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René Girard - When These Things Begin: Conversations with Michel Treguer

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René Girard When These Things Begin: Conversations with Michel Treguer
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In this lively series of conversations with writer Michel Treguer, Ren Girard revisits the major concepts of mimetic theory and explores science, democracy, and the nature of God and freedom. Girard affirms that our unprecedented present is incomprehensible without Christianity. Globalization has unified the world, yet civil war and terrorism persist despite free trade and economic growth. Because of mimetic desire and the rivalry it generates, asserts Girard, whether were talking about marriage, friendship, professional relationships, issues with neighbors or matters of national unity, human relations are always under threat. Literary masters including Marivaux, Dostoevsky, and Joyce understood this, as did archaic religion, which warded off violence with blood sacrifice. Christianity brought a new understanding of sacrifice, giving rise not only to modern rationality and science but also to a fragile system that is, in Girards words, always teetering between a new golden age and a destructive apocalypse. Treguer, a skeptic of mimetic theory, wonders: Is what hes telling me true...or is it just a nice story, a way of looking at things? In response, Girard makes a compelling case for his theory.

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Studies in Violence Mimesis and Culture SERIES EDITOR William A Johnsen The - photo 1

Studies in Violence, Mimesis, and Culture

SERIES EDITOR

William A. Johnsen

The Studies in Violence, Mimesis, and Culture Series examines issues related to the nexus of violence and religion in the genesis and maintenance of culture. It furthers the agenda of the Colloquium on Violence and Religion, an international association that draws inspiration from Ren Girard's mimetic hypothesis on the relationship between violence and religion, elaborated in a stunning series of books he has written over the last forty years. Readers interested in this area of research can also look to the association's journal, Contagion: Journal of Violence, Mimesis, and Culture.

ADVISORY BOARD

Ren Girard, Stanford University

Andrew McKenna, Loyola University of Chicago

Raymund Schwager, University of Innsbruck

James Williams, Syracuse University

EDITORIAL BOARD

Rebecca Adams, Independent Scholar

Jeremiah Alberg, International Christian University

Mark Anspach, cole Polytechnique, Paris

Pierpaolo Antonello, University of Cambridge

Ann Astell, University of Notre Dame

Cesreo Bandera, University of North Carolina

Maria Stella Barberi, Universit di Messina

Benot Chantre, L'association Recherches Mimtiques

Diana Culbertson, Kent State University

Paul Dumouchel, Ritsumeikan University

Jean-Pierre Dupuy, Stanford University, cole Polytechnique

Giuseppe Fornari, Universit degli studi di Bergamo

Eric Gans, University of California, Los Angeles

Sandor Goodhart, Purdue University

Robert Hamerton-Kelly, Stanford University

Hans Jensen, Aarhus University, Denmark

Mark Juergensmeyer, University of California, Santa Barbara

Cheryl Kirk-Duggan, Shaw University

Michael Kirwan, SJ, Heythrop College, University of London

Paisley Livingston, Lingnan University, Hong Kong

Charles Mabee, Ecumenical Theological Seminary, Detroit

Jzef Niewiadomski, Universitt Innsbruck

Wolfgang Palaver, Universitt Innsbruck

Martha Reineke, University of Northern Iowa

Joo Cezar de Castro Rocha, Universidade do Estado do Rio de Janeiro

Tobin Siebers, University of Michigan

Thee Smith, Emory University

Mark Wallace, Swarthmore College

Eugene Webb, University of Washington

Copyright 2014 by Michigan State University; Quand ces choses commenceront:
Entretiens avec Michel Treguer
1996 by Editions ARLEA

Picture 2 The paper used in this publication meets the minimum requirements of ANSI/NISO Z39.48-1992 (R 1997) (Permanence of Paper).

Picture 3
Michigan State University Press
East Lansing, Michigan 48823-5245

Printed and bound in the United States of America.

20 19 18 17 16 15 14 1 2 3 4 5 6 7 8 9 10

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Girard, Ren, 1923 [Quand ces choses commenceront. English]
When these things begin : conversations with Michel Treguer / Ren Girard ; translated by Trevor Cribben Merrill.
pages cm. (Studies in violence, mimesis, and culture series)
Includes bibliographical references and index.
ISBN 978-1-60917-400-2 (ebook)ISBN 978-1-61186-110-5 (pbk. : alk. paper)
1. Girard, Ren, 1923Interviews. 2. FranceIntellectual life20th century. 3. IntellectualsFranceInterviews. I. Treguer, Michel. II. Title.
CT1018.G52A3 2014
944.084092dc23
[B]
2013012139

Book design and composition by Charlie Sharp, Sharp Des!gns, Lansing, Michigan Cover design by David Drummond, Salamander Design, www.salamanderhill.com Cover art is The Last Judgment, altarpiece from Santa Maria degli Angioli, c. 1431 (oil on panel), Angelico, Fra (Guido di Pietro) (c. 13871455) / Museo di San Marco dell'Angelico, Florence, Italy / Giraudon / The Bridgeman Art Library. Used with permission.

Picture 4
Michigan State University Press is a member of the Green Press Initiative and is committed to developing and encouraging ecologically responsible publishing practices. For more information about the Green Press Initiative and the use of recycled paper in book publishing, please visit www.greenpressinitiative.org.


Visit Michigan State University Press at www.msupress.org


ISBN 978-1-62895-017-5 (ePub)
ISBN 978-1-62896-017-4 (Kindle)

When These Things Begin is a citation from the Gospel of Luke (21:28). It was used by Philippe Murray in the review Tel Quel as the title of an interview with Ren Girard to mark the publication of his book Things Hidden since the Foundation of the World.

Introduction

Ren Girard is truly an extraordinary character. He was born in 1923 in Avignon, France, but since 1947 he has lived in the United States, where he met his wife and taught for many years at Stanford University. The title of his first bookMensonge romantique et vrit romanesque (1961), Romantic Lie and Novelistic Truth, or, as the English edition would have it, Deceit, Desire, and the Novelseemed innocent enough, barely hinting at the book's scandalous thesis; the essay could pass itself off as just another work of scholarly erudition, looking to unsuspecting eyes like anything but a monstrous blemish. But soon enough the veil was rent, and apocalyptic trumpets blared in the inner sanctums of our universities. At a time when most intellectuals claimed to descend from Lenin, Trotsky, or Mao, or else from Freud and Saussure, in the days when Sartre, and then Lacan, Lvi-Strauss, Althusser, Foucault, and Barthes, were still very much in vogue, strange books with incongruous titles, penned by an eccentric of the sort who usually lives in the desert, among the rattlesnakes or atop a column, started to show up on our bookstore shelves: Violence and the Sacred (1972), Things Hidden since the Foundation of the World (1978)books that offer a general, religious explanation for our individual and social behavior; that consider Cervantes, Shakespeare, Marivaux, and Proust as morerealistic than Marx; books that, above all, amidst the structuralist sound and fury on the Left Bank, affirm that the key to heaven has been sitting right there beneath our eyes for two thousand years, in the Gospels, where we have never dared to take hold of it, and that Jesus really is the one God incarnate that the Pope and our ultra-pious grandmothers used to tell us about. Talk about rocking the boat in which our Parisian academic discussions were taking place!

A provocation this brazen, in which new and old ideas were wantonly mixed, couldn't fail to generate reactions of the most violent sort. To be completely frank, I myself wondered whether Ren Girard wasn't a disciple of the terrible inquisitors or the rank-and-file missionaries who civilized so many cultures to death. I got into some lively arguments with him over the airwaves of France Culture. But there was something very strange about even these debatesthe tit-for-tat and the aggressive verbal sparring that would have led any other thinker to sever ties with me once and for all left Ren Girard as serenely benevolent, interested, curious, amicable, and affectionate as ever. Not at all like the others, that one.

Since then, in just a few short years, the world has changed a lot. The USSR is dead. The Communist experiment has gone up in smoke, as if it had never even existed. The only alternative that philosophers were able to come up with to liberal democratic capitalism has been attempted on a truly grand scale, in real life: it didn't work. We're no longer at the same point we were at the beginning of the twentieth century, and we can no longer look forward to the forever and forever of centuries to come. We are blindedor else have had our eyes openedby History's burning paradoxes. Democracy and human rights seem to be catching on everywhere, and with everyone. It's an astonishing reversal. Here we have a system that until now was acknowledged even by its proponents to be inherently weak, incapable of measuring up to the dictatorships that remorselessly exploit their enslaved subjectsand now it appears as the most effective of all, indeed, until proven otherwise, as the only effective one. The last skeptics were reminded by the First Gulf War that the Allies of 1945 hadn't lost any of their warriors' mettle. And we can see now that the defeated parties, Germany and Japan, were able to save themselves only because they adopted the values of their conquerors. Five centuries after Columbus made his first voyage, which heralded both the spread of mercantile capitalism and thedestruction of America's indigenous populations, we are meeting anew with questions that are both fascinating and frightening: the Westernization of the entire planet, the destruction of other cultures and of other systemsare these phenomena inevitable, desirable, predetermined? Is the triumph of democracy a victory for Love and Freedom, or for a mafia of gangsters who are solidifying their well-being at everyone else's expense? Are the wealthiest countries really in command of these changes, or are they themselves the playthings of planetary, physical, biological, metaphysical, and religious processes that transcend them and carry them along in their wake?

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