For my nieces Erika and Katrina, dancers and actors bothC.G.
To Whitney, Stephanie and Haley. May your light shine foreverVPT
PENGUIN WORKSHOP
An Imprint of Penguin Random House LLC, New York
Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.
The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
Text copyright 2002, 2013 by Catherine Gourley.
Illustrations copyright 2002 by Val Paul Taylor.
Cover illustration copyright 2002 by Penguin Random House LLC. All rights reserved. Published in 2002 as Who Is Maria Tallchief? and in 2013 as Who Was Maria Tallchief? by Penguin Workshop, an imprint of Penguin Random House LLC, New York. PENGUIN and PENGUIN WORKSHOP are trademarks of Penguin Books Ltd. WHO HQ & Design is a registered trademark of Penguin Random House LLC.
Visit us online at www.penguinrandomhouse.com.
Library of Congress Control Number: 2002003909
ISBN 9780448426754 (paperback)
ISBN 9780399540080 (ebook)
Version_2
Who Was Maria Tallchief?
Maria Tallchief was a ballerina, but she was not just another toe-dancer. She was Americas first prima ballerina. A prima ballerina is the star of the show, the very best dancer on the stage. Maria danced for kings and queens and presidents. She thrilled her audiences with amazing leaps and arabesques. Her performances as a swan queen, a sugar plum fairy, and a magical firebird stand out as some of the most beautiful chapters in American ballet history.
She was a Native American, the daughter of a full-blooded Osage. Marias story begins on the Osage reservation in the rolling hills of northeastern Oklahoma. As a child, the beat of the tom-toms excited her. The rhythm of the drums filled the hollow of her bones. The songs of her peoples past woke within her a love of dance and the prima ballerina she would one day become.
Chapter 1
The Osage Reservation
Maria opened her eyes. She had fallen asleep in the living room, and now her father was carrying her upstairs. She snuggled closer against his warm body and stared at his shiny black hair. His dark eyes smiled down at Maria.
Marias first memory was that tender moment, waking to find herself safe in her fathers arms. She was three years old, and her father seemed like a giant to her. Alexander Joseph Tall Chief was six feet two inches. He had broad shoulders and a swaggering confidence that had won the heart of Ruth Porter, a farm girl from Kansas. He was Osage. She was Scottish and Irish. They were married soon after meeting in the small town of Fairfax, Oklahoma.
Maria came into the world on a cold winter day, January 24, 1925. Her parents named her Betty Marie, after her two grandmothers, Elizabeth, Eliza, Tall Chief and Marie Porter. Maria had an older brother named Jerry. When Maria was almost two years old, her sister Marjorie was born. The Tall Chief family lived in a ten-room, red-brick house on a hill overlooking the Osage reservation.
The Osage hills were a magical place for Maria. The prairie grasses bowed their heads and whispered in the wind. Wildflowers bloomed goldenrod yellow and daisy white. Butterflies and the songs of meadowlarks filled the air. In summer, Maria hunted through the high grasses for arrowheads. The sharp tips of stone were bits of Osage history. Whenever she found one, she said, shivers raced up her spine.
The Osage had lived on the plains of North America for many hundreds of years. Before the white settlers came, the prairie was a sea of grasses so tall that an Osage hunter had to stand on the back of his pony to see what lay beyond. The brown clouds and thunder in the distance were herds of buffalo. The Osage called these bearded animals brothers.
The white settlers, whom the Osage called Heavy Eyebrows, changed the land and the lives of the native people forever. Heavy Eyebrows plowed under the sweet-smelling grasses to farm the land. They slaughtered and skinned the buffalo, sending the woolly hides back East on the railroads that they had built across the plains. In some places along the iron rails, mounds of buffalo bones rose almost as high as the ancient prairie grasses.
The government of the white settlers forced the Osage onto reservations, first in the country Heavy Eyebrows called Kansas, then to a new place called Oklahoma. The Osage were hunters and gatherers. Without the buffalo,they could not hunt. Heavy Eyebrows wanted the Osage to become farmers. Year after year they scratched a living from the baked-red soil, but the crops they grew were not enough. The Osage were a proud people. Now they were starving. They had no choice but to accept the handouts of food and supplies from the white government agents.
Marias ancestors had a belief, howeveran ancient prophecy. One day, great wealth would return to the Osage. At the start of the twentieth century, the prophecy came true. Beneath the whispering grasses, miles below the rolling hills of northeastern Oklahoma, was a lake of black goldoil. The discovery of oil on the reservation made the Osage people the wealthiest Native American tribe in the country. Soon, hundreds of oil derricks were pumping the black gold to the surface. By the time Maria was born, these clanking and hissing metal skeletons had replaced the humped-back buffalo on the prairie of Oklahoma.
Oil saved the Osage people from starvation. But oil also brought trouble, especially to the Tall Chief family.