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Malalai Joya - Raising my Voice: The extraordinary story of the Afghan woman who dares to speak out

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Raising my Voice: The extraordinary story of the Afghan woman who dares to speak out: summary, description and annotation

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Malalai Joya is the youngest and most famous female MP in Afghanistan, whose bravery and vision have won her an international following. She made world headlines with her very first speech, in which she courageously denounced the presence of warlords in the new Afghan government. She has spoken out for justice ever since, and for the rights of women in the country she loves. Raising My Voice shares her extraordinary story.
Born during the Russian invasion and spending her youth in refugee camps, Malalai Joya describes how she first became a political activist. When she returned to Afghanistan, the country was under the grip of the Taliban and she ran a secret school for girls. A popular MP with her constituents, she received global support when she was suspended from parliament in 2007 because of her forthright views.
Malalai Joyas work has brought her awards and death threats in equal measure. She lives in constant danger. In this gripping account, she reveals the truth about life in a country embroiled in war - especially for the women - and speaks candidly about the future of Afghanistan, a future that has implications for us all.

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Malalai Joya was four days old when the Soviet Union invadedAfghanistan. Following a childhood spent in refugee camps in Iranand Pakistan, she returned to Taliban-ruled Afghanistan in the late1990s, where she worked for underground organisations promotingthe cause of women. At the historic Loya Jirga assembly in2003 where Afghanistan's new constitution was debated, shemade world headlines. In 2005, at the age of twenty-seven, she wasthe youngest person to be elected to the new Parliament. Sincethen, she has survived numerous assassination attempts and continuedto press the cause of those who elected her. She received theInternational Human Rights in Film Award at Berlin in 2007 andwas awarded the Anna Politkovskaya Award in 2008.

Visit her website: www.malalaijoya.com

This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author's and publisher's rights and those responsible may be liable in law accordingly.

ISBN 9781407028729

Version 1.0

www.randomhouse.co.uk

1 3 5 7 9 10 8 6 4 2

Published in 2009 by Rider, an imprint of Ebury Publishing
A Random House Group Company

Copyright 2009 Malalai Joya

Malalai Joya has asserted her right to be identified as the author of this Workin accordance with the Copyright, Designs and Patents Act 1988

This electronic book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any form other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

The Random House Group Limited Reg. No. 954009

Addresses for companies within the Random House Group can be found atwww.rbooks.co.uk

A CIP catalogue record for this book is available from the British Library

ISBN: 9781407028729

Version 1.0

Copies are available at special rates for bulk orders. Contact the salesdevelopment team on 020 7840 8487 for more information

To buy books by your favourite authors and register for offers visitwww.rbooks.co.uk

Verses quoted on page 37 are from the song 'In Praise of Fighting' from The Mother(1930) by Bertolt Brecht and from the poem 'In Praise of Learning' by Bertolt Brechtin Selected Poems of Bertolt Brecht, translation and introduction by H R Hays, NY:Grove Press, London: Evergreen Press. Copyright 1949. First Grove edition 1959.Whilst every effort has been made to trace all copyright holders, if any have beeninadvertently overlooked the author and publisher will be pleased to make thenecessary arrangement at the first opportunity.

ACKNOWLEDGEMENTS

I would like to acknowledge friends, family and supporters fortheir invaluable assistance in bringing this book to fruition. DerrickO'Keefe is one of my supporters who encouraged me to share mystory. I was finally willing to take this step because I trusted him tobe my co-writer and was sure that he would treat not only mystory, but that of my country and its people, with respect. I amdeeply grateful for the countless hours he devoted to this project.

The Defence Committee for Malalai Joya made up ofdedicated volunteers both inside and outside Afghanistan provided invaluable help to the project, including research andtranslation.

This book would not have been possible without the effortsof Mable Elmore, Hakeem and Neda Naim, Gina Whitfield,Sonali Kolhaktar, James Ingalls, and Catherine O'Keefe, all ofwhom generously shared their time, skills and labour.

Special thanks as well to Maryanne Vollers for taking on aformidable editing task on a tight deadline, and to HilaryMcMahon and Natasha Daneman for bringing this book to awide audience in a number of countries.

Malalai Joya

LIST OF ILLUSTRATIONS

Map on Page X

Afghanistan and its neighbours

Plate Section

With the exception of image 19, which is copyright JennyMatthews, all photographs are the copyright of the DefenceCommittee for Malalai Joya.

To the Bashiras, Rahellas, Bibi Guls, Pukhtanas and all my oppressed people whose sighs, tears and sorrows nobody sees

INTRODUCTION DUST IN THE EYES OF THE WORLD I COME FROM A LAND OF TRAGEDY called - photo 1

INTRODUCTION
DUST IN THE EYES
OF THE WORLD

I COME FROM A LAND OF TRAGEDY called Afghanistan. My life has taken some unusual turns, but in many ways my story is the story of a generation. For the thirty years I have been alive, my country has suffered from the constant scourge of war. Most Afghans my age and younger have known only bloodshed, displacement and occupation. When I was a baby in my mother's arms, the Soviet Union invaded my country. When I was four years old, my family and I were forced to live as refugees in Iran and then Pakistan. Millions of Afghans were killed or exiled, like my family, during the battle-torn 1980s. When the Russians finally left, and their puppet regime was overthrown, we faced a vicious civil war between fundamentalist warlords, followed by the rule of the depraved and medieval Taliban.

After the tragic day of 11 September 2001, many inAfghanistan thought that with the overthrow of the Taliban they might finally see some light, some justice and progress. But itwas not to be. The Afghan people have been betrayed once againby those who are claiming to help them. More than seven yearsafter the invasion by America and its allies, we are still faced withforeign occupation and an American-backed government filledwith warlords who are just like the Taliban. Instead of puttingthese ruthless murderers on trial for war crimes, the United Statesand its allies placed them in positions of power, where theycontinue to terrorise ordinary Afghans.

You may be shocked to hear this, because the truth aboutAfghanistan has been hidden behind a smokescreen of words andimages carefully crafted by the United States and its NATO alliesand repeated without question by the Western media.

You may have been led to believe that once the Taliban wasdriven from power, justice returned to my country. Afghanwomen like me, voting and running for office, have been heldup as proof that the United States has brought democracy andwomen's rights to Afghanistan.

But it is all a lie, dust in the eyes of the world.

I am the youngest Member of the Afghan Parliament, but I havebeen banished from my seat and threatened with death because Ispeak the truth about the warlords and criminals in the puppet governmentof Hamid Karzai. I have already survived at least fiveassassination attempts and uncounted plots against me. Because ofthis, I am forced to live like a fugitive within my own country.A trusted uncle heads my detail of bodyguards, and we move todifferent houses every night to stay a step ahead of my enemies.

To hide my identity, I must travel under the cover of theheavy cloth burqa, which to me is a symbol of women'soppression, like a shroud for the living. Even during the darkdays of the Taliban I could at least go outside under the burqa toteach girls in secret classes. But today I don't feel safe under myburqa, even with armed guards to escort me. My visitors aresearched for weapons, and even the flowers at my wedding had tobe checked for bombs. I cannot tell you my family's name, or thename of my husband, because it would place them in terribledanger. And for this reason, I have changed several other namesin this book.

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