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Mario López-Goicoechea - Cuban, Immigrant, and Londoner

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Cuban, Immigrant, and Londoner: summary, description and annotation

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What does a certificate of naturalistion mean to an immigrant in Brexit-plagued modern Britain? How do we navigate the various identity markers we acquire through life? Which ones stand out? Which ones blend in and get forgotten? And, why? How does language affect the process of adaptation to a new country? Should writing from an English as an Additional Language (EAL) perspective be seen through the prism of aesthetics (writing per se) or identity politics? What is masculinity in the 21st century? How big is the Afro-Cuban scene in London nowadays? Is it time the Cuban government acknowledged Virgilio Pieras contribution to the islands literary canon and apologised for the way it treated the writer? What is the linguistic future of the next Latin American generation?
Throughout almost a hundred pages, I will attempt to answer these and other questions. However, if you finish the book and are left with more interrogative sentences than statements, I will feel just as satisfied. My job as a writer has been done.

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Cuban, Immigrant, and Londoner
C uban, I mmigrant,
and L ondoner

Mario Lpez-Goicoechea

Austin Macauley Publishers

2021-10-29

About the Author

Mario Lpez-Goicoechea is a Cuban-born, London-based writer and blogger who has lived in the British capital since 1997. His success as a blogger merited his inclusion in the first anthology of Cuban bloggers called Buena Vista Social Blog (editor, Beatriz Calvo Pea) in 2010. In 2012, Mario published three separate essays on the centenary of Cubas foremost playwright, poet, essayist and short storywriter, Virgilio Piera in The Guardian, Prospect magazine and The Prisma newspaper. For the last twelve years, Mario has built a strong and ever-growing diverse readership. To quote from a reviewer on Medium, Mario produces intelligent writing that seeks to start conversations on difficult issues.

This space was initially chosen for the inspiring quote, poem or philosophical thought that would mark the author out as a clever, sensitive and intellectual being. But, bearing in mind that most spiritually-driven literary reflections have been used up on Instagram, Twitter, Facebook and other social media platforms, the author has decided to leave this space blank for the reader to fill it in with their words of choice. Thanks.


Copyright Information Mario Lpez-Goicoechea 2021 The right of Mario - photo 1

Copyright Information

Mario Lpez-Goicoechea 2021


The right of Mario Lpez-Goicoechea to be identified as author of this work has been asserted by the author in accordance with section 77 and 78 of the Copyright, Designs and Patents Act 1988.


All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publishers.


Any person who commits any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.


All of the events in this memoir are true to the best of authors memory. The views expressed in this memoir are solely those of the author.


A CIP catalogue record for this title is available from the British Library.


ISBN 9781528994293 (Paperback)

ISBN 9781528994309 (Hardback)

ISBN 9781528994316 (ePub e-book)


www.austinmacauley.com


First Published 2021

Austin Macauley Publishers Ltd

Level 37, Office 37.15, 1 Canada Square

Canary Wharf

London

E14 5AA

Acknowledgement

I would like to thank Arts Council England for their support without which the publication of this book would not have been possible.


I would like to thank my publisher, Austin Macauley, for trusting me and supporting me along the way.


I would also like to thank Deborah Jaffe for her craftsmanship and creativity as a photographer. She managed to capture the essence of the book as well as that of the author.


Note to the reader:

Please, be assured that during the writing, production, printing, publishing, marketing and promotion of this book no 25,000.00 shed was used. Also, no countrys future was played with, jeopardised or harmed in any way. In fact, this book could not possibly have been written without the centuries-old, positive contribution of hundreds of thousands, if not millions of immigrants and their descendants to British cultural, socioeconomic and political life.


Cuban Immigrant and Londoner The Secretary of State in exercise of the - photo 2

Cuban, Immigrant, and Londoner

The Secretary of State in exercise of the powers conferred by the British - photo 3

The Secretary of State, in exercise of the powers conferred by the British Nationality Act 1981, hereby grants this certificate of naturalisation to the person named below, who shall be a


BRITISH CITIZEN


from the date of this certificate


It was May, 2005. I, along with what must have numbered hundreds if not thousands of immigrants across the country, was being granted full British citizenship.

The certificate, which I am looking at now, is in a black file carrier, kept on a shelf alongside CDs and books. A fitting location, I would add, which shows my love for both, art and my adopted land. The document reminds me of the imaginary oath I have sworn to this country (I dont recall being asked to do an actual one) and the duties and responsibilities I share with those born here. It also reminds me of my privileges. Fully deserved privileges I never imagined having in the first place.

On that day in 2005, I was also granted something elseaccess to the democratic principles on which the United Kingdom of Great Britain and Northern Ireland were founded. To be clear, I had already gained and exercised these rights in my previous eight years in this country as a long-term resident. I had voted in four elections, including two London mayoral ones, and held two full-time jobs. I had always paid my taxes and contributed to that then-fashionable term, multicultural society.

Nevertheless, there was a special quality to having these hard-earned rights validated by the certificate I am holding in my hands. It was almost the reverse of Ralph Ellisons Invisible Mans opening passage:


I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fibre and liquids and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves, or figments of their imagination indeed, everything and anything except me.


Unlike Ellison, my flesh and bone were perceived and my mind remarked on, but only in certain circumstances. Being an immigrant usually means juggling a multitude of identity markers. Some, you choose. Some, chosen for you. Those that fall in the latter category might not necessarily be at the forefront of the immigrants mind when defining themselves. For example, for some inexplicable reason, as soon as I arrived in Britain, I found myself having to define and explain my Cuban identity whenever questioned. Chiefly politically. This usually happened with likeminded people of a liberal bent. Yet, their preconceived notions of what they thought Cubans were and/or Cuba was clashed with the evidence-based reality which I confronted them with. To add an ironic twist to this state of affairs, when the said experts in Cuba were challenged by me, they tended to ignore my comments, thus, rendering me invisible. Perhaps Ellison was onto something after all.


***


Fifteen years after that day in 2005, I cannot read this certificate without getting a bit teary. Especially because in recent times, I and many other immigrants have started questioning our role in the modern British society. More importantly, if we have a role at all. There is no point in beating around the bush when there is a big, XXL-sized elephant in the room which changes colour according to which minority groups turn it is to be scapegoated. Brexit has unleashed a beast that respects no skin colour, race or creed.

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