• Complain

William Vollmann - An Afghanistan Picture Show: Or, How I Saved the World

Here you can read online William Vollmann - An Afghanistan Picture Show: Or, How I Saved the World full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2013, publisher: Melville House, genre: Prose / Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

William Vollmann An Afghanistan Picture Show: Or, How I Saved the World
  • Book:
    An Afghanistan Picture Show: Or, How I Saved the World
  • Author:
  • Publisher:
    Melville House
  • Genre:
  • Year:
    2013
  • ISBN:
    9781612191997
  • Rating:
    4 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 80
    • 1
    • 2
    • 3
    • 4
    • 5

An Afghanistan Picture Show: Or, How I Saved the World: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "An Afghanistan Picture Show: Or, How I Saved the World" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

In 1982 William T. Vollmann, one of our most versatile talents, traveled to see the war in Afghanistan. In An Afghanistan Picture Show, his first book-length work of non-fiction, Vollmann paints a brutally honest and dryly comic portrait of a young American coming to terms with his political naivete. It is the story of a would-be giver who finds himself a perpetual Stranger, unable to comprehend the simplest things he hears and sees, and continually compelled to rely on others for help. In two narrative perspectives, Vollmann wryly confronts his own inadequacy in the face of limitless suffering and comes to the realization that one who went to aid and to understand could only hope, trust, and receive. In An Afghanistan Picture Show Vollmann describes a Cold War world of spies and lurking strangeness, a world in which his younger self asks unanswerable questions of orphans, refugees, guerrilla leaders, bureaucrats, corrupt officials, and prescient has-been politicians. He tells of Pakistan, a country as gracious in spirit as she is materially poor. And in his unnerving innocence Vollmann explores a land in which others continually invest him with almost supernatural powers simply because he is American. An ingenious narrative which inverts the very concept of the white mans burden and questions the idea of truth in non-fiction, An Afghanistan Picture Show stands as William T. Vollmann most entertaining-and autobiographical-work to date.

William Vollmann: author's other books


Who wrote An Afghanistan Picture Show: Or, How I Saved the World? Find out the surname, the name of the author of the book and a list of all author's works by series.

An Afghanistan Picture Show: Or, How I Saved the World — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "An Afghanistan Picture Show: Or, How I Saved the World" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

William T. Vollmann

An Afghanistan Picture Show: Or, How I Saved the World

This book is dedicated

to all who try to help others,

whether they succeed or fail

And I have admitted that the foreigner will probably pronounce a sentence differently if he conceives it differently; but what we call his wrong conception need not lie in anything that accompanies the utterance

WITTGENSTEIN, Philosophical Investigations, I.20

INTRODUCTION TO THE NEW EDITION

1

Bills come a long way from An Afghanistan Picture Show said an editor to my - photo 1

Bills come a long way from An Afghanistan Picture Show, said an editor to my agent in the course of rejecting my latest book; so far as he was concerned, I must not have come far enough. Never mind that I could say the same about him; for when I look back on the product of sincerity and gaucherie which you are now reading, I believe in both his propositions. As it stands, An Afghanistan Picture Show is a much delayed revision and amplification of the very first book I wrote, which was not the first book I published. As such, it suffers deficiencies of both form and content. One of my German translators recently told me: An Afghanistan Picture Show is your weakest book, in my opinion. I hope you dont mind my saying that. Indeed, I do not. First of all, I had just begun to teach myself how to write. It takes years to learn how to observe, when to make a sentence terse or flowery, and which questions to write. The books attempts at humor and whimsicality embarrass me, although some of its irony still entertains me.

Of course what embarrasses me far more is the pitiless recounting of my myriad failures. I cannot reread portions of this book without shame at my ignorance, my smug conviction that I could somehow do the Afghans a favor, my physical inability to keep up with the Mujahideen, my utter uselessness. And this puts me on the track of why An Afghanistan Picture Show may be of value. It is not a political analysis, although it hoped to be. It is hardly even much of an adventure memoir. But it delineates, with an honesty I remain proud of, the attempt of one young man to be of service to others.

It continues to astonish me how easy it is to harm people and how difficult it is to help them. Most of my books deal with this issue, but never so directly as here.

I wanted to help the Afghans. I assumed that goodwill and a degree of intrepidity would be enough.

I believed, and still do, that every human being is my brother or sister, and therefore that we are all of us equally deserving of help.

I love Afghanistan as much today as I did when I first crossed the border in 1982. The land is beautiful and the people were kind to me.

2

The wish I have always had to be of service made me very lonely when I first decided to go to Afghanistan. No one could understand me. When I returned, with observations and descriptions which I considered important, my fellow Americans told me: No one cares about Afghanistan, or, better yet: Afghanistan, Bananastan!

September eleventh changed everything, and, in more ways than the obvious ones, it altered Americans, most of whom, like me, had been lucky enough to grow up without knowing what was happening in the rest of the world. Needless to say, by Americans I pointedly exclude my own government, which has intervened, to great ill and frequent good effect, without the knowledge or comprehension of its so-called electorate. It poked its foreign policy stick in a number of ant-hills, and finally some ants bit back.

Afghanistan accordingly transformed itself from a comical Nowheresville into an evil place of which Americans were all too aware. If only we could kill all those killers and murder all those murderers! Then we would be safe again.

3

In 1998, returning from sanctioned Iraq, I wrote:

The notion that stern domination of a country can prevent its evil resurgence did not work against Germany after World War I. It will not work here. It will succeed only in creating and hardening new enemies for America and her sister powers. Sooner or later, some Iraqi clever enough to build a destructive device will try again, and his hatred will not be restrained by memories of our kindness.

Unfortunately, the events of September eleventh have borne me out, although they appear to have been planned in Afghanistan or Saudi Arabia instead of Iraq. Well, whats the difference? Afghanistan, Bananastan! As some fellow citizens said while watching television coverage of the first Gulf War: Thats right, thats right; weve got to stop those goddamned Iranians.

4

I am not a diplomat or a strategist. My only gift as a political observer is my ability to see and state the obvious. If you went to a Muslim country such as Iraq and saw the children dying for lack of anti-diarrhetic medicines, if you witnessed the hatred, grief, and defiance of the people, furthermore, if you returned home and found out that your friends and neighbors, in whose name your government was causing this suffering, possessed neither knowledge nor interest about the situation, how could you not anticipate something like September eleventh? Sometimes I can almost excuse President Bush (who ought to be in a cell in The Hague) for the second Gulf War. After all, even though Saddam Hussein possessed no weapons of mass destruction, and his links to al-Qaeda were falsified, he certainly could have wanted to avenge himself on us!

In An Afghanistan Picture Show you will similarly find statements of the obvious: Victims are not necessarily saints; nor are would-be benefactors. The Afghans are no more homogenous than the Americans. Good intentions alone do not elicit gratitude. Helpfulness cannot be scientifically calculated. Generosity and fairness may be mutually exclusive. The give and take in human relations is often unpredictable. How astonished these discoveries made me!

I was very foolish, but I never knowingly did harm, and I tried not to lie about myself.

Please let me tell you the obvious about Afghanistan: Every child and grandmother we kill makes us new enemies. We will never win over there.

5

I used to say that I hoped to see the September eleventh plotters all hunted down and killed. Now I am ashamed of having thought so. Osama bin Laden should have been put on trial instead of being gunned down. From what little I have read, he was wounded and helpless and they kept pumping lead into him. I would have liked to hear him explain why he did what he did.

6

If you begin reading An Afghanistan Picture Show in the expectation of more political discussion than this, you will be disappointed. To be sure, people who remain onstage today, such as the infamous Gulbuddin, or who disappeared from it only yesterday, such as Rabbani and Masoud, get mentioned. I remember interviewing Rabbani for this book and feeling very pleased with myself; by the time he became the head of the Afghan government I no longer particularly cared about my so-called accomplishment. After all, this book, as much as it originally wanted to be, is not about Afghanistan at all. First and foremost, it portrays, far more than its shallow young author could have imagined, a certain kind of social relationship. The epigraph to one of my latest European short stories was derived from the Great Soviet Encyclopedia. It could equally be the epigraph to this book: Every attempt to present altruism as a route to the transformation of an antagonistic society on nonegoistic principles leads ultimately to ideological hypocrisy, masking the antagonism of class relations. I wanted to do good, and help the Afghans. Ignorant of the very evident implications of the fact that I was the semi-privileged citizen of an extremely privileged country, I believed in the simple equality of all human beings, and expected that one of the Mujahideen commanders would set me some task, which I would do my best to fulfill haul water, document a battle, or fight and that would be that. It was shocking to me that, instead, quasi-divine powers were ascribed to my person. I was an American; I could do anything. And because I could not do anything, not even walk over the mountains very well (I had already lost forty pounds from amoebic dysentery), I failed all parties, inevitably. Had I been physically fit, with a million dollars in my pocket, I still would have failed the Afghans, for I was nobody but myself. And myself was all I ever wanted to be an illusion which masks the antagonism of class relations.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «An Afghanistan Picture Show: Or, How I Saved the World»

Look at similar books to An Afghanistan Picture Show: Or, How I Saved the World. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «An Afghanistan Picture Show: Or, How I Saved the World»

Discussion, reviews of the book An Afghanistan Picture Show: Or, How I Saved the World and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.