Pearl Buck - Kinfolk

THE THEATER IN CHINATOWN was crowded to the doors. Every night actors brought from Canton played and sang the old Chinese operas. If Billy Pan, the manager, announced a deficit at the end of the lunar year, businessmen contributed money to cover it. The theater was a bulwark of home for them. Their children went to American schools, spoke the American language, acted like American children. The fathers and mothers were not highly educated people and they could not express to the children what China was, except that it was their own country, which must not be forgotten. But in the theater the children could see for themselves what China was. Here history was played again and ancient heroes came to life before their eyes. It was the only place in Chinatown which could compete with the movies. Parents brought their children early and stayed late. They talked with friends and neighbors, exchanged sweetmeats and gossip, and sat spellbound and dreaming when the curtain went up to show the figures who were contemporary with their ancestors.

The play tonight was Mu Lan, the heroine of a thousand years ago, who took her fathers place when he fell in battle and so saved her nation from invaders. This was a favorite play, and although it was in the repertory of every company, the citizens of Chinatown never tired of it. It was nearly midnight and they waited with excitement for the curtain to rise on the fifth act. At this moment Billy Pan came to the door and looked over the crowd. He was a stout middle-aged man, dressed in a gray cloth suit, and he was as usual smoking a cigar. His round red face was cheerful and his small eyes twinkled with satisfaction as he glanced about the house. Good businessMu Lan always brought him good business. His shrewd eyes examined the crowd more closely, searching for possible celebrities. It pleased the crowd if he could produce a celebrity after the show. He knew everybody in Chinatown and his eyes slid rapidly from one face to another.

In the tenth row in the middle seat his eyes halted. Dr. Liang Wen Hua! He had seen Dr. Liang only once and then from a platform in uptown New York, when during the war delegates from Chinatown had been invited to come to a celebration of Double Ten. Dr. Liang had made the chief address, and all the delegates had taken pride in the tall handsome figure who was also Chinese. But Dr. Liang had never accepted an invitation to Chinatown. He made the excuse that he could not speak Cantonese, since his native region in China was in the north, near Peking. Yet here he was tonight sitting among the crowd!

The curtain rose and through the darkness Billy Pan edged his way up the narrow aisle. At the tenth row he paused, whispered and waited. The man in the seat next to Dr. Liang came out obediently, and Billy Pan pushed into his place.

Dr. Liang? he whispered respectfully.

Dr. Liang turned his head.

Excuse me, this is Billy Pan, proprietor of theater, Billy Pan whispered in English. I saw you. Great honor, I am sure! Our theater is very poor. I am sorry you did not tell me you are coming and I would have better show for you, anyway best seat.

Dr. Liang inclined his head. I am very comfortable, thank you, he said in his low rich voice. And this is the play I wished to see.

You not come before, I think?

As a professor, I am kept busy.

You like this play? Billy Pan persisted.

I am planning a summer course on the Chinese drama, Dr. Liang replied. I came to see whether my students might understand this play, as presented by Chinese actors.

It is too poor, Billy Pan exclaimed.

Dr. Liang smiled. I suppose American students will not be critical.

Behind them and beside them people were craning their heads. Everybody knew Billy Pan and knew that he would not trouble himself about any ordinary person. Someone recognized Dr. Liang and the name ran along the crowded benches.

Please, Billy Pan begged. I ask a great favor of you.

Dr. Liang smiled. Yes?

After the play, will you speak a few words to us from the stage?

Dr. Liang hesitated.

Please! It will honor us.

Dr. Liang was gracious. Very well but you will have to translate for me. My Chinese is not Cantonese, you know.

Honored! Billy Pan exclaimed with fervor.

He rose, sweating and excited, and pushed his way out again and the man whom he had displaced crept back. Now that this man knew by whom he was sitting he felt awkward and humble and he sat as far as possible from the great man.

Dr. Liang did not notice him. His mind was on the gaudy scene upon the stage. In his secret heart he did not enjoy the stylized traditional performance. He had been too long in New York, too often he had gone to Broadway and Radio City. There was something childish about the strutting declaiming actors and the brightly ancient costumes. This sort of thing might be all very well for a country audience before a temple, but certainly it did not suit a modern people. Would he be ashamed if he brought his classes here, or might he explain the drama in terms of the picturesque? He could always tell them that in Shanghai as well as in Peking there was a drama as modern as in New York.

Then it occurred to him that not only the play was difficult. The audience was even more so. Children pattered back and forth and women talked whenever the action dulled for a moment on the stage. Men got up and went out and came back, pausing to greet their friends on the way. It was most unfortunate, he thought, his handsome lips set and his head high, that Chinese like himself were not the sole representatives of his country. It was a great pity that Chinatown had ever been allowed.

The clamor of drums and flutes and violins burst forth in concerted cacophony and the crowd was suddenly silent. The star was coming on. A curtain was drawn back and a brilliant figure dashed upon the stage. It was Mu Lan herself, in the ancient garb of a warrior, and shouts burst from the people. She stalked up and down the stage brandishing the little whip which meant she was on horseback, singing in a high falsetto as she went. From the timbre of the voice Dr. Liang knew that Mu Lan was being played by a young man. The audience, knowing it also, were yet navely ready to imagine that she was a beautiful strong young woman.

I might explain the motif by saying that Mu Lan is the Chinese version of Joan of Arc, Dr. Liang thought.

He was pleased with the idea and his mind played about it. Before he knew it the curtain went down, the hard neon lights flashed on, and Billy Pan stood on the stage waving his arms for attention. Everyone obeyed. People who had been getting up sat down again, and babies began to wail and were hushed. A flood of rapid explosive Cantonese burst from Billy Pan, none of which Dr. Liang could understand. When everyone turned to stare at him, however, he knew that he was being introduced and he rose. The people in the row with him stepped into the aisle to allow him to pass, and he thanked them gravely and walked with dignity up the aisle to the stage and mounted four rickety steps. Billy Pan was waiting for him with a look of devotion, and Dr. Liang smiled slightly. He stood with his hands clasped and he bowed to the audience. Then he began to speak, waiting at the end of each long sentence for Billy Pan to translate.

It was one of his less important speeches, pleasant, courteous, mildly humorous, but the audience was easy to please and laughed heartily and quickly. He was warmed by their pride in him and he took the opportunity to remark that it was the duty of every Chinese to represent his country in the most favorable light to Americans who were, after all, only foreigners. As for himself, he said, he was careful always to behave as though he were, in his own small way, of course, an ambassador. He closed with a reference to Confucius, and was astonished that this did not seem to please the people. They were ignorant, he supposed very provincial, certainly. He saw them whole, a mass of rather grimy people, small tradesmen and their wives and children, alien and yet somehow building a small commonplace version of China here. Very unfortunate!