series of still images of a horse in motion to settle a bet; when viewed in sequence, the stills form a primitive movie.

1873

Alice Guy, the first woman film director, is born in France.

1880

China and the United States sign a trade and immigration treaty.

1881

U.S. President James Garfield is assassinated.

Fyodor Dostoevsky dies.

Czar Alexander II of Russia is assassinated.

1882

tienne-Jules Marey invents his shotgun camera.

Britain invades Egypt.

Birth of director Lois Weber.

1883

The French Impressionist painter Edouard Manet dies.

The Brooklyn Bridge opens.

The birth of the U.S. Navy, with the construction of three battleships.

1884

Belgium opens the Congo to free trade, under the colonial rule of King Leopold.

Birth of African American filmmaker Oscar Micheaux.

1885

Germany colonizes Tanzania and Togoland.

1886

British film pioneer William Friese-Greene begins work on a motion picture camera and projector.

1887

War breaks out between Ethiopia and Italy.

President Grover Cleveland signs the Interstate Commerce Act, regulating railroads.

Celluloid nitrate film is invented.

1888

Inventor Louis Aim Augustin Le Prince shoots a short film of traffic on a bridge in Leeds, England; the film is probably the first movie ever shot and then shown to the public.

George Eastman produces the first lightweight camera and trademarks the Kodak name.

Anita Loos, American screenwriter, is born.

1889

The Oklahoma Land Rush.

The Johnstown Flood in Pennsylvania kills 2,000 people when a dam bursts.

George Eastman manufactures celluloid roll film.

1890

William Kennedy Laurie Dickson builds the first modern movie camera, the Kinetograph, under instructions from Thomas Alva Edison.

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