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Eddie Izzard - Believe Me: A Memoir of Love, Death, and Jazz Chickens

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Eddie Izzard Believe Me: A Memoir of Love, Death, and Jazz Chickens
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Believe Me: A Memoir of Love, Death, and Jazz Chickens: summary, description and annotation

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Critically acclaimed, award-winning British comedian and actor Eddie Izzard details his childhood, his first performances on the streets of London, his ascent to worldwide success on stage and screen, and his comedy shows which have won over audiences around the world.
Over the course of a thirty-year career, Eddie Izzard has proven himself to be a creative chameleon, inhabiting the stage and film and television screen with an unbelievable fervor. Born in Yemen, and raised in Ireland, Wales and post-war England, he lost his mother at the age of six. In his teens, he dropped out of university and took to the streets of London as part of a two-man escape act; when his partner went on vacation, Izzard kept busy by inventing a one-man act, and thus a career was ignited. As a stand-up comedian, Izzard has captivated audiences with his surreal, stream-of-consciousness comedy--lines such as Cake or Death? Death Star Canteen, and Do You Have a Flag? have the status of great rock lyrics. As a self-proclaimed Executive Transvestite, Izzard broke the mold performing in full make-up and heels, and has become as famous for his advocacy for LGBT rights as he has for his art. In Believe Me, he recounts the dizzying rise he made from street busking to Londons West End, to Wembley Stadium and New Yorks Madison Square Garden.
Still performing more than 100 shows a year--thus far in a record-breaking twenty-eight countries worldwide--Izzard is arguably one of todays top Kings of Comedy. With his brand of keenly intelligent humor, that ranges from world history to pop culture, politics and philosophy, he has built an extraordinary fan base that transcends age, gender, and race. Writing with the same candor and razor-sharp insight evident in his comedy, he reflects on a childhood marked by unutterable loss, sexuality and coming out, as well as a life in show business, politics, and philanthropy. Honest and generous, Izzards Believe Me is an inspired account of a very singular life thus far.

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An imprint of Penguin Random House LLC 375 Hudson Street New York New York - photo 1
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Believe Me A Memoir of Love Death and Jazz Chickens - image 3

An imprint of Penguin Random House LLC

375 Hudson Street

New York, New York 10014

Believe Me A Memoir of Love Death and Jazz Chickens - image 4

Copyright 2017 by Eddie Izzard

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Blue Rider Press is a registered trademark and its colophon is a trademark of Penguin Random House LLC

Library of Congress Cataloging-in-Publication Data

Names: Izzard, Eddie, author. | Zigman, Laura, author.

Title: Believe me : a memoir of love, death, and jazz chickens / Eddie Izzard, with Laura Zigman.

Description: New York : Blue Rider Press, 2017.

Identifiers: LCCN 2017008493 (print) | LCCN 2017009615 (ebook) | ISBN 9780399175831 (hardback) | ISBN 9780698405660 (epub)

Subjects: LCSH: Izzard, Eddie. | EntertainersGreat BritainBiography. | ComediansGreat BritainBiography. | BISAC: BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts. | BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs.

Classification: LCC PN2598.I99 A3 2017 (print) | LCC PN2598.I99 (ebook) | DDC 792.7/6028092 [B] dc23

LC record available at https://lccn.loc.gov/2017008493

p. cm.

Penguin is committed to publishing works of quality and integrity. In that spirit, we are proud to offer this book to our readers; however, the story, the experiences, and the words are the authors alone.

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I dedicate this book to the Izzard familyMum, Dad, and my brother, Mark. I love you and thank you for all the help and support along the way.

How easily men could make things much better than they areif they only all tried together!

W INSTON C HURCHILL , 1909

INTRODUCTION

I always thought Id write a book about my life towards the end of my life, like Ulysses S. Grant did. Or Chaplin did. But I have noticed that a number of people (maybe lots of people) have done autobiographies in the middle of their lives, or even several autobiographies over different slices of their lives. I came to the conclusion that I dont really know what the rules are for this.

I think Im a really boring person. I think I am naturally boring. Probably most of us are. Interesting people, too, probably decided at some point in life that they were boring and wanted to be more interesting. Like Che Guevara, who was a medical student, then threw on a beret, became a revolutionary, and became way more interesting. Billy Connolly, the great Scottish comedian, who really influenced my work, used to say in his stand-up material that he did certain things to make himself windswept and interesting. I identify with that. Its bonkers that in this world some people are just trying to live and exist while Im sitting here thinking, Ooh! Ive done some interesting things and now Im going to write an autobiography! But that is the situation I find myself in. Ive done a certain number of things in my life and have now reached an age and a state of mind where Ive come to reflect on those things. And some people want me to write them down.

It was at the end of the documentary Believe: The Eddie Izzard Story when Sarah Townsend, the director, who had been shooting interviews with me for some time, said that I never really say anything.

I thought, Well, Im up for saying lots of things.

But maybe I was being guarded, or trying to make everything very palatable, or funny, and therefore I never seemed to say anything that really cut through the mist of being a performer, an actor, and a personality of some sort.

Then, towards the end of the film, I started talking about my mother, who died when I was six. And thats when I said something revelatory:

I know why Im doing all this, I said. Everything I do in life is trying to get her back. I think if I do enough things... that maybe shell come back.

I remember that when I said those words in the film it didnt feel like it was really me talking. Because it wasnt my conscious brain talking. It was my subconscious brain. And for some reason it was saying: Heres whats really going on. Heres a note to yourself. Something like that.

I think its true. I think trying to bring my mother back is at the base of everything Im doing, and everything Ive ever done.

On top of that, of course, there is also ego and a love of adventure and trying to be, as Billy C. would say, windswept and interesting. But its quite a moment in the film. And it was quite a moment in my life.

So this book is intended to give you a chance to sit inside my head, behind my eyes, for a bit. Im trying to share thoughts and feelings that I may not have covered in the documentary and that I dont normally talk about in my stand-up.

In a way, Ive tried to live my life like a film. Im trying to do interesting things so that somebody notices or so that maybe my mother notices, from beyond the mists of the living.

Real life is actually a lot of boring things with occasional spikes of interest. If you look at films of peoples lives, they tend to focus on only one aspect of it because the whole life doesnt quite work as a story. We know how we like our stories, and they have to go down to the bottom at the end of the second act, and then come back up and win at the end of the third act. Stories dont really have to be like that, but that does get our motors going. Real life doesnt play that way, which is why Id like to thank Sarah for making my life look interesting in the documentary, even though my life is lots of boring bits with occasional spikes of interestingness. She took all the boring bits out. Her film got an Emmy nomination for Best Documentary. Which means that my life story got a nomination for trying to be interesting, even though I know the truth.

So this is itan autobiographya walk through my lifein a nonlinear way. Belief or, more likely, self-belief, is central to what I have done, and that probably applies to anyone whose life could be deemed unusual. But I do also know self-belief can be used in a good or a bad way: some people with tremendous self-belief are complete psychotic mass murderers. So if you have a negative heart, then please dont read this book. But if you have a positive heart, then please do read this book. Because I have worked certain things out in life. I think there are certain patterns to the way human beings behave and I believe if you have analysis in one hand and instinct in the other hand, you can go a long way and live a life that is truly memorable.

Anyway.

Have a read.

Here we go.

Part I
THE EARLY YEARS
MARCH 4, 1968

I t is the last day of my childhood. My brother, Mark, and I knock on the door of our mothers bedroom. Without waiting for an answer, we rush in and jump on her bed.

Because Mummy is ill, we have been told by Auntie Trudy that we have to knock on her door before entering. Which we do. We dont realize we are supposed to wait for an answer before rushing in and jumping on her bed.

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