ALSO BY PAULO COELHO
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The Pilgrimage
The Valkyries
By the River Piedra I Sat Down and Wept
The Fifth Mountain
Veronika Decides to Die
Warrior of the Light: A Manual
Eleven Minutes
The Zahir
The Devil and Miss Prym
The Witch of Portobello
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The Winner Stands Alone
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Adultery
THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF
Translation copyright 2016 by Zo Perry
All rights reserved. Published in the United States by Alfred A. Knopf, a division of Penguin Random House LLC, New York, and distributed in Canada by Random House of Canada, a division of Penguin Random House Canada Limited, Toronto. Originally published in Brazil as A Espi by Editora Paralela, a division of Editora Schwarcz S.A., So Paulo, in 2016. Copyright 2016 by Paulo Coelho. This edition published by arrangement with Sant Jordi Asociados Agencia Literaria SLU, Barcelona, Spain.
www.aaknopf.com
Knopf, Borzoi Books, and the colophon are registered trademarks of Penguin Random House LLC.
Library of Congress Control Number: 201695146
ISBN 9781524732066 (hardcover) ISBN 9781524732073 (ebook)
ISBN 9781524711085 (open market)
Ebook ISBN9781524732073
This is a work of fiction although the general outline of Mata Haris life is based on real events, and the author has attempted to reconstruct her life based on historical information. However, where Mata Hari or other real-life figures appear, the situations, incidents, and dialogues concerning those persons are fictional and are not intended to depict actual events or to change the entirely fictional nature of the work. In all other respects, any resemblance to persons living or dead is entirely coincidental.
Cover design by Stephanie Ross
Photographs of Mata Hari herein are courtesy of the Collection Fries Museum, Leeuwarden, The Netherlands. Image of the letter on is courtesy of the National Archives, United Kingdom.
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O Mary, conceived without sin, pray for us who have recourse to You. Amen.
When thou goest with thine adversary to the magistrate, as thou art in the way, give diligence that thou mayest be delivered from him; lest he hale thee to the judge, and the judge deliver thee to the officer, and the officer cast thee into prison.
I tell thee, thou shalt not depart thence, till thou hast paid the very last mite.
LUKE 12:5859
Based on real events
PARIS, OCTOBER 15, 1917ANTON FISHERMAN AND HENRY WALES, FOR THE INTERNATIONAL NEWS SERVICE
Shortly before 5 a.m., a party of eighteen menmost of them officers of the French armyclimbed to the second floor of Saint-Lazare, the womens prison in Paris. Guided by a warder carrying a torch to light the lamps, they stopped in front of cell 12.
Nuns were charged with looking after the prison. Sister Leonide opened the door and asked that everyone wait outside as she entered the cell, struck a match against the wall, and lit the lamp inside. Then she called one of the other sisters to help.
With great affection and care, Sister Leonide draped her arm around the sleeping body. The woman struggled to waken, as though disinterested in anything. According to the nuns statement, when she finally awoke, it was as though she emerged from a peaceful slumber. She remained serene when she learned her appeal for clemency, made days earlier to the president of the republic, had been denied. It was impossible to decipher if she felt sadness or a sense of relief that everything was coming to an end.
On Sister Leonides signal, Father Arbaux entered her cell along with Captain Bouchardon and her lawyer, Matre Clunet. The prisoner handed her lawyer the long letter that she had spent the previous week writing, as well as two manila envelopes containing news clippings.
She drew on black stockings, which seemed grotesque under the circumstances, and stepped into a pair of high-heeled shoes adorned with silk laces. As she rose from the bed, she reached for the hook in the corner of her cell, where a floor-length fur coat hung, its sleeves and collar trimmed with the fur of another animal, possibly fox. She slipped it over the heavy silk kimono in which she had slept.
Her black hair was disheveled. She brushed it carefully, then secured it at the nape of her neck. She perched a felt hat on top of her head and tied it under her chin with a silk ribbon, so the wind would not blow it out of place when she stood in the clearing where she was to be led.
Slowly, she bent down to take a pair of black leather gloves. Then, nonchalantly, she turned to the newcomers and said in a calm voice:
I am ready.
Everyone departed the Saint-Lazare prison cell and headed toward the automobile that waited, its engine running, to take them to the firing squad.
The car sped through the streets of the sleeping city on its way to the Caserne de Vincennes barracks. A fort had stood there once, before being destroyed by the Germans in 1870.
Twenty minutes later, the automobile stopped and its party descended. Mata Hari was the last to exit.
The soldiers were already lined up for the execution. Twelve Zouaves formed the firing squad. At the end of the group stood an officer, his sword drawn.
Flanked by two nuns, Father Arbaux spoke with the condemned woman until a French lieutenant approached and held out a white cloth to one of the sisters, saying:
Blindfold her eyes, please.
Must I wear that? asked Mata Hari, as she looked at the cloth.
Matre Clunet turned to the lieutenant questioningly.
If Madame prefers not to, it is not mandatory, replied the lieutenant.
Mata Hari was neither bound nor blindfolded; she stood, gazing steadfastly at her executioners, as the priest, the nuns, and her lawyer stepped away.
The commander of the firing squad, who had been watching his men attentively to prevent them from examining their riflesit is customary to always put a blank cartridge in one, so that everyone can claim not to have fired the deadly shotseemed to relax. Soon the business would be over.
Ready!
The twelve men took a rigid stance and placed their rifles at their shoulders.
Mata Hari did not move a muscle.
The officer stood where all the soldiers could see him and raised his sword.
Aim!
The woman before them remained impassive, showing no fear.
The officers sword dropped, slicing through the air in an arc.