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R.M. Murray - Bleak: The Mundane Comedy

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R.M. Murray Bleak: The Mundane Comedy
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Bleak: The Mundane Comedy: summary, description and annotation

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Roddy Murray has something to say. About a life full of mishaps, varied and various. Brushes with death hed like to recount, truths and untruths hed like to get off his chest. Hes no celebrity, but he has stories to tell. So this is a memoir... of sorts. Of primary school corporal punishment, seasickness, sunburn and hungover days on the Isle of Lewis. Of being a Bastard from Hell punk and a Dreamboy with Peter Capaldi and Craig Ferguson at Glasgow School of Art. Of illegal firearms, vans with vendettas, dodgy boats and a spectacularly good potato peeler. Murray is the embodiment of an essential human survival skill: our ability to laugh in the face of adversity, or even just embarrassment.

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i A heartwarming trip through the ruins of youthful delusion much of which I - photo 1

i

A heartwarming trip through the ruins of youthful delusion, much of which I dont remember.
Peter Capaldi

Here we have the trampings of a slight Chaplinesque figure whose fickle fate seldom tires of tripping him up.
Finlay MacLeod

The moors, a hamster perishing from hypothermia, the drinking habits of Glaswegian punks, the fascination with boxing, a sheep in a house, the outdoorsy tramping the subjects are indeed bleak. But the writing is animated, curious, precise and horribly candid. Not bleak. Nor are the many incidental digressions and the constant wryness. Invigorating as a gallon of Lanliq with an Eldorado chaser. Jonathan Meades

ii

My parents and brothers Carnival Day Stornoway 1966 I got lost v For - photo 2

My parents and brothers, Carnival Day, Stornoway, 1966. (I got lost.)

v

For Moira

vi

Early mishap Ness Isle of Lewis 1961 vii The sense of unhappiness is so - photo 3

Early mishap. Ness, Isle of Lewis, 1961

vii

The sense of unhappiness is so much easier to convey than that of happiness.

Graham Greene, The End of the Affair

Se am pian a tha nad cheann fhein is miosa.
Its the pain in your own head thats worst.

Sean-fhacal / Gaelic proverb

When you describe an experience, what you are recounting is your memory of the act, not the act itself. Experiencing a moment is an inarticulate act. There are no words. It is in the sensory world. To recall it and to put words to it is to illustrate how one remembers the past, rather than actually experiencing the past. Keep this in your mind as you read the words of others as they remember an incident.

Michael Winter, All This Happened viii

ix
Contents
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The published narratives of endurance are typically on a heroic scale. Of triumph over outsize adversity: exploration, adventure, enterprise. Life-threatening illness, or injury, abuse, addiction, deprivation, personal loss, man-made and natural disasters. Fanatical parents. How I was trapped, kidnapped, held hostage War.

Or, how I framed my own DIY legend, by recreating a mythic in the footsteps of historical journey, or challenged myself to cross Australia on a unicycle.

The default celebrity memoir testifies to the emptiness and responsibility of fame, money, success and power. And the pilgrimage to redemption and fulfilment.

Yet because they represent the extremes and the extraordinary in human endeavour, they are by definition unrepresentative, non-relatable. They are XXL experiences. Not a good fit for the smaller figure. While our bespoke, bottled-up self-knowledge expands from within to occupy, shape or distend us.

At the time of writing, Ive still got all my own teeth, never broken a bone, been in a car crash or spent a night in hospital. Never had an STD, not allergic to anything I know of, will eat most things put in front of me, never been abused, entered a court of law or even had points on my driving licence It all points to a dearth of decent material, of character-forming drama. Technically, Im ineligible.

And now the context has changed. Its all extreme. In the midst of a global pandemic we have lost our bearings and moorings. Its too big. Too unpredictable and unfathomable.

This testament, although it hasnt altered or moved since it was written, now sits in a different place. The mood has shifted. The contrast control is malfunctioning, veering between horror and banality. From footage of mass graves to memes on domestic incarceration. Tragedy and toilet rolls.

If Im spared the grim, fate-laden qualifier to any statement of intent on the Isle of Lewis I can now say without irony.

So. What to say? What to do? What else but soldier on. Read on. It is what it is and we are where we are.

To not identify or involve others those who, out of necessity, choice, or a variant of luck, had some part to play in my life Ive had to smudge, compress, delete, shunt, feint, relocate, rename and lie a bit. That said, its all true. Mostly.

R.M. Murray, July 2020

Island exports The Loch Seaforth with herring barrels 1960s From the T B - photo 4

Island exports: The Loch Seaforth with herring barrels, 1960s. From the T B Macaulay Collection, by kind permission of Mrs Kirsty Maciver.

After the war, my father worked as the Collector of Dues for the Stornoway Pier and Harbour Commission. He met my mother in the ticket office at the ferry terminal for MacBrayne shipping company. Soon after, in 1955, they got married. I was born in 1956. Two years later, my brother Iain arrived, then Donald in 1960 and Kenneth Malcolm in 1964. Its how things were done.

At the time, the mainland connection with Stornoway was the railhead at Mallaig with a stop-over at Kyle of Lochalsh. The mail steamer that plied that route from 1947 to 1972 was the Loch Seaforth. And in all that time it only ever missed one sailing as a result of bad weather: the 31st of January, 1953, when the 7,000- tonne cargo liner Clan MacQuarrie ran aground at Borve on the west coast of Lewis, resulting in the largest breeches buoy rescue in history.

Much was made of the barely imaginable ferocity of that storm. But it was the fact that even the Loch Seaforth had not sailed that night that emphatically put it into perspective.

As an adult, you are the sum total and resolution of all your mistakes. In time you might stand at the same vantage point your parents once did, recognise the place and experience a kind of retroactive empathy. As I have. Even so, I still find it baffling as to why they thought it a good idea to take four young children on a near twenty-four-hour round trip to Mallaig on the Loch Seaforth. They told us we were going on a cruise.

My youngest brother was still a baby, so I could only have been eight years old. The outward leg was overnight and, just before midnight, long past our bedtime, we got a lift into Stornoway and drew up outside the art deco ferry terminal on Number 1 Pier, boarding via the dimly lit, steep gangplank. The weather was not remarkable enough to recall.

With her graphic black, white and red livery, embellished with gold, the Loch Seaforth was the flagship of MacBrayne fleet. An impressive, imposing vessel, she embodied the stout values of pride, order and competence in the established tradition of British merchant shipping. Her handsome nautical trim an ensemble of wooden railings and decking, lifebelts and lifeboats, coiled ropes and fluttering flags.

On board, my parents talked and smoked with acquaintances in the haze of the saloon while we ran around and explored. There was an air of general conviviality and anticipation. A chatter and hum. Soon after casting off, we were taken down to our quarters towards the bow on the starboard side.

It was not spacious. Or comfortable. The mattresses were unyielding and covered in a bristly, stippled material while the ground tone was the thundering thrum and smell of the engines, counterpointed by the pervasive aftertaste of the galley. None of which mattered in the broader context of this huge adventure.

As we cleared the harbour and arced our way out to sea, the initially benign motion of the ship gradually matured into a slow, metronomic swing. The ominous development reaching its optimum when the porthole above our berths began to submerge under a green and white froth and then yaw up to the night sky as a recurrent black hole.

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