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Kenneth Bielen - The Lyrics of Civility: Biblical Images & Popular Music Lyrics in American Culture

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The Lyrics of Civility: Biblical Images & Popular Music Lyrics in American Culture: summary, description and annotation

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This book is the first comprehensive scholarly study of religious images in popular music. Examining bestsellers from 1906 to 1971, the work explores the role religious images have in the secularization of American culture. Popular music lyrics that express an adherence to a sacred order are couched in inoffensive, content-less language. These lyrics of civility reflect and shape the increasing secularization of American culture in the twentieth century. The analysis focuses primarily on the way these lyrics reduce the meaning of the terms and theology of the Biblical faith. The aesthetic of civility carries over into theology, the narratives, and the accompanying instrumental arrangements of songs that adhere to the Biblical sacred order.
On the other hand, lyrics that reject the Biblical tradition use content-filled, offensive language. The result is that displaced adherents withdraw from the Biblical tradition and turn to alternative cultural religions, or idols of attraction, including popular music, that offer meaning to fill a void in the individual. The secularization of American society, therefore, is not a withdrawal from the idea of religion itself.
The analysis focuses on the two dominant themes in songs that include religious images: prayer and heaven. The author explores the songs of the two world wars, the hit parade era, the rhythm and blues and doo-wop of the 1950s, the new folk singer movement, soul music and rock music of the 1960s, and the revival rock of the early 1970s. The work demonstrates the capacity of one form of popular culture to separate adherents from a subculture through diluting the meaning of the language of the subcultures elemental thought.
(Ph.D. dissertation, Bowling Green State University, 1994; revised with new preface, bibliography, and index)

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GARLAND STUDIES IN AMERICAN POPULAR HISTORY AND CULTURE edited by JEROME - photo 1
GARLAND STUDIES IN
AMERICAN POPULAR HISTORY AND CULTURE
edited by
JEROME NADELHAFT
UNIVERSITY OF MAINE
A GARLAND SERIES
Garland Studies in American Popular History and Culture
Jerome Nadelhaft, series editor
Seduction, Prostitution, and Moral Reform in New York, 1830-1860
Larry Whiteaker
Hollywood's Vision of Team Sports: Heroes, Race, and Gender
Deborah V. Tudor
The Flamingo in the Garden: American Yard Art and the Vernacular Landscape
Colleen J. Sheehy
Textual Vehicles: The Automobile in American Literature
Roger N. Casey
Film and the Nuclear Age: Representing Cultural Anxiety
Toni A. Perrine
Lesbian and Gay Memphis: Building Communities Behind the Magnolia Curtain
Daneel Buring
Making Villains, Making Heroes: Joseph R. McCarthy, Martin Luther King, Jr., and the Politics of American Memory
Gary Daynes
America Under Construction: Boundaries and Identities in Popular Culture
Kristi S. Long and Matthew
Nadelhaft, editors
AIDS, Social Change, and Theater: Performance as Protest
Cindy J. Kistenberg
African American Nationalist Literature of the 1960s: Pens of Fire
Sandra Hollin Flowers
The Rehabilitation of Richard Nixon: The Media's Effect on Collective Memory
Thomas J. Johnson
Chicano Images: Refiguring Ethnicity in Mainstream Film
Christine List
At a Theater or Drive-in Near You: The History, Culture, and Politics of the American Exploitation Film
Randall Clark
Lolita in Peyton Place: Highbrow, Lowbrow, and Middlebrow Novels of the 1950s
Ruth Wood
Contra Dance Choreography: A Reflection of Social Change
Mary Dart
The Intellectual Origins of Mass Parties and Mass Schools in the Jacksonian Era: Creating a Conformed Citizenry
Julie M. Walsh
Understanding Elvis: Southern Roots vs. Star Image
Susan M. Doll
Hollywood's Frontier Captives: Cultural Anxiety and the Captivity Plot in American Film
Barbara Mortimer
Public Lives, Private Virtues: Images of American Revolutionary War Heroes, 1782-1832
Christopher Harris
The Lyrics of Civility: Biblical Images and Popular Music Lyrics in American Culture
Kenneth G. Bielen
The Lyrics of Civility
Biblical Images and Popular Music Lyrics in American Culture
Kenneth G. Bielen
Published in 1999 by Garland Publishing Inc Published 2014 by Routledge 2 Park - photo 2
Published in 1999 by
Garland Publishing Inc.
Published 2014 by Routledge
2 Park Square, Milton Park, Abingdon, Oxfordshire OX14 4RN
711 Third Avenue, New York, NY 10017
First issued in paperback 2014
Routledge is an imprint of the Taylor & Francis Group, an informa business
Copyright 1999 by Kenneth G. Bielen
All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Library of Congress Cataloging-in-Publication Data
Bielen, Kenneth G.
The lyrics of civility: Biblical images and popular music lyrics in american culture / Kenneth G. Bielen.
p. cm. (Garland studies in American popular history and culture)
Discography: p.
Includes bibliographical references.
ISBN 978-0-8153-3193-3 (hbk)
ISBN 978-1-1380-1207-3 (pbk)
1. Popular musicUnited StatesTextsReligious aspects. I. Title.
II. Series.
ML3921.8.P67B54 1999
782.42164'0973dc21
99-33782
Contents
In the early 1970s, I was a young graduate student at the University of Rhode Island in the Department of Geography. During my free time I was a disc jockey on the campus radio station WRIU-FM. Sunday afternoons I dedicated a segment of my time slot to music with religious images, I studied lyric sheets making notes of words that echoed the search for the sacred and for meaning in life. Shortly after I left the university I found myself living on an apple farm in the center of the Netherlands. The farm was part of a study community called L'Abri. An art history professor from the Free University of Amsterdam named Hans Rookmaaker (1922-1977) oversaw the community. Dr. Rookmaaker was a fan of American gospel music and jazz, and particularly, of Mahalia Jackson and Louis Armstrong. His thoughts on rock music in his book Modern Art and the Death of a Culture (1970) led me to the village of Eck en Wiel. He encouraged me to write about popular music. Thus, the study that culminates in this book began with thoughts and conversations in Kingston and the South County area of our smallest state and across the Atlantic in the orchard and fields surrounding an 18th Century farmhouse named Kortenhoeve.
I want to thank Professor Jerry Nadelhaft for seeing the promise in my original manuscript and offering the opportunity for publication. Also, thanks to Richard Koss, my editor at Garland, for pressing me to finish.
Portions of this work originated with my dissertation in the American Culture Studies program at Bowling Green State University, Thanks to Dr. Bruce L. Edwards (formerly of the English Department), Dr. Jack Nachbar (formerly of the Department of Popular Culture) and Professor William L. Schurk, Sound Recording Archivist, of the Music Library and Sound Recording Archives at the university for their encouragement and suggestions.
I want to thank Mr. Joel Whitburn of Record Research of Menomonee Falls, Wisconsin. Mr. Whitburn has compiled a wonderful series of books that detail the performance of popular music singles and albums on the Billboard popularity charts. He has given permission to use the chart data in the text of the book.
My appreciation goes out to Professor William Edgar of Westminster Theological Seminary in Philadelphia for his enthusiastic response to an earlier version of the manuscript. Thanks to Ms. Rini Cobbey for closely reading the text and helping me to see the strengths and weaknesses. Thanks to my sisters, Judy and Joyce, for lots of music discussions and sharing concerts over the years.
This work could not have been completed without the support of my family and the strength they provide. Hugs and kisses to my children Kelly, Alex and Dylan who keep me young and let me know what youth are listening to these days. Words can not express my gratitude to my wife Mary. She has encouraged me to follow my dreams and I could not have done this without her.
I dedicate this work to my parents, Stan and Fran Bielen.
Ken Bielen
Bowling Green, Ohio
April 24, 1999
Popular music is a forum for the discussion of God and religion in American culture. In 1999, hip hop artist Lauryn Hill received five Grammy Awards for her solo debut The Miseducation of Lauryn Hill, an album replete with Biblical images. Madonna sings a techno world-beat version of a prayer derived from the Yoga Taravali on her album Ray of Light (1998); Aretha Franklin closes the VH1 Divas Live 1998 concert proclaiming the name of Jesus over and over and announcing "we're going to have church here tonight"; country singer Faith Hill asks for God's help in "Somebody Stand By Me," a song penned by Sheryl Crow, a top artist of the late 1990s; and dance-pop debutante Jennifer Paige asks "Questions" of God about the purpose of her life. Whether the genre is contemporary hit radio, rap, new country, modern rock, rhythm and blues, adult contemporary or alternative, recording artists reveal their posture toward spiritual matters in their lyrics.
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