• Complain

Barbara J. King - Evolving God

Here you can read online Barbara J. King - Evolving God full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2011, publisher: Random House, genre: Religion. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Barbara J. King Evolving God
  • Book:
    Evolving God
  • Author:
  • Publisher:
    Random House
  • Genre:
  • Year:
    2011
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Evolving God: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Evolving God" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Barbara J. King: author's other books


Who wrote Evolving God? Find out the surname, the name of the author of the book and a list of all author's works by series.

Evolving God — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Evolving God" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Evolving God
A Provocative View of the Origins of Religion
Barbara J. King

DOUBLEDAY
NEW YORK LONDON TORONTO SYDNEY AUCKLAND

For those I love, of several species,

Who sustain me every day

And who know:

It aint no sin to be glad youre alive

BRUCE SPRINGSTEEN
ONE
Apes to Angels

W E HUMANS CRAVE emotional connection with others. This deep desire to connect can be explained by the long evolutionary history we shared with other primates, the monkeys and apes. At the same time, it explains why humans evolved to become the spiritual ape the ape that grew a large brain, the ape that stood up, the ape that first created art, but, above all, the ape that evolved God.

A focus on emotional connection is an exciting way to view human prehistory, but it is not the traditional way. Millions of years of human evolution are most often recounted as a series of changes in the skeletons, artifacts, and big, flashy, attention-grabbing behaviors of our ancestors. Medium-size skulls with forward-jutting jaws morph into skulls with high foreheads, large enough to house a neuron-packed human brain. Bones of the leg lengthen and shape-shift over time, so that a foot with apelike curved toes becomes a foot that imprints the sand just the way yours and mine do as we stroll along the surf. Crudely modified tools made of rough stone develop gradually into objects of antler and bone, delicately fashioned and as much symbolic as utilitarian. Caves, at first refuges for Neandertal hunters seeking shelter from hungry bears and other carnivores, become colorful art galleries when Homo sapiens begins to paint the walls with magnificent images of the animals they hunt.

Stones, bones, and big behaviors like tool-making and cave-painting do change over time as our ancestors evolve, and much of what we can learn about these transformations is enlightening. But the most profound, indeed the most stirring transformations in the evolutionary history of Homo sapiens involve what does not fossilize and what is only sometimes made tangible: belongingness.

Belongingness is mattering to someone who matters to you. Its about getting positive feelings from our relationships. Its what you and I work to maintain (or what we wish for) with family and friends, and perhaps also with colleagues or people in our community; for some of us, it extends to animals as well (other animals, for we humans are first and foremost animals). Relating emotionally to others shapes the very quality of our lives.

Belongingness, then, is a useful shorthand term for the undeniable reality that humans of all ages, in all societies, thrive in relation to others. That humans crave emotional connection is obvious in some respects. Most of us marry and live in families, configured either as parents (or a single parent) living with children or, more commonly worldwide, as multiple generations living together in extended family groups. We do things, both spiritual and secular, and by choice as well as necessity, in groups of relatives, friends, and associates. We write great literature and make great art based on the deepest emotions for those we love, or pine for, or grieve for.

Who can linger over a superbly crafted love poem and doubt the depth of human yearning for belongingness? We feel, rather than merely read or hear, Emily Dickinsons poem Compensation:

For each extatic instant

We must an anguish pay

In keen and quivering ratio

To the ecstasy.

For each beloved hour

Sharp pittances of years,

Bitter contested farthings

And coffers heaped with tears.

For one reader, these words might conjure up two lovers separated, by death or by mere circumstance, after a too-fleeting time together, an image accompanied by a feeling of searing loss. For another reader, they might bring to mind what happens when a cherished child not only grows up but grows apart, a thought coupled with a bittersweet mingling of pride and regret at being the center of her universe no more.

Emerging from the emotional depths of this poem, a reader might wonder what new can be said about human belongingness that might shed light on the evolution of the human religious imagination. Compelling questions can guide us here.

WEAVING A STORY

How did humans go from craving belongingness to relating in profound and deep ways to God, gods, or spirits? How did an engagement with the sacred that is wholly unique to humans emerge from a desire for belongingness that is common to monkeys, apes, extinct human ancestors, and humans of today? These seem to me the most vital questions, and they will act as my touchstone as I weave two thick strands of information together into an evolutionary account of the prehistory of belongingness.

For two and a half decades, at work in zoos and research centers and in the African bush, I have observed, filmed, and interpreted the behavior of monkeys and apes. The social and emotional behavior of these close relatives of ours never fails to fascinate in its own right. In long-term study of particular social groups, any keen observer comes to recognize bitter rivalries, deep friendships, and enduring family ties and becomes convinced that the animals, too, recognize them and act accordingly.

Like most anthropologists, however, I have been motivated ultimately by the wish to understand better the behavior of my own species. Coupling my own research with analysis of the behavior of our humanlike extinct ancestors in Africa, Asia, and Europe as studied by other scholars has allowed me to grasp something about just how we humans evolved. I am especially fascinated with the evolutionary history of empathy; of meaning-making; of rule-following; of imagination; and of consciousness. In what ways do monkeys and apes today express behaviors related to these aspects of emotional and cognitive life? How can we best seek evidence of these in our extinct ancestors? Can we uncover traces of our emotional prehistory in the remains, both physical and cultural, of the Neandertals and related groups? If so, how do these traces speak to us across the millennia about the development of religion?

These questions emerge from my own experience as an observer of primates, a writer, and a student of others anthropological research and indeed from my long-standing tendency to be attracted to the big questions of biological anthropology. Yet no book that purports to explain something meaningful about religion can spring entirely from a single discipline. Though biological anthropology is the most appropriate field in which to ground our inquiry, its necessary to adopt a broad perspective.

A second set of issues beckons us further into the labyrinth that must be negotiated in any study of religion. What is religion? What is the relationship both in the present and in the past between religious belief and religious practice? That is, must religion be defined as a set of beliefs, or can it be something different? How do theologians and other religious thinkers portray the relationship between faith and practice? Can understanding this relationship lead us to a different take on the findings from the first set of questions, those about the prehistory of religion?

The challenge is to weave together two discrete strands: the development of the religious imagination throughout prehistory, and the phenomenon of religion itself. These two threads, each with a panoply of attendant questions, seem to lead in a dizzying variety of directions. In the following chapters, I shall draw the threads together into a coherent story. Along the way, I will compare and contrast my views with those of other writers who speculate about the origins of religion. In what ways are these theorists on the right track, and in what ways do they miss critical pieces of the puzzle?

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Evolving God»

Look at similar books to Evolving God. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Evolving God»

Discussion, reviews of the book Evolving God and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.