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Marcy S. Sacks - Before Harlem: The Black Experience in New York City Before World War I

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Before Harlem: The Black Experience in New York City Before World War I: summary, description and annotation

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In the years between 1880 and 1915, New York City and its environs underwent a tremendous demographic transformation with the arrival of millions of European immigrants, native whites from the rural countryside, and people of African descent from both the American South and the Caribbean. While all groups faced challenges in their adjustment to the city, hardening racial prejudices set the black experience apart from that of other newcomers. Through encounters with each other, blacks and whites, both together and in opposition, forged the contours of race relations that would affect the city for decades to come.
Before Harlem reveals how black migrants and immigrants to New York entered a world far less welcoming than the one they had expected to find. White police officers, urban reformers, and neighbors faced off in a hostile environment that threatened black families in multiple ways. Unlike European immigrants, who typically struggled with low-paying jobs but who often saw their children move up the economic ladder, black people had limited employment opportunities that left them with almost no prospects of upward mobility. Their poverty and the vagaries of a restrictive job market forced unprecedented numbers of black women into the labor force, fundamentally affecting child-rearing practices and marital relationships.
Despite hostile conditions, black people nevertheless claimed New York City as their own. Within their neighborhoods and their churches, their night clubs and their fraternal organizations, they forged discrete ethnic, regional, and religious communities. Diverse in their backgrounds, languages, and customs, black New Yorkers cultivated connections to others similar to themselves, forming organizations, support networks, and bonds of friendship with former strangers. In doing so, Marcy S. Sacks argues, they established a dynamic world that eventually sparked the Harlem Renaissance. By the 1920s, Harlem had become both a tragedy and a triumphundeniably a ghetto replete with problems of poverty, overcrowding, and crime, but also a refuge and a haven, a physical place whose very name became legendary.

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Before Harlem POLITICS AND CULTURE IN MODERN AMERICA Series Editors Glenda - photo 1
Before Harlem
POLITICS AND CULTURE IN MODERN AMERICA
Series Editors: Glenda Gilmore, Michael Kazin, Thomas J. Sugrue
Volumes in the series narrate and analyze political and social change in the broadest dimensions from 1865 to the present, including ideas about the ways people have sought and wielded power in the public sphere and the language and institutions of politics at all levelsnational, regional, and local. The series is motivated by a desire to reverse the fragmentation of modern U.S. history and to encourage synthetic perspectives on social movements and the state, on gender, race, and labor, on consumption, and on intellectual history and popular culture.
Before Harlem
The Black Experience in New York City Before World War I
MARCY S. SACKS
Copyright 2006 University of Pennsylvania Press All rights reserved Printed in - photo 2
Copyright 2006 University of Pennsylvania Press
All rights reserved
Printed in the United States of America on acid-free paper
10 9 8 7 6 5 4 3 2 1
Published by
University of Pennsylvania Press
Philadelphia, Pennsylvania 19104-4112
A Cataloging-in-Publication record is available from the Library of Congress
ISBN-13: 978-0-8122-3961-4
ISBN-10: 0-8122-3961-X
A Rodolfo, para siempre
y
para Alejandro y Daniela, la esperanza del futuro
Contents
Introduction
In 1902, James Weldon Johnson left his Jacksonville, Florida, home and his steady job as a school principal to settle in New York City. Neither his decision to leave the South nor his choice of destinations came unexpectedly. He had already made a number of trips to New York, the first in 1884 when he was still a boy. From his earliest encounter with Manhattan, Johnson loved the city and its cosmopolitanism. It would not have taken a psychologist to understand that I was born to be a New Yorker, he admitted in his autobiography. He felt a strong emotional connection to New York and often heard his parents talk about the city much in the manner that exiles or emigrants talk about the homeland.
On his first visit, Johnson saw New York through the eyes of a child. He loved the ferryboats, was awed by the crowds and noise, and admired the biggity boys. He thrilled at the chance to cross the East River from his aunt and uncles Brooklyn home and spend the day wandering through Lord and Taylors. One of his sojourns to Manhattan struck him with particular meaning as he recalled his experience nearly a half century later. He reminisced about a time when his uncle took him on an excursion far up toward Harlem, a region then inhabited largely by squatters and goats. Johnson perhaps exaggerated Harlems emptiness; in the 1880s it housed a genteel community of upper-class white elitesManhattans first residential suburb. Still, the contrast with the Harlem of the 1930s, when Johnson published his autobiography, could hardly have been more dramatic. In the intervening period between Johnsons first visit and the time he wrote his memoirs, Harlem had become a neighborhood transformed, housing 50,000 black residents in 1914 and nearly 165,000 by 1930.
Johnson noted that he had few black playmates during his childhood stay, not especially surprising in 1884, when the black population of Manhattan was just over twenty thousand and scattered throughout the city. Only about ten thousand black people lived in Brooklyn, where Johnson spent most of his time. As more and more black people migrated to New York City from the South and the Caribbean, many surrounded themselves with acquaintances from home states and islands in order to create a sense of identity in the anonymous and crowded world of the big city.
Along with his brother, Rosamond, Johnson first returned to New York as an adult in 1899 on a summer hiatus from his teaching job in Jacksonville. The city had literally grown up since his childhood days. Scrambling to find space for its burgeoning business district, architects who felt constrained by Manhattans geographic limitations began looking upward. During the 1880s the city constructed its first elevator buildings, soon to become the workplaces of nearly one-third of the citys black men. New architectural initiatives and revised building codes allowed for still taller buildings and created a new cultural milieu of high-rises and skyscrapers. Visitors to the city at the end of the nineteenth century marveled at the slender stone shafts incredibly rising out of the sea to pierce the sky. Five massive skyscrapers adorned the southern tip of Manhattan Island by 1898, the tallest boasting twenty-six stories. A half-century later, commemorating the fiftieth anniversary of the consolidation of the City of Greater New York, a commentator declared those five skyscrapers the symbol of the strength and pride and driving ambition of New York.
During their summer in the city, the Johnson brothers immersed themselves in New Yorks black bohemia, then flourishing in the old Tenderloin district in lower Manhattan. Though the trip was relatively short, it was a defining moment for James. These glimpses of life that I caught during our last two or three weeks in New York, he explained, showed me a new worldan alluring world, a tempting world, a world of greatly lessened restraints, a world of fascinating perils; but, above all, a world of tremendous artistic potentialities. He vowed to return as soon as possible.
James and Rosamond made sojourns during the following two summers before finally settling in New York City permanently in 1902. While in 1899 they felt the exhilaration of newcomers imbibing a world of possibilities, in 1900 they endured one of the citys worst race riots in its history. This experience offered the Johnson brothers a stark lesson in northern race relations, exposing the depth of racial antipathy present in the North. Adding insult to injury, they made so little money in the summer of 1900 that they had to borrow from friends in order to make the return trip to Jacksonville. Despite that humiliation, when he finally made the commitment to give up his teaching job for good and move to New York, James marveled at the change he encountered. I at once
The growing black population of New York sparked an increase in the number of social institutions dedicated to alleviating some of the problems faced by black New Yorkers. White and black reformers alike began focusing on the needs of this expanding group, and by 1915 more than a dozen organizations had been formed for this purpose. These included travelers aid societies, fraternal and benevolent organizations, day nurseries, orphanages, and industrial improvement associations. In addition, a number of institutions that had long served New Yorks white citizens began opening their doors to black people. The Charity Organization Society, for example, began providing aid to needy blacks as early as the late 1890s. More and more white organizations followed suit as the plight of destitute black families gained public attention.
Institutional barriers to racial equality began falling in the latter half of the nineteenth century as well. In keeping with the spirit of the postCivil War era, many northern communities achieved some successes in diminishing institutionalized racism. In 1884, the New York City School Board formally declared that no distinction would be made between white and black schoolchildren in determining which school pupils would attend. In this same period a black man sat on a Manhattan jury for the first time in the boroughs history. A state law passed in 1895 prohibited discrimination in public facilities. And in the same year, the school board for the first time appointed a black teacher to a predominantly white school. Numerous prominent blacks commented on the apparent improvement in race relations near the end of the nineteenth century. The citys black weekly newspaper, the
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