Ross King - The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism

Copyright 2006 by Ross King

All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher except in the case of brief quotations embodied in critical articles or reviews. For information address Walker & Company, 104 Fifth Avenue, New York, New York 10011.

Published by Walker Publishing Company, Inc., New York

Distributed to the trade by Holtzbrinck Publishers

ART CREDITS

Corbis: plates 2B and 8A. The Bridgeman Art Library: (both images); plates IA, IB, 2A, 3A, 3B, 4A, 4B, 5A, 5B, 6A, 7A, 7B, 8B. The Fogg Museum at Harvard University. The Metropolitan Museum of Art: and plate 6B. The Art Institute of Chicago. Ross King.

All papers used by Walker & Company are natural, recyclable products made from wood grown in well-managed forests. The manufacturing processes conform to the environmental regulations of the country of origin.

The Library of Congress has cataloged the hardcover edition as follows:

King, Ross, 1962

The judgment of Paris : the revolutionary decade that gave the world Impressionism / by Ross King.

p. cm.

Includes bibliographical references.

eISBN: 978-0-802-71841-9

1. Painting, French-19th century. 2. Manet, douard, 18321883Criticism and interpretation.

3. Meissonier, Jean Louis Ernest, 18151891Criticism and interpretation.

4. Impressionism (Art)France. 5. Art and societyFranceParisHistory19th century. I. Title.

ND547.K47 2006

759.409'034dc22

2005031089

First published in 2006 by Walker & Company

This paperback edition published in 2007

Visit Walker & Company's Web site at www.walkerbooks.com

First U.S. edition 2006

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Typeset by Westchester Book Group

Printed in the United States of America by Quebecor World Fairfield

"King has made a career of elucidating crucial episodes in the history of art and architecture (Brunelleschi's Dome, Michelangelo and the Pope's Ceiling). This time he's at play in the fields of French art and society from 1863 to 1874, years when France preferred academic painters, with their lusty goddesses and uplifting battle scenes. But what France preferred was under challenge by a rising (and sometimes backbiting) new group of artists. At the same time, the vainglorious Emperor Louis-Napolon was stumbling into the calamities of war and revolution. Eventually art would imitate life; all the old orders would come crashing down; and Manet, Monet and Czanne would emerge from the wreckage. King's account of that all-important crack-up is full of smart pleasures."

Richard Lacayo, Time Magazine

"King's meticulously researched history of this epic art movement... focuses on the engrossing story of two vital but opposing forebears: Ernest Meissonier, the most famous painter of the mid-19th century, celebrated for his exacting devotion to a pictorial reportage style of mostly Napoleonic war scenes, and douard Manet, constantly derided for his impulsively vigorous brushwork and lascivious subject matter. Manet lost many a battle in his time (he challenged one critic to a duel), but painted his way out of a stagnant academic style and won the war for art's future. 'A'"

Michele Romero, Entertainment Weekly

"[The Judgment of Paris] has the stylistic grace, the abundance of entertaining anecdotes and the shrewd marshaling of facts that made King's Brunelleschi's Dome a best-seller and his Michelangelo and the Pope s Ceiling a National Book Critics Circle award finalist... If this lively book sparks a Meissonier revival, it won't be a surprise." Charles Matthews, San Francisco Chronicle

"King writes in an engrossing style. His research is fastidious, and he leaves readers with a detailed picture of how the politics of art and the art of politics intertwine."

Susan Lense, Columbus Dispatch

"The painters themselves might admire King's skill in using this backdrop to highlight the artists in the foreground. [The Judgment of Paris] offers a clear sense of how the politics and personalities of late 19th-century Europe fused to push art in a new direction."

Ed Nawotka, Austin American-Statesman

"King writes art history as tapestry."

Matthew Price, Newsday

"An engrossing account of the years from 1863when paintings denied entry into the French Academy's yearly Salon were shown at the Salon des Refussto 1874, the date of the first Impressionist exhibition. To dramatize the conflict between academicians and innovators during these years, [King] follows the careers of two formidable, and very different, artists: Jean-Louis-Ernest Meissonier, a conservative painter celebrated for detailed historical subjects, and douard Manet, whose painting Le dejeuner sur I'herbe caused an uproar at the Salon des Refuss. Many other artists of the day, among them Courbet, Degas, Morisot, Monet and Czanne, are included in King's compelling narrative, and the story is further enhanced by the author's vivid portrayal of artistic life in Paris during a turbulent era that saw the siege of the city by the Prussians and the fall of Napolon III."

Publishers Weekly, starred review

"A fluid, engaging account of how the conflicting careers of two French paintersthe popular establishment favorite Jean-Louis-Ernest Meissonier and the oft-reviled newcomer douard Manetreveal the slow emergence of Impressionism and its new view of painting and the world. King has crafted an exciting chronicle about political and cultural change... Many great characters in cultural history appearBaudelaire, Zola, Henry Jamesnot to mention the painters whose names are now Olympian. Delacroix, Monet, Czanne, Rossetti, Renoirthey all strut a bit on King's stage, as do political figures, most notably Napolon III. The author does not neglect the military history of the period, [but he] illustrates that the clash of ideas is even more exciting than the clang of swords."

Kirkus Reviews, starred review

"Best-selling author King {Brunelleschi's Dome) does not disappoint with this fast-paced romp through the Parisian art scene between 1863 (the first Salon des Refuss exhibition) and 1874 (the first Impressionist exhibition). King diligently assembles a swath of anecdotes and evidence, coaxing lively color and fascinating detail from even the most stolid of historical facts and documents. The book serves as an entertaining if broad account of a revolutionary transformation in visionnot least of all through art. Recommended."

Prudence Peiffer, Library Journal

"King is a master at linking pivotal moments in art history to epic rivalries. In his third supremely engaging and illuminating inquiry, King summons forth mid-nineteenth-century Paris and vividly portrays two diametrically opposed artists... Writing with zest and a remarkable command of diverse and fascinating facts, and offering keen insights into the matrix of art, politics, social mores, and technology, King charts the coalescence of a movement that not only changed painting for all time but also our way of seeing the world. And perhaps most laudably, he resurrects a discredited and forgotten figure, the marvelous monomaniac [Ernest] Meissonier, a man King has bemused affection and respect for, and an artist readers will be delighted to learn about."

Donna Seaman, Booklist