Bushra al-Maqtaris boundlessly humane project of collecting firsthand accounts to document the nearly decade-long Yemeni Civil War and the Wests complicity in it is unblinking in its moral gaze. Every single voice collected in these pages is a blow to the heart. By the time I finished this book, I was consumed by sorrow and rage. This is an act of witnessing, and of making us engage in the witnessing of a disgraceful, criminal war that will shake your soul.
Neel Mukherjee, author of A State of Freedom
An oral history of wars folly in the tradition of Svetlana Alexievich, as devastating as Goya or Picasso. Al-Maqtari summons us to witness the innocent lives lost, and the love that survives in their wake.
Matthieu Aikins, author of The Naked Dont Fear the Water
Journalists covering war regularly claim their reporting gives a voice to the voiceless . What Have You Left Behind? demonstrates that survivors of Yemens conflict are not voiceless, they are unheard. Bushra al-Maqtari brings a cacophony of voices from one of the worlds most under-reported conflicts; voices that compel us to hear what war does to civilians living through it. What Have You Left Behind? is a disturbing, often evocative and emotional oral record of a war that most of us know little if anything about. This is not the sanitized, politicized version of the conflict debated in the power houses of far-off capitals. If you want to understand the true impact of war, brace yourself to hear these voices from Yemen.
Iona Craig, winner of the Orwell Prize for Journalism
Bushra al-Maqtaris book is like a cry from those buried beneath rubble, those the world has forgotten, nobody hears, and nobody helps.
Ulf Kalkreuth, Das Erste
When the fire of this war dies down, and the regional conflicting parties agree to a truce, and foreign entities are invited to rebuild the country, in those moments we will still have these heartrending stories, as a reminder of the sheer folly, empty grandeur and cold-blooded cruelty embodied by the war in Yemen.
Qantara
Bushra al-Maqtari writes against forgetting Her reports get under our skin, horrify, move us to tears. Free of theatricality, the writing simple and compassionate, they make clear what war really means.
Susanne El Khafif, Deutschland Radio
Al-Maqtaris portraits are unsettling in their urgency, their need to make the world understand that the war in Yemen must not be forgotten I would even dare to speak of a kind of dark poetry in al-Maqtari. Her language is nuanced and empathetic.
Spiesser
What sets this book apart is its narrative style, without being a novel, and its means of recording and documentation, without actually being a written record or document. What we read is painful, but our knowledge is enriched by the facts presented, as well as our literary experience with its language, marked by the pulse of life and death.
Al Quds
It is an attempt to put in words the way cluster bombs kill, and how it feels when your own children, siblings, or parents are torn apart by grenades, shredded by machine gun fire, crushed or buried beneath falling rubble.
Florian Keisinger, Der Tagesspiegel
Contents
In my dreams, the war is silent. No missiles, no air raids, no murder, no famine, no fear, no hatred. But when I wake, the war is still raging, just as it has been the past four years. Air raids light up the Sanaa night sky; ambulance sirens pierce the quiet of night. And while I write, I think about the time it took for war to reach us.
After all, a war like this doesnt break out without warning; it takes a long time. A full turn of history. It took years, decades in fact, to push its way into our lives. I remember how its head drifted unmistakably towards us. It had been during the first weeks of March 2015, but our eyes werent open wide enough to see it coming. Or maybe they were, but we didnt realize that what we were seeing were the harbingers of war. Houthi militia were on the streets, but it hadnt been anything like the day Sanaa had fallen a few months earlier.
As night began, armoured vehicles and individuals in military fatigues holding weapons could be seen coming forth. These troops proceeded on the same desert roads used by ordinary travellers. I remember seeing military trucks rolling along the route from Sanaa to Aden. Slowly, they advanced through the mountain pass, blocking civilian traffic. The vehicles carried tanks that seemed fresh out of storage. Then a long line: rocket launchers, machine guns, more equipment, guarded by exhausted soldiers on foot. And even more trucks, this time with soldiers jam-packed on the back, some of them grinning stupidly at the Peugeot drivers beside them. And finally, the military police cars. They escorted the army on its way to the south of the country.
I reached Aden in the second week of March. The missiles shook the city from all sides. Houthi militia bombed the Presidential Palace they had no idea that a new, much bloodier one awaited them. On 23 March 2015, the decision to go to war was made; diplomats and international employees left Sanaa, while foreign embassies closed their doors and evacuated their personnel. Likewise, political party leaders departed the country with their families. I bade farewell to some of them in good faith. It didnt occur to me that they having sensed the war was coming decided to flee and leave us to our fate.
At that time, I was convinced the so-called civilized world wouldnt leave us to the foolishness of politicians and generals, that this world wouldnt just stand by idly watching us in the impending wreckage. That somebody would inevitably intervene tomorrow, or maybe the day after, and stop us from wandering like an unknowing flock of sheep off a cliff. At 2 a.m. Thursday, 26 March, when the Arab Coalitions fighter planes suddenly cut through the Sanaa sky, war became a reality. From that morning, whats engraved on my mind isnt the roar of the explosions, or the horrifying thunder of planes piercing the sound barrier, nor my anxiety over the trajectory of missiles hitting targets further than I could see, nor the sounds of war that I had grown accustomed to. Rather, it is the shock of how war was conjured, how life collapsed in one fell swoop: civil infighting, the humiliation of hunger, the indignity of it all, our generations lost dreams. They split the citizens into two warring camps, leaving the majority of us transformed into victims or voiceless beings.
Im not concerned with listing the political details of the war here; instead, I have recorded in the introduction to this book the memories remaining in my mind of the bitter war we are still living through. An attempt to capture the essence of it all: the images of war Ive seen and experienced, the disappearance of any kind of normal life, the damage and defeat that took root in my soul when the godfathers of war trampled patriotism, sovereignty and national unity beneath their heavy boots. But how can life in the shadow of a war that has destroyed everything be fully encapsulated? Whats undeniable is that we have returned to pre-civilization: all cities are without electricity, and we are living by the candlelight and gas lanterns used by our ancestors. And when the gas runs out at home, families resort to cutting down trees to use in wood stoves. Theres no clean water to drink, so it has become a daily occurrence to witness children and the elderly queuing up with empty pots to fill from tankers donated by some good doer. Poverty can be seen wherever you turn: citizens have lost their jobs and livelihoods, airport. Police dogs sniffed their luggage as if they were criminals yet another country violating their rights. The Arab Coalition even shut Sanaa airport in August 2016, further exacerbating the situation.
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