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Tim Jordan - The Digital Economy

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Tim Jordan The Digital Economy

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The Digital Economy TIM JORDAN polity Copyright page Copyright Tim Jordan - photo 1

The Digital Economy

TIM JORDAN

polity

Copyright page

Copyright Tim Jordan 2020

The right of Tim Jordan to be identified as Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

First published in 2020 by Polity Press

Polity Press

65 Bridge Street

Cambridge CB2 1UR, UK

Polity Press

101 Station Landing

Suite 300

Medford, MA 02155, USA

All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.

ISBN-13: 978-1-5095-1755-8

ISBN-13: 978-1-5095-1756-5(pb)

A catalogue record for this book is available from the British Library.

Typeset in 11 on 13pt Adobe Garamond Pro

by Fakenham Prepress Solutions, Fakenham, Norfolk, NR21 8NL

Printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon

The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.

Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition.

For further information on Polity, visit our website: politybooks.com

Acknowledgements

The ideas in this book are in part a result of teaching-led research, in which students initially taught me that what I thought was a well-analysed subject (the digital economy) was problematic, and then helped with identifying the issues this book addresses. Thanks goes to all the students at the University of Sussex and at Kings College London who took the course Digital Industries and Internet Cultures. Colleagues at Polity Press were not only sympathetic but very helpful when the manuscript was delayed, and have been highly efficient in refining and producing the book; many thanks to Ellen MacDonald-Kramer and Mary Savigar as editors, Tim Clark for a thorough copy edit and Evie Deavall for production. Two anonymous reviewers provided feedback, much of which was helpful and I thank them for their time.

I had further and essential help from a wonderful network of scholars I meet at conferences, seminars, dinners and more; unfortunately there are too many to name but my thanks goes out to them all. The Society for the Advancement of Socio-Economics annual conference, the Centre for Digital Culture at Kings College London, and the Klein School of Media and Communication at Temple University all offered a chance to present my ideas about the digital economy, and the discussions at each were very helpful.

A few individuals helped particularly and Id like to thank them: Tarleton Gillespie and Hector Postigo and all who attended the Philadelphia Culture Digitally meeting at which I presented some of these ideas in a confused way; Kim Humphery, particularly for her help on ideas about consumption politics; Kings College London colleagues in both Digital Humanities and Culture, Media and Creative Industries (including those like me who left); Joss Hands, Jodi Dean and David Castle for discussions as part of the Plutos Digital Barricades series; the dinners that have offered emotional and intellectual support with Kath Woodward, Mark Banks and Richard Collins; and colleagues at the University of Sussex, particularly those who helped during some very difficult issues there.

My children offer both a window into living the digital economy and huge amounts of fun; love to them both.

During the final stages of preparation of this manuscript my older brother Campbell died suddenly and unexpectedly. He was an example of someone who made the world better through daily acts of kindness and commitment, particularly in his work with the local life-saving club. Over a hundred people turned out when we scattered his ashes in the bay outside the home we grew up in and that he lived in for much of his life and the life-saving club that runs as a central thread through our family. I dedicate this book to him and to all those who make the world better though everyday moments; those who make the world a better place one everyday act at a time, or in Campbells case (among other sessions) one nippers session at a time.


The Meaning of the Digital Economy
Hype and #Hyper-hype

The digital economy has been an object of fear, fascination and greedy hope for over thirty years. The rise of the digital economy has been marked by a number of companies that are both hugely influential on society and are hugely financially successful. As the names roll off the tongue Google, Facebook, Alibaba, Amazon, Tencent, Apple, etc. who could deny the digital economys importance? But what is the digital economy? And how does it relate to wider social changes marked by the rise of the internet and the digital?

A start to answering these questions is to acknowledge the fog of hype that has so often surrounded and obscured them. And one thing the internet and the digital economy have never been short of is hype. From being the greatest revolution in humanity since, variously, the Gutenberg Press, the invention of language, the invention of the wheel and the taming of fire, the internet and the digital have not lacked boosters willing to proclaim their fundamentally transformative effects. This is not only true for the digital economy but is frequently true for it in a more intense way, often because of the great financial gain that seems possible. For the hashtag generation, the economic effects of the digital could easily be expressed as #hyper-hype. The over-reaching of some commentators such as Andersons (2013) positing of a second industrial revolution based on email, 3D printing and offshore factories, or Zuboffs (2019) claim of a new stage of capitalism based on surveillance should not blind us to changes that are important to the ways twenty-first century economies function.

There is, also, an opposite and just as unenlightening position about the digital economy to #hyper-hype that amounts to a shrug, expressed in various forms of the claim: its really just the same old capitalism. It is important in understanding the digital economy to see past claims it is a fundamental revolution or really nothing new at all. One way to turn down the brightness of #hyper-hype and disperse the fog of the anti-capitalist shrug is to define the question being asked more clearly and proceed to specify a path toward understanding the digital economy. This will be the task of this introductory chapter, starting with a question.

Either hyping or rejecting claims that there is a digital economy all too often presuppose a question that is left implicit: When referring to the new digital economy are we referring to changes that digital and internet socio-technologies have brought to the existing economy, turning the whole economy into a digital economy, or does the latter refer to a new kind of economic activity that can be called digital? For example, a McKinsey report into Chinas digital economy placed heavy emphasis on the fast take-up of mobile payments as evidence of a quickly growing Chinese digital economy, but if we pause and think about mobile payments it is not clear whether they are indicators of the effect of digital mobility on the whole economy or are part of new economic practices which require such mobility (Woetzel et al. 2017). Any analysis that effectively collapses the digital economy into the whole economy will have a strong tendency to miss two things: first, the distinctiveness of the digital compared to prior economic processes; second, how much of the preceding economy remains non-digital. The danger is of a kind of selective blindness that sees digital processes everywhere but misses already existing practices, such as buying things in a supermarket, that remain a key part of the economy. To grasp what may be new and distinctive about the digital and the economy without giving in to either hyper-hype or dismissal of the digital as new, means accepting the premise that there was complex economic activity prior to the digital which may or may not have been affected by any new kinds of economic activity related to the internet and the digital. The issue then becomes one of identifying if there is any distinctively new economic activity. The simplest way to explore this question is through a sectoral analysis that looks for a new digital sector existing alongside and intersecting with the sectors that already existed. If such digital economic activity can be identified it will then be possible to consider what effect such new activities might have on other economic activities. Knowing what is specific to the digital economy is the first step to understanding its effects on the economy.

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