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Charles Freeman - Egypt, Greece, and Rome: Civilizations of the Ancient Mediterranean

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Charles Freeman Egypt, Greece, and Rome: Civilizations of the Ancient Mediterranean
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Long sources of mystery, imagination, and inspiration, the myths and history of the ancient Mediterranean have given rise to artistic, religious, cultural, and intellectual traditions that span the centuries. In this unique and comprehensive introduction to the regions three major civilizations, Egypt, Greece, and Rome draws a fascinating picture of the deep links between the cultures across the Mediterranean and explores the ways in which these civilizations continue to be influential to this day. Beginning with the emergence of the earliest Egyptian civilization around 3500 BC, Charles Freeman follows the history of the Mediterranean over a span of four millennia to AD 600, beyond the fall of the Roman empire in the west to the emergence of the Byzantine empire in the east. In addition to the three great civilizations, the peoples of the Ancient Near East and other lesser-known cultures such as the Etruscans, Celts, Persians, and Phoenicians are explored. The author examines the art, architecture, philosophy, literature, and religious practices of each culture, set against its social, political, and economic background. More than an overview of the primary political or military events, Egypt, Greece, and Rome pays particular attention to the actual lives of both the everyday person and the aristocracy: here is history brought to life. Especially striking are the readable and stimulating profiles of key individuals throughout the ancient world, covering persons from Homer to Horace, the Pharaoh Akhenaten to the emperor Augustus, Alexander the Great to Julius Caesar, Jesus to Justinian, and Aristotle to Augustine. Generously illustrated in both color and black-and-white, and drawing on the most up-to-date scholarship, Egypt, Greece and Rome is a superb introduction for anyone seeking a better understanding of the civilizations of the ancient Mediterranean and their legacy to the West.

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EGYPT GREECE AND ROME
Civilizations of the Ancient Mediterranean

Charles Freeman

OXFORD UNIVERSITY PRESS

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OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP

Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in

Oxford New York

Athens Auckland Bangkok Bogot Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris So Paulo Singapore Taipei Tokyo Toronto Warsaw

with associated companies in Berlin Ibadan

Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

Published in the United States by Oxford University Press Inc., New York

Charles Freeman 1996

The moral rights of the author have been asserted

Database right Oxford University Press (maker)

First published in paperback 1999

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer

British Library Cataloguing in Publication Data Data available

Library of Congress Cataloging in Publication Data

Egypt, Greece, and Rome: civilizations of the Mediterranean Charles Freeman.

Includes bibliographical references and index. 1. Mediterranean Region -- Civilization. I. title. DE71.F74 1996 909'.09822 -- dc20 96-5464 ISBN 0-19-815003-2 (Hb) ISBN 0-19-872194-3 (Pb)

3 5 7 9 10 8 6 4 2

Typeset by Hope Services (Abingdon) Ltd. Printed in Great Britain on acid-free paper by Bookcraft (Bath) Ltd., Midsomer Norton

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To my mother, in memory of an August day in 1957 when a climb we made together up to the Roman fort on Wardlaw Hill, Dumfries, Scotland first sparked off my fascination with the ancient world, and in memory, too, of my father, John Freeman ( 1913-86), who loved the Mediterranean and its peoples.

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FOREWORD

by Oswyn Murray

All over Europe multi-volume histories of the ancient world are steaming towards the millennium; most of them have as many authors as chapters, and some of them as many editors as authors. But history-making by committee is never wholly satisfactory because it tends to perpetuate orthodoxy and to concentrate on established areas of study. In Mediterranean history there is a serious need for a shorter work which can chart a less zig-zag course with only one captain on the bridge.

Working with Charles Freeman on an earlier project convinced me that here was a man with the enthusiasm, literary skills, and zeal for research which made him ideally suited to writing history on a broad scale. When he proposed the present volume, it was obvious that it would fill the need for a general and up-to-date history of the ancient Mediterranean world in a way that was probably no longer possible for scholars dedicated to a single civilization. In place of multiple captains (to continue the nautical metaphor) he proposed a succession of scholarly pilots who would direct him through the shoals of controversy into safe mooring in each port. Thus, the unity of approach would be maintained through a single author, but it would be supported by expert advice in each historical area.

In this book Mr Freeman has tried to give a narrative account of the main events within each period, but also to highlight the developments in cultural and social history, and to show something of the evidence on which his judgements are based. He has indicated where the evidence is uncertain, or where his interpretation may be controversial; but he has not avoided the responsibility of making decisions about the evidence in order to present a clear account. The aim of all of us who struggle to write in that most difficult of historical genres, the introduction to the study of a period, must always be to combine the current state of information with excitement and encouragement to study the subject further. History aims at producing narratives and explanations, but it is the methods by which these aims are achieved which constitute the most interesting aspect of being a historian; and making historians is at least as important as writing history. For history is a creative activity that must be renewed in each generation: there will never be a fixed and final narrative, partly because our evidence is incomplete and growing all the time, and partly because our explanations of events and the ways they interconnect reflect our own interpretation of our present world, and so are always changing. As the philosopher and historian R. G. Collingwood insisted, it is not the facts that are interesting in history, but the questions and their answers -- and these can never be fixed.

On behalf of his team of pilots, I would like to congratulate Charles Freeman on the skill with which he has made use of our help to produce a new account of the ancient world in the Mediterranean and the Near East which is both accessible to the general reader and based on the most recent research.

Oxford April 1996

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PREFACE

I would like to think that this book had its inception when I was 9. Holidaying with my mother in Scotland, she and I climbed up to the top of Wardlaw Hill near Dumfries and scrambled over the remains of a Roman fort. I seem to remember that I fully expected to find some form of treasure concealed among the scattered stones. It was not to be, but for the rest of the holiday we explored other ruined sites and an interest was born. By the time I was in my teens I was digging up Roman bath-houses and plotting the lines of Roman roads across my native Suffolk.

I was also studying the classics at school. I had been born into the tradition. My mother counted among her ancestors Henry Howard, Earl of Surrey ( 1515-47), who had introduced blank verse into English literature through the medium of a translation of the Aeneid, Books Two and Four, and his greatgrandson Thomas Howard, Earl of Arundel ( 1585-1646). Thomas was the socalled 'Collector Earl' who scoured the Mediterranean for antiquities and to whom, as one of his English admirers wrote, 'this corner of the world owed their first sight of Greek and Roman statues' (His vast collections were dispersed on his death but some sculpture remains as part of the original core collection of the Ashmolean Museum in Oxford.)

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