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David Haward Bain - Bitter Waters: America’s Forgotten Naval Mission to the Dead Sea

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Bitter Waters: America’s Forgotten Naval Mission to the Dead Sea: summary, description and annotation

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With customary depth and insight, David Bain illumines the United States nineteenth-century exploration of the Holy Land.

To lead the expedition, the navy tabbed William Francis Lynch, an officer eager to enter the esteemed yet dangerous field of Victorian exploration. Like many of his successful contemporaries, Lynch was well-read, and possessed an independent nature, but in a man who also preferred organization to chaos, and with a character that tended toward the obsessive. The expedition would force a juxtaposition of the ancient world with the modern, as the worlds newest power attempted an exhaustive scientific study of the waters of the cradle of civilization. Beyond its fascinating topic, Bitter Waters is full of broad allusions from the period that demonstrate Bains deep understanding of America, and serve to make the work appealing for general scholars and lay readers. Heroically engaging unfamiliar terrain, hostile Bedouins, and ancient mysteries, Lynch and his party epitomize their nations spirit of Manifest Destiny in the days before the Civil War.

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First published in hardcover in the United States in 2011 by The Overlook - photo 1

First published in hardcover in the United States in 2011 by

The Overlook Press, Peter Mayer Publishers, Inc.

141 Wooster Street

New York, NY 10012

www.overlookpress.com

For bulk and special sales, please contact sales@overlookny.com

Copyright 2011 by David Haward Bain

All rights reserved. No part of this publication may be reproduced or
transmitted in any form or by any means, electronic or mechanical, including
photocopy, recording, or any information storage and retrieval system now
known or to be invented, without permission in writing from the publisher,
except by a reviewer who wishes to quote brief passages in connection with a
review written for inclusion in a magazine, newspaper, or broadcast.

PICTURE CREDITS

Title page: facing map of the Dead Sea from Harpers Magazine,
January 1855 (Author collection).
With the exception of illustrations credited in captions, all others presented
here are from the 1849 edition of Lynchs Narrative (Author collection).

ISBN: 978-1-59020-997-4

The Old Iron Road
Empire Express
Whose Woods These Are
Sitting in Darkness
Aftershocks
The College on the Hill

For Ellen Levine for decades of friendship and counsel I AM INDEBTED TO - photo 2

For Ellen Levine
for decades of friendship
and counsel

I AM INDEBTED TO MY LONGTIME AGENT AND FRIEND, E LLEN L EVINE, to whom this book is warmly dedicated. Thanks, too, to her great staff. Deep thanks to Peter Mayer of The Overlook Press; Aaron Schlechter, for his support and elegant editing; Rob Crawford, for his skillful navigation through the publishing process; Jennifer Rappaport, for her copyediting; all the others at The Overlook Press.

My profound thanks to Eve Ness, extraordinary reader and editor, for her professional and personal help, given most generously. Katherine and John Duffy offered invaluable advice and support on yet another book by their son-in-law, who will always be grateful for their careful reading; Mary Smyth Duffy, who died before I began writing this book, was present as it was first envisioned long ago and was its great champion; Mimi and David M. Bain buoyed me with their enthusiasm and boundless curiosity; Lisa, Christopher, and Terry Bain read various stages and were always supportive, as were Marc Santiago and the late William Schwarz, brothers-in-law and faithful readers. Thanks, too, for the support of my Middlebury College colleagues Brett Millier, James Ralph, Paul Monod, Robert Schine, Ron Liebowitz, and John McCardell, as well as thumbs-up from Christopher Shaw, Michael Collier, Robert Cohen, and Jay Parini, often from nearby tables at Carols Hungry Mind Caf, Middlebury, Vermont.

So many librarians, curators, directors, and staff helped me with the research for this book, in large and small ways, that I fear I cannot list them individually, but my gratitude goes out to the staffs of Davis Library at Middlebury College, New York Public Library, National Archives and Records Administration, Library of Congress, Navy Department Library, Naval Historical Center, Naval War College Library, U.S. Naval Academy, U.S. Naval Observatory, Butler Library at Columbia University, Burke Library at Union Theological Seminary, Alderman Library at University of Virginia, Davis Library at University of North Carolina-Chapel Hill, Maryland State Archives, Newport Historical Society, and Mystic Seaport Library. Thanks, also, to Dan Monahan, Superintendent, Green Mount Cemetery in Baltimore, and to John S. Lynch and John S. Lynch II. Finally, legions of unknown but much-appreciated people are behind the information revolution of the past decade (particularly the last five years), scanning many libraries and archives and making them available to researchers on the Internet. When I think of the time and travel necessary for my previous books, and, during this project, what became accessible with a few clicks of the keyboard and the right paths and search terms, I am at once awed and beholden.

D AVID H AWARD B AIN

Orwell, Vermont

February 2004February 2011

S OMETIMES BOOK IDEAS LURK IN ONES HEAD FOR YEARSEVEN, IN this case, decades.

In early 1985, I signed a preliminary contract with a publisher for Empire Express: Building the First Transcontinental Railroad. As I remember it, I had three months to produce a formal proposal and bibliography, after which a full-fledged book contract would follow. I was living in Park Slope, Brooklyn, at the time; my second book, Sitting in Darkness: Americans in the Philippines, had been published three or four months before by another firm.

I spent much of that proposing period in happy study at the grand old New York Public Library at Fifth Avenue and 42nd Street. Much of the scholarly research for Sitting in Darkness came out of that building; in fact, the inspiration for its past-and-present narrative form had hit me in a beam of light which struck me as I was looking at an old map at a table in the reading room. I sneezed in the light; inspiration struck; and I quickly sketched out an outline that scarcely deviated from the final narrative. Still grateful and pleased in 1985, I settled into the library yet again.

These were the days before computerized catalogs. One went upstairs to the third floor and walked into a cathedral-like, sunlit room whose walls held great banks of golden oak card-catalog drawers, tiers of them running up to balconies with circular staircases. Mysteries lurked in every drawer. The yellowed cards inside were sometimes typewritten, sometimes handwritten in spidery style, and it was a glorious tactile feeling to thumb them. One could not fail to feel a simultaneous connection with the thumbs and the quests of untold thousands of researchers, and with the patient librarians who had held books and pamphlets when they were still bright and fresh, their spines stiff, as the bibliographic data was copied off onto a three-by-five-inch piece of cardboard with a hole punched into the bottom for the brass rod of a catalog drawer.

Older researchers extracted the drawers and made a place at the great tables nearby, but I was younger then and impatient and working under a deadline. I simply stood, pulled out a drawer, thumbed, and copied down dozens of citations. I needed a place to set my notebook, however, so I pulled out nearby drawers as an impromptu work area. Writers who have labored under similar conditions in the old days like to talk about the serendipity of finding resources on cards happened upon by mistakecomputer catalogs dont allow for serendipity. As I stood one day at my post, I pulled open the adjacent drawer. Before I could cover it with my notebook the heading cards pulled me away from thought about a railroad threading across the Western plains and mountains. Exploring Expeditions, United States, 1838 1863, I think it said. These were not Army-sponsored, though, and had nothing to do with the continental United States. These were naval expeditions, and in all my years of reading history I had heard nothing about themwith the exception of Commodore Matthew C. Perrys opening of Japan in 1853 (over subsequent years all general readers and most historians I consulted were unaware also).

Just for fun, I copied down several dozen card entries of official reports and forgotten antebellum bestsellers

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