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Daniel Dimarzio - A Story of Life, Fate and Finding the Lost Art of Koka Ninjutsu in Japan

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Daniel Dimarzio A Story of Life, Fate and Finding the Lost Art of Koka Ninjutsu in Japan
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Ninjutsu is arguably one of the most controversial topics in the martial arts world. There are numerous organizations teaching Ninjutsu worldwide. Some claim to teach traditional Ninjutsu while others teach a modern interpretation of the art. These two scenarios are not uncommon. It is almost impossible to authenticate traditional Ninjutsu claims while the modern styles are a new interpretation of the past.
Much rarer is finding a reclusive Ninja school in the heart of Japan that almost no one in the world has heard of. A Ninjutsu organization that has remained veiled in secrecy for ages and is about to go extinct. A Ninjutsu family that has the backing of Japanese historians, the government and a museum. A find like this is unheard of.
Author Daniel DiMarzio unknowingly stumbled upon just that while living and working in Japan. For the first time in English, with the permission of his teacher, he brought this Ninjutsu organization to the Western world by publishing this book in 2008. Daniel pulled back the veil on Ban Family Ninjutsu, an organization lead by the head of the family Jinichi Kawakami and instructor Yasushi Kiyomoto.
This republished book describes an adventure of living and working in Japan while accidentally coming across a reclusive Ninjutsu organization that chose to remain in the shadows for ages. It details life in Japan and training privately with a reputed master of Ninjutsu.

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A Story of Life, Fate and Finding the Lost Art of Koka Ninjutsu in Japan

By

Daniel DiMarzio

A Story of Life, Fate and Finding the Lost Art of Koka Ninjutsu in Japan

By Daniel DiMarzio

Published by The Winds of Japan Shop

Copyright 2008 by Daniel DiMarzio

ISBN 978-1-312-84420-9

This book is for informational purposes only. None of the information and/or techniques in this book should be practiced or attempted by any person. The information and/or training techniques in this book can cause serious bodily injury or death. The author and publisher assume no responsibility for the use of anything contained in this book.

All rights reserved. No part of this book may be reproduced in any form without the express written permission of the author.

Author: Daniel DiMarzio

Dedicated to the Warriors of Japan, both past and present

Warning:

This book is for informational purposes only. None of the information and/or techniques in this book should be practiced or attempted by any person. The information and/or training techniques in this book can cause serious bodily injury or death. The author and publisher assume no responsibility for the use of anything contained in this book.

Samurai circa 1825 Contents Foreword Introduction An Unknown - photo 1

(Samurai circa 1825)

Contents

Foreword

Introduction

An Unknown Beginning

Chapter 1

Between a Rock and a Hard Place

Chapter 2

Life in Japan

Chapter 3

Discovering the Lost Art of Koka Ninjutsu

Chapter 4

Ninjutsu Training

Conclusion

Fate

A Story of Life, Fate, and Finding the Lost Art of Koka Ninjutsu in Japan

By

Daniel DiMarzio

Samurai circa 1818 Kyoto Foreword Jinichi Kawakami Masaaki Hatsumi - photo 2

Samurai circa 1818

Kyoto Foreword Jinichi Kawakami Masaaki Hatsumi and Seiko Fujita The - photo 3

Kyoto

Foreword

Jinichi Kawakami, Masaaki Hatsumi and Seiko Fujita

The Great Ninja Lineage Debate

For many years in the West people associated only a few names with the art of "Ninjutsu." Most people hear Ninjutsu and immediately think of Masaaki Hatsumi or Seiko Fujita. Masaaki Hatsumi, the most famous in the Western world, is associated with Iga. Seiko Fujita, who passed away decades ago, is associated with Koga. Many people believed that the only true Ninjutsu practitioner left was Masaaki Hatsumi. It is also widely believed that the Koga line of Ninjutsu died with Seiko Fujita. But these statements are, and always have been, false.

There exists a man in Japan that is not associated with Masaaki Hatsumi or Seiko Fujita, yet carries on a Ninjutsu tradition. This man is Jinichi Kawakami, and he is the 21st Head of the Koka Ban Family. He not only carries on the Koka tradition but the Iga, Konan and Tanba traditions of Ninjutsu.

A few years ago when people in the West first heard of him they immediately associated him with Masaaki Hatsumi or Seiko Fujita. Since Masaaki Hatsumi was seen as the last person carrying on Ninjutsu, many thought Jinichi Kawakami must share a lineage with him. Since Jinichi Kawakami claimed a Koka connection, which "Koka" is the original way to say "Koga" many people thought he must have a lineage connected to Seiko Fujita. However, Jinichi Kawakami shares absolutely no lineage with either Masaaki Hatsumi or Seiko Fujita. The thought of this seemed to astonish and baffle people.

Jinichi Kawakami and his lineage have always been around, albeit on an obscure and quiet level. Until a few years ago everything about this man and his lineage was only available in Japanese and could only be found if you knew where to look. He remained reclusive and out of the public eye.

Jinichi Kawakami's lineage is completely separate from that of Masaaki Hatsumi and Seiko Fujita. Does that seem strange? It shouldn't, Iga and Koka/Koga are simply different regions. Numerous Ninja clans (families) and lineages came out of these regions, and several other areas. Ninjutsu is and always has been a family-based art. The fact that a lineage survived nobody in the West heard about until recently is really not that surprising. Especially when you consider that the nature of Ninjutsu is to remain hidden and stay out of the spotlight. It is no surprise that many in the West and even in Japan did not know about him.

Jinichi Kawakami was taught Ninjutsu and Bujutsu from the age of six. He was taught by the 20th Head of the Koka Ban Family, Masazo Ishida. He inherited all of Masazo Ishida's teachings and became the 21st Head of the Koka Ban Family himself. Masazo Ishida's lineage traced back to 3 of the 53 Koka Ninja Families including the Ban Family, the Ishida Family and the Kimura Family. Masazo Ishida's grandfather also had a school in Kyoto.

Because of the nature of Ninjutsu and its use related to guerilla warfare, espionage and assassination, the Ninja families were not as structured as what we see in many traditional Japanese schools. As stated before it was family-based, with someone designated to hand down the techniques. Because of this it was not as formal. Some Ninja families would share information and techniques from time-to-time if they were on good terms. Most Ninja clans were small, secretive, tight-knit family groups. It was a way of life, a way of life that was taught to be kept a secret from outsiders.

Jinichi Kawakami was appointed the Honorary Curator of the Iga-Ryu Ninja Museum in Mie Prefecture, Japan. This is a real museum with weapons, scrolls and various other materials from the days of the Ninja. It is one of the few places in the world you can see these rare artifacts from the past. It is a serious museum with serious Japanese historians involved in the work. These Japanese historians have dedicated their time and lives to researching Ninjutsu's past. These same historians named Jinichi Kawakami as the curator of the museum because he is held in such high-esteem. These Japanese historians, who study Ninjutsu lineages, confirm Jinichi Kawakami's lineage to the art of Ninjutsu.

Jinichi Kawakami's claims are backed by the government of Japan. He and his top student, Yasushi Kiyomoto, hold seminars for them.

Mr. Kawakami has been appointed as a professor at Mie University in Mie Prefecture, Japan. He was appointed to teach the art of Ninjutsu and how it relates to the modern-day business world.

There have been numerous publications, TV programs, magazines etc. in Japanese about Jinichi Kawakami and Ninjutsu. Until recently, very few who could not read Japanese or get them translated had no idea they even existed. Only recently has Jinichi Kawakami opened his art up just a bit to the world. The Smithsonian Channel aired a documentary about him entitled "Ninja: Shadow Warriors" and in that documentary described him the same way most people in Japan know him, "In Japan today, there is still one person alive that holds the secrets of Ninjutsu, the art of the Ninja." Smithsonian is the world's leading cultural institution with19 museums, 9 international research centers and 168 million artifacts (cited from: http://www.smithsonianchannel.com/site/sn/about-us.do). They chose Jinichi Kawakami when it came to filming a work on Ninjutsu. Why? Because in Japan most do consider his lineage and character impeccable.

You can also judge him by his skill in the martial arts. Since he was six years old, he was trained to dislocate certain parts of his body, for instance his shoulders. He did this so that he could fit into incredibly small places, and also to escape joint-locks while fighting. Even being over sixty-years of age now he can still do this. He can raise his testicles up into his abdomen to avoid being hit in the groin while fighting. He can walk on the tops of his feet in a very awkward and strange fashion. He has conditioned his body to be like a piece of steel and has scarred and gnarled knuckles from punching steel with them. He has gone through extreme fasting and put his body through all types of training and punishment. He is also an expert in psychology, explosives and poisons. He can recite the history and lineage of the Japanese martial arts like he was a text book. All of these things take time to learn...and some of it is physically impossible unless you have trained since you were a child.

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