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Lisa Tracy - Objects of Our Affection: Uncovering My Familys Past, One Chair, Pistol, and Pickle Fork at a Time

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Objects of Our Affection: Uncovering My Familys Past, One Chair, Pistol, and Pickle Fork at a Time: summary, description and annotation

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Amazon.com Review **Lisa Tracy on *Objects of Our Affection*** *Objects of Our Affection* is about one family, and its also about why we Americans have so much stuff, and why we hang onto it. There are thousands of storage bins out there, not to mention unexamined attics, which attest to our love of our things... to the nervousness we feel about getting rid of Aunt Marthas soup tureen... to the sadness we feel if we even think of selling the antique chair that Grandpa always sat in... and to the stories we are even now attaching to that mug we just picked up at the flea market. My sister and I were in the process of trying to deal with a couple of storage bins of family possessions when I began thinking about it all: WHY was this so hard? We each already had a house full of furniture, and we sure didnt need any more. But this stuff had been in the family for many years, and it seemed sort of, well, disrespectful to get rid of it. And yet we did--or a lot of it, anyway--after a good deal of soul-searching. *Objects of Our Affection* is the story of that odyssey from the attic to the storage bins to the auction house... and beyond. What I learned in the process was that the family was *in* the furniture. Our family was military, for generations, and that made us the essential American nomads. I believe that is part of why my parents, grandparents, and the generations before them had held onto the things they brought with them as they traveled the globe. Their things had become their home, which made those possessions all the dearer to them. But we are a nation of nomads, and I think that sense of finding home in our things is why all of us hold onto them so tightly, whether we realize it or not. I also learned that, even if your family isnt loaded with things, anytime you acquire an object, a story starts around it. Once you realize that the stories are what you really cherish, that makes it a little easier to accept the idea of letting go. Our own stories included traces of an 1870s childhood in Apache territory; battles in China, France, the Philippines, and South Dakota; a Down syndrome son who died young but left an indelible impression; my grandmothers secret marriage and subsequent annulment, which had never been mentioned in the family; a silent tug-of-war with a mother-in-law. The stories lived on in horsehair chairs and carved chests, in a silver locket, and yes, in that pickle fork--but also in a simple salt shaker. So... the objects: We can keep them, we can give them up. The stories remain. They are the heart of the matter. *Objects of Our Affection* is my fifth book. During a life as a journalist, I edited the Home & Design pages of the *Philadelphia Inquirer*, wrote press releases about Jacques Cousteau, traveled 13,000 miles around the country in 14 weeks, and became passionate about what makes us tick, as Americans. Im convinced our stuff holds a big piece of the answer to that question. *--Lisa Tracy* (Photo Fran Fevrier) * * * From Booklist Do we own our possessions, or do they own us? Thats one of the questions pondered in Tracys memoir. Following their mothers death, Tracy and her sister were faced with the daunting task of sifting through her belongings. A military family whose history dated back to the American Revolution, the Tracys had acres of heirlooms, from an elegant, satin-bottomed chair that might have once been occupied by George Washington to a pair of dueling pistols purportedly owned by Aaron Burr. But while these items made for tantalizing stories to be told by the fire, what was their worth if one couldnt establish provenance? When the sisters decide to put selected pieces up for auction, they are both soberedand occasionally surprisedby the prices they fetch. What they didnt account for was the remorse they would feel after the auction was completed, and the deals were done. Had they sold their familys soul? Tracy weaves engaging nuggets of military and social history into her tale, but the copious details about her family can grow tedious. Still, this will definitely attract the Antiques Roadshow crowd. --Allison Block

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All my relations Too much furniture in ones living room - photo 1
All my relations Too much furniture in ones living room Too many pens in a - photo 2
All my relations Too much furniture in ones living room Too many pens in a - photo 3

All my relations

Too much furniture in ones living room
Too many pens in a stand
Too many children in a house
Too many words when men meet
Too many books in a bookcase there can never be

KENKO (FOURTEENTH CENTURY)

Not fare well,
But fare forward, voyagers.

T. S. ELIOT , The Dry Salvages

CONTENTS

chapter 1

chapter 2

chapter 3

chapter 4

chapter 5

chapter 6 The Thread of Memory: On the
Trail of the Washington Chair

chapter 7 Almost Famous: The Pistols
and the Red Chair

chapter 8

chapter 9

chapter 10

chapter 11

chapter 12

chapter 13

P ROLOGUE
Objects of Our Affection Uncovering My Familys Past One Chair Pistol and Pickle Fork at a Time - image 4

Objects of Our Affection Uncovering My Familys Past One Chair Pistol and Pickle Fork at a Time - image 5 I WAS IN THE OFFICE SUPPLY STORE TALKING TO BARBARA , whom Ive known since high school, and she asked what I was working on. Writing a book, I told her, about the family furniture. Like family baggage, I said.

Yeah, I know, said Barbara. Only bigger. We know, because this is who we are. Were Americans in the twenty-first century. We have more stuff in storage bins and basements and attics and back rooms than we can ever use in a lifetime. Or three.

And of all the things we probably should sort through and do something about, the family furniture is in a class by itself. Anytime I tell someone about my own familys voyage through the storage bins and on to the auction house and beyond, the story elicits winces of sympathyand dread. If they havent already wrestled with it, they know the time is coming.

The problem is compounded by the fact that were living in the wealthiest country in the history of the world, and even as we know we should be winnowing, we are wallowing. Its hard to let go of objects because they are full of stories: our stories, our families stories, or, if weve been haunting the flea market or the antiques mall, other peoples stories. They speak to us, as Yeats once said, of what is past and passing and to come. They speak to us of the life we had, and lives we never knew.

I am sitting on a winter morning in the kitchen of a house my grandparents built. Im eating breakfast with my great-nephew, and behind us on the counter is a plastic toy milk bottle that moos when you turn it upside down. His toy, from six or seven years ago. Hes nine as I write. On this particular morning, Im moved to suggest that we might get rid of it. Pass it on to someone else, someone younger, perhaps? Yes, he says unthinkingly, then immediately reneges.

The milk bottle, he tells me, reminds him of when he and his dad were living in the country. One night, his dad was making popcorn in a skillet, and when he took it off the stove and opened the lid, the fluffed kernels exploded all over the place. And when the popcorn blew up, I was looking at the milk bottle, and it put the remembering right in my head, he explains. The memory still makes him laugh uproariously. And this is why, I see, we wont be getting rid of this milk bottle anytime soon.

We can, in fact, never be free of our stuff until we have dealt with the stories it carries. In the end, it does indeed tell us something about who we are. Its just stuff, our possessions. Family furniture. And its what we make of it.

Chapter 1
T HE B EGINNING
Objects of Our Affection Uncovering My Familys Past One Chair Pistol and Pickle Fork at a Time - image 6

T HE DAY WE PACKED THE HOUSE, I WAS IN THE LIVING ROOM sorting family pictures and papers when the movers came. One mover, to be precise: He was the advance guard, the packing man.

It was a beautiful October day in 1992, still warm but with an edge in the air. Fall had come to the mountains around the small Virginia town where Id grown up, but the flame-colored ridges werent what Id come for. I was wrestling with the contents of a chest of drawers where my mother had deposited a pile of family papers. There were genealogy charts, military commendations, fragments of biographies, letters from the War of 1812, a photocopy of a journal dating from the 1840s, and what seemed like dozens of little framed daguerreotypes of people whose identity was a complete mystery to me. All had to be sorted and packed, because when my sister, Jeanne, came later that week, wed be helping our eighty-three-year-old mother movenot particularly willinglyto a retirement home from the house shed occupied for forty years. It had been her parents house, then hers and Daddys.

She had been living alone for almost twenty-five years now, and people had recently started calling us with worrisome anecdotes and dire predictions, all of course veiled in polite concern, this being a small town where certain formalities still obtained. She was making unexplained withdrawals from her bank account. She would walk aimlessly, turning up at the church at unexpected times. Her driving was atrocious, had been for years.

Mother had told us herself that she really didnt think she should be living alone, and for a while my nephew had lived at the house with her. Wed looked for live-in help without much success. There werent many options. Id found only one candidate, a woman who didnt drive and who smoked. Were a small family, just Jeanne and me in our generation, and we were both living hundreds of miles away. What were we to do?

The only retirement homewe didnt want a nursing home, just someplace safe where she would have helpwas the old hotel, a relic of an earlier time, as the worn carpet and small, rather dark rooms reminded us when I went with her to look at it. She agreed to the corner room overlooking the street all too close to our househer housejust a quick walk down to the corner, across the street, and down the alley. Acceded with teeth clenched, a gracious face, and the steely determination to fight again as soon as the opponents back was turned. We thought she was adjusting remarkably well to the inevitable. She fooled us.

The men of the familyon both sides, Mothers and Daddyshad been high-ranking military officers, their wives gracious hostesses. The accumulated social power of that household, reflected in all its furnishings and memorabilia, made moving out quite a comedown. For Mother, leaving all that gentility behind must have seemed like an admission of weakness, a failure, a defeat. She was abandoning ship, and I think it broke her heart. But, as was typical of our true-blue military family with its Victorian ways, she didnt say, and we didnt ask, how she felt about it. She put on her stiffest upper lip and moved.

She would be dead within six months. But we didnt know that then, of course. On this mid-October day, the move and all that would follow were still ahead of us, and I was on an archaeological dig, plowing through layers of family possessions wed managed to ignore for decades, or in some cases had never seen before. And thats when the man we would come to know as Roger arrived.

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