• Complain

George Bernard Shaw - Pygmalion, Heartbreak House, and Saint Joan

Here you can read online George Bernard Shaw - Pygmalion, Heartbreak House, and Saint Joan full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2021, publisher: Oxford University Press, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

George Bernard Shaw Pygmalion, Heartbreak House, and Saint Joan

Pygmalion, Heartbreak House, and Saint Joan: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Pygmalion, Heartbreak House, and Saint Joan" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

George Bernard Shaw: author's other books


Who wrote Pygmalion, Heartbreak House, and Saint Joan? Find out the surname, the name of the author of the book and a list of all author's works by series.

Pygmalion, Heartbreak House, and Saint Joan — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Pygmalion, Heartbreak House, and Saint Joan" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
oxford worlds classics PYGMALION HEARTBREAK HOUSE AND SAINT JOAN George - photo 1
oxford worlds classics
PYGMALION, HEARTBREAK HOUSE, AND SAINT JOAN

George Bernard Shaw was born in Dublin in 1856 into a family of Irelands well-established Protestant Ascendancy. His fathers alcoholism and business ineptitude caused the familys fortunes to decline, and Shaw left school at 15 to work as a clerk in a land agents office. In 1876, he moved to London, where he attended public lectures, joined political and cultural organizations, and, on most days, furthered his learning in the Reading Room of the British Museum. In 1884, he became a member of the newly founded Fabian Society, which was devoted to political reform along socialist principles, and remained one of their leading pamphleteers and campaigners for much of his life. Starting in the mid-1880s, Shaw worked variously as a book, music, art, and theatre reviewer, and this cultural criticism formed the basis of his important studies The Quintessence of Ibsenism (1891) and The Perfect Wagnerite (1898). He began playwrighting in earnest in the early 1890s, with Widowers Houses (1892), but his early plays were largely unperformed as they did not conform with the commercial theatres demands for musicals, farces, and melodramas. Shaw finally found success in New York in 1898 with The Devils Disciple (1897). With the windfall from the production, he retired from journalism and married Irish heiress Charlotte Payne-Townshend. In the new century, Shaw embarked on forging a theatre of the future, transforming the problem and discussion play into a theatre of ideas with Man and Superman (1903), John Bulls Other Island, and Major Barbara (1905). The popular writer of Fannys First Play (1911) and Pygmalion (1912) became a pariah following his condemnation of jingoistic patriotism at the outset of the First World War. His comeback was slow but he achieved worldwide acclaim as the writer of Saint Joan (1923) and was awarded the 1925 Nobel Prize for Literature. He continued to write plays, including The Apple Cart (1928) and Geneva (1936), but his output dropped off significantly in the 1940s. Shaw died at his home in Ayot St Lawrence in 1950.

Brad Kent is Professor of British and Irish Literatures at Universit Laval in Quebec City, Canada. His publications include The Selected Essays of Sean OFaolain (McGill-Queens University Press, 2016) and George Bernard Shaw in Context (Cambridge University Press, 2015). He is general editor of the Oxford Worlds Classics series of Bernard Shaws writings.

oxford worlds classics

For over 100 years Oxford Worlds Classics have brought readers closer to the worlds great literature. Now with over 700 titlesfrom the 4,000-year-old myths of Mesopotamia to the twentieth centurys greatest novelsthe series makes available lesser-known as well as celebrated writing.

The pocket-sized hardbacks of the early years contained introductions by Virginia Woolf, T. S. Eliot, Graham Greene, and other literary figures which enriched the experience of reading. Today the series is recognized for its fine scholarship and reliability in texts that span world literature, drama and poetry, religion, philosophy and politics. Each edition includes perceptive commentary and essential background information to meet the changing needs of readers.

Pygmalion Heartbreak House and Saint Joan - image 2

Great Clarendon Street, Oxford, ox2 6dp , United Kingdom

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

Editorial material Brad Kent 2021

The moral rights of the author have been asserted

First published as an Oxford Worlds Classics paperback 2021

Impression: 1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer

British Library Cataloguing in Publication Data

Data available

ISBN 9780198793281

ebook ISBN 9780192511768

Printed and bound in Great Britain by

Clays Ltd, Elcograf S.p.A.

ACKNOWLEDGEMENTS

I have benefited from the support of several people in assembling this edition. Marianne Paquin helpfully tracked down scores of sources. Similarly, the staff and archivists at Universit Lavals library, the British Library, the Victoria & Albert Theatre and Performance Archives, and the University of Texas at Austins Harry Ransom Center have facilitated my research in countless ways. I have benefited enormously from collaborating with Sos Eltis, David Kornhaber, Liz Miller, Jim Moran, Larry Switzky, and Matt Ydemy fellow editors in the Oxford Worlds Classics Shaw series, wonderfully gifted scholars, and kind people all. Leonard Conolly, Nicky Grene, Gustavo Rodrguez Martn, and Michel Pharand have been generous with their friendship, expertise, advice, and criticism. At Oxford University Press, Luciana OFlaherty and Kizzy Taylor-Richelieu have provided guidance at every stage of the series development. And, as always, I am grateful to Anne, Ryan, and Zo for all of the love and the laughs.

CONTENTS

By the time Pygmalion opened in London on 11 April 1914, Shaw was the best-known personality in England. The plays success in the West End and across the globe solidified his reputation as the worlds greatest living playwright. Within a matter of months, though, he fell from those heights, becoming public enemy number one for his criticism of British jingoism at the outset of the First World War. Prime Minister Herbert Henry Asquith told people that Shaw ought to be shot, many of the colleagues whom Shaw had supported and aided over the years turned their backs on him, and his plays thereafter were rarely performed. Yet just as the Church canonized the former heretic Joan of Arc in 1920, Shaws play about her led to his own apotheosis and redemption: Saint Joan stormed stages, garnered some of the strongest reviews of his career, and led to his public adoration. His play Mrs Warrens Profession, which the British censorship had banned for over three decades, was suddenly granted a licence for a public performance, causing Shaw to remark that he was in the very odor of sanctity after St Joan. now flooded him with requests to perform his works, and he was awarded the 1925 Nobel Prize for Literature. The plays in this volume are the fruits of these three distinct personal contexts, representing two pinnacles separated by a traumatic nadir. Although highly critical of melodramas, even Shaw would admit that audiences always love a good comeback story.

They also love the self-made mans tale of rags to riches. Born in Dublin on 26 July 1856 to a family in economic and social decline, Shaw was raised in genteel poverty. Having left school at the age of 15, he clerked for a land agency until he fled his native Ireland for London on 1 April 1876. As he later commented, London was the literary centre for the English language, and for such artistic culture as the realm of the English language (in which I proposed to be king) could afford. Once settled, he adopted a highly disciplined routine of intellectual betterment, spending his days in the Reading Room of the British Museum where in five years he churned out five novels, four of which appeared episodically in socialist periodicals. The autodidactic Shaw read widely and voraciously, attended public debates on all manner of social, political, economic, and cultural topics, and became a member of a number of literary associations. In 1884, he joined the newly founded Fabian Society, an organization dedicated to popularizing socialist objectives, and quickly became its most recognizable proponent.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Pygmalion, Heartbreak House, and Saint Joan»

Look at similar books to Pygmalion, Heartbreak House, and Saint Joan. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Pygmalion, Heartbreak House, and Saint Joan»

Discussion, reviews of the book Pygmalion, Heartbreak House, and Saint Joan and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.