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Tabitha Lasley - Sea State: A Memoir

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Tabitha Lasley Sea State: A Memoir

Sea State: A Memoir: summary, description and annotation

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A Recommended Read from: Vogue * USA Today * The Los Angeles Times * Publishers Weekly * The Week * Alma * Lit Hub

A stunning and brutally honest memoir that shines a light on what happens when female desire conflicts with a culture of masculinity in crisis

In her midthirties and newly free from a terrible relationship, Tabitha Lasley quit her job at a London magazine, packed her bags, and poured her savings into a six-month lease on an apartment in Aberdeen, Scotland. She decided to make good on a long-deferred idea for a book about oil rigs and the men who work on them. Why oil rigs? She wanted to see what men were like with no women around.

In Aberdeen, Tabitha became deeply entrenched in the world of roughnecks, a teeming subculture rich with brawls, hard labor, and competition. The longer she stayed, the more she found her presence had a destabilizing effect on the menand her.

Sea State is on the one hand a portrait of an overlooked industry: offshore is a way of life for generations of primarily working-class men and also a potent metaphor for those parts of life we keep at bayclass, masculinity, the transactions of desire, and the awful slipperiness of a ladder that could, if we tried hard enough, lead us to security.

Sea State is on the other hand the story of a journalist whose professional distance from her subject becomes perilously thin. In Aberdeen, Tabitha gets high and dances with abandon, reliving her youth, when the music was good and the boys were bad. Twenty years on, there is Caden: a married rig worker who spends three weeks on and three weeks off. Alone and in an increasingly precarious state, Tabitha dives into their growing attraction. The relationship, reckless and explosive, will lay them both bare.

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4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London - photo 1

4th Estate

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.4thEstate.co.uk

HarperCollinsPublishers

1st Floor, Watermarque Building, Ringsend Road

Dublin 4, Ireland

This eBook first published in Great Britain by 4th Estate in 2021

Copyright Tabitha Lasley 2021

Cover design by Ellie Game

Cover illustration Getty Images

Tabitha Lasley asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008390938

Ebook Edition February 2021 ISBN: 9780008390952

Version: 2021-12-10

For Mum, with love and gratitude

Every journalist who is not too stupid or full of himself to notice what is going on knows that what he does is morally indefensible.

JANET MALCOLM , The Journalist and the Murderer

Sigh no more, ladies, sigh no more,

Men were deceivers ever

One foot in sea and one on shore

To one thing constant never.

WILLIAM SHAKESPEARE , Much Ado About Nothing

This book is based on a series of interviews conducted over a six-month period. Names, workplaces and identifying features have been changed, to protect the privacy of interviewees. A few of the interviews are composites of several separate interactions; they have been condensed for the sake of narrative clarity, and also to anonymise the individuals featured. Any resemblance to actual persons, living or dead, is purely coincidental.

There was one girl who came out to our rig. She was only nineteen. One night, she was playing pool in the rec room. She was wearing hot pants. Word got round, and the rec room started filling up. And up. And up. Soon, it seemed like every lad on the rig was in that room, sitting there, watching her play pool. She didnt get disciplined, she hadnt done anything wrong, but her supervisor did. They said: You should have told her, you should have let her know she cant do that here. That was your job, to tell her that, and you didnt do it. As for the girl, she never came back. That was her first trip offshore. And her last.

ONE

Wheres home?

I was looking at his mouth as I said this. Id never heard an accent like his before. It was a bit like mine (corrosive Scouse k; some of the same distended vowels), but with a north-eastern melisma that turned module into mod-joo-al, sure into shower.

His lips were thin, yet gave the impression of fullness. They looked soft and malleable. His mouth was bracketed by two deep grooves that ran from either side of his nose to his chin and vanished when he smiled. I resisted the urge to insert a finger into one and push up, to see it disappear. As his lips parted and he prepared to speak, I saw the narrow gap between his teeth.

Stockton, he said.

*

On the road where my mother lives, there is a black spot where people sometimes die. They call it the bends. The area is semi-rural. Modern housing estates bisected by tracts of green. Markers of real countryside. Passing places, farm tracks, concealed entrances. The roads are wide, with a lazy camber that invites speeding. One night, we were driving down the bends, on the way back from Kinetic, and we crashed. It was November and it was raining. My boyfriends car was a cheap little hatchback with slender tyres, and as he took a corner too quickly, the wheels lost contact with the surface of the road. The car slid across the tarmac like a blade over ice, tumbling through a metal gate, a fence, a hedgerow seamed with wire. I watched the hedge rushing up to meet us, illuminated in the headlights glare, and thought that this time I would die.

We had crashed twice before, and I had a very clear sense, in those twirling, elastic seconds, that I was now out of chances. The boys in the back told me later that they thought I had died. They saw my head, in its blue Fila bucket hat, hit the roof three times and drop towards my sternum, the stem of my neck flopping ominously. But as the car came to rest in a ditch, and my boyfriend barked at his passengers to get out, get the fuck out, because beneath the bonnet the engine had started to smoke, I sat up and bit down. Between my molars, I could feel something like grit. Glass, smashed to a fine grain. I tried to open the door, but the barbed wire had wrapped itself around the car as we rolled, like twine around a spindle. I rattled at the handle, panic unfurling in my chest, and saw I was alone.

By the time Id scrambled out of the door on the drivers side, my boyfriend was almost back at the bends. The car no longer looked like a car, but a pumpkin. The roof was crushed, the chassis splayed around the middle. There was no glass left in the windows or windshield. On impact, the steel had simply crumpled. I stared at it, too shocked to cry. How was it all five of us had walked away unharmed? Divine intervention. There could be no other explanation.

Except we werent unharmed. The substance of the crash clung to me. For a long time afterwards, whenever I closed my eyes, I would see it: the veering headlights and bright spot of hedgerow, approaching far too fast. It still lurked beneath the waterline, and sometimes, when I was driving, Id see it unfold in front of me. The car slipping out from under my control. Futile screech of brakes. Spiralling gravel, grass, birds, sky, soil. Black. Things ending with a crunch. Bone on concrete, slowly pooling blood.

Accidents happen when a few causal factors combine. An intersection of unlucky coordinates. Bad weather. Curving route. Young driver. Old car. The music didnt help: loud and propulsive enough to make him put his foot down. It was an old house tune (old even then, and this was twenty years ago) but its couplets had the cadence of a nursery rhyme, or a childs prayer.

When I go to bed at night, I think of you with all my might.

I love you. Fool.

Remember? Relate.

In some ways, he was the most instructive of all my boyfriends. He was two years older than me, at a time when that made a difference. He taught me things. His gospel relayed a frank and austere world I knew little of, but his lessons stayed with me forever. Some I passed on to other people. He taught me how to lace trainers so the knots couldnt be seen. How to tie a Berghaus in the middle so it still looked girly. He taught me I still dont know how he knew about this to put the soles of my feet together when I came, to intensify the pleasure. He taught me about hardcore before it became happy hardcore, how it used to have a breakbeat and a looming sense of doom.

He tried to teach me, with limited success, how to fight, how to throw a punch. He told me every boy must resign himself to being beaten at least once in his life. He administered several of these beatings himself, but he also received one, when a troop of unknown boys picked him up and carried him shoulder high through the train station, as a triumphant football team bears their captain around the pitch. Once inside, they dropped him onto the platform, stamped on his ribs and kicked him in the head. It was an unprovoked attack, an outpouring of tribal fury, and he accepted it without shame, without looking for reasons or seeking recompense. He knew the reasons. It was his cosmic bill come in. A tax on his maleness.

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