• Complain

The Editors of New York Magazine - The Encyclopedia of New York

Here you can read online The Editors of New York Magazine - The Encyclopedia of New York full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2020, publisher: Avid Reader Press / Simon & Schuster, genre: Politics. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

The Editors of New York Magazine The Encyclopedia of New York

The Encyclopedia of New York: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Encyclopedia of New York" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

The Editors of New York Magazine: author's other books


Who wrote The Encyclopedia of New York? Find out the surname, the name of the author of the book and a list of all author's works by series.

The Encyclopedia of New York — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Encyclopedia of New York" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Contents
Guide
Avid Reader Press An Imprint of Simon Schuster Inc 1230 Avenue of the - photo 1
Avid Reader Press An Imprint of Simon Schuster Inc 1230 Avenue of the - photo 2

Avid Reader Press

An Imprint of Simon & Schuster, Inc.

1230 Avenue of the Americas

New York, NY 10020

www.SimonandSchuster.com

Copyright 2020 by Vox Media, LLC

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Avid Reader Press Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Avid Reader Press hardcover edition October 2020

AVID READER PRESS and colophon are trademarks of Simon & Schuster, Inc.

For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1-866-506-1949 or .

The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.

Cover design by Thomas Alberty

Cover illustration by Peter Arkle

Library of Congress Cataloging-in-Publication Data

ISBN 978-1-5011-6695-2

ISBN 978-1-5011-6696-9 (ebook)

The first sketch of the INY logo made on the back of an envelope during a New - photo 3

The first sketch of the IPicture 4NY logo, made on the back of an envelope during a New York City taxicab ride.

DRAWING BY MILTON GLASER, 1976

Introduction

EVERY CITY HAS A FOUNDATION STORY, and a lot of those stories foretell the future. Romulus slew his brother, Remus, and subsequently founded Rome upon the latters burial place, framing the imperial rapaciousness and bloodshed to come. Chicagos earliest speculators bet on its future as a transit hub, and two centuries later, we still all change planes at OHare. A mobster built Las Vegas out of thin desert air, aided by a huge federal subsidy in the form of Hoover Dam, to separate people from their paychecks while letting them think theyd had a great time: a con made manifest.

And New York? From its beginnings as part of New Netherland, it was fundamentally mercantile, effectively an arm of the Dutch West India Company. Even before that, when in 1609 Henry Hudson came up the river that now bears his name, he made landfall, met a few native Lenape people, and headed back to England with a small cargo of furs. Indigenous New Yorkers had encountered a European for the first time, and already theyd made an export deal.

At first, the citys product came mostly from the landbeaver pelts, lumberbut within a few generations, New Amsterdam, and then New York, established itself as a manufacturing town. Take a walk downtown, and you can still see that physical city. Those little brick buildings in the South Street Seaport? To modern eyes they may look like townhouses, but in fact many were warehouses for dry goods and chandlery, feeding the eighteenth centurys global trade. The cast-iron buildings of Soho were once factories; before the widespread use of electricity, their high ceilings and huge windows admitted more light for the underwear-makers and Linotypers working within. Even those buildings faades were themselves made here, in foundries nearby. Until the 1960s, nearly every piece of store-bought clothing in America came from New Yorks cutting tables and sergers. Early in the twentieth century, there was a car factory in Times Square.

As the scale of the worlds appetites grew, most of that kind of heavy manufacturing shifted to places that fronted on highways instead of narrow streets, with big truck bays instead of cramped elevators, where the real estate wasnt so precious and the rents didnt eat up everyones margins. (The last heavy industry in Times Squarethe basement pressroom of the New York Timesclosed in 1997.) As the sewing machines stopped whirring and the forges cooled, another and even larger export came to dominate: intellectual property. In parallel with the decline of the manufacturing city grew an equally robust production line for movements and ideas. Manhattan as laboratory, as the architect-philosopher Rem Koolhaas called it, is a factory of man-made experience. Even if an idea does not strictly start here, New York is, disproportionately often, the place where it is dropped off, trimmed to size, matted and framed, and displayed to everyone with an explanatory wall text.

As the nineteenth century gave way to the twentieth, authors and academics came here to live and write, more than ever before. Even those who didnt still published through New York. So had the music business. So had the art galleries, the fashion houses. (Sometimes this creative work took place in the very same loft buildings, spiffed up, that had housed the underwear factories.) Those products were marketed through New York ad agencies, which invented new tricks and wrote jingles and taglines to sell the toothpaste and cars manufactured elsewhere. If we were no longer makers of everything, we could become those makers amplification system, and that was a giant business. The ads in turn supported the national mediamagazines, then radio, then television, now digitalthat were and are nearly all based here, and their stories shaped everyones understanding of everything.

All those businesses are undergirded by loans and investors, and the money comes from here too. From the eighteenth century, New York established itself as the financial hub of the United States, and as the country became a superpower, its banking center became the worlds. Aside from the fact that New York had the money itselfthe Fed, the stock exchange, a gold reserve, dealmaking propinquityit had a lot of people who wanted to make more of it. In the 1960s, when the stock exchange grew to the point where its paper-based methods were overwhelmed, people figured out how to build computerized trading systems. When, a few years after that, traders craved more and more data, Michael Bloomberg devised and rented them terminals bursting with information and made himself $60 billion or so. When the hedge fund became a way of managing wealth, the administrators feestypically 2 percent of each trade and 20 percent of profitmade billionaires of them too. Riding the market up made money; so did shorting it. Wall Street always finds innovative ways to skim a little off.

Why did this majestic confluence of creativity appear here? Some of the explanation can be put to New Yorks sheer size: Big ideas are magnetic, and in a big town rather than a small one, you can gather enough Trotskyites or avant-garde poets at an event to make waves. Certainly, the presence of Columbia University, New York University, and CUNY in one tight cluster gave various movements a boostproximity to great research universities fosters innovation, as Stanford and Berkeley, adjacent to Silicon Valley, continue to show. Theres a self-fulfillingness to these things too: Self-confidence begets self-confidence, and centrality draws people who want to be at the center, which makes the center bigger. Its worth mentioning that concentrations of talent also work off the clock. Artists sitting around a bar deep into the night, taking stock and one-upping and arguingPollock and Rothko at the Cedar Tavern, Basquiat and Haring at some dive in the East Village, name your scene of choicefeed off each others brains and creativity, not to mention competitiveness. Having investors and media nearby to support them helps as well.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The Encyclopedia of New York»

Look at similar books to The Encyclopedia of New York. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The Encyclopedia of New York»

Discussion, reviews of the book The Encyclopedia of New York and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.