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Katherine Howe - The Penguin Book of Witches

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Katherine Howe The Penguin Book of Witches
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A chilling, truly authoritative anthology of real-life accounts of witches, from medieval Europe through colonial America
From a manual for witch hunters written by King James himself in 1597, to court documents from the Salem witch trials of 1692, to newspaper coverage of a woman stoned to death on the streets of Philadelphia while the Continental Congress met, The Penguin Book of Witches is a treasury of historical accounts of accused witches that sheds light on the reality behind the legends. Bringing to life stories like that of Eunice Cole, tried for attacking a teenage girl with a rock and buried with a stake through her heart; Jane Jacobs, a Bostonian so often accused of witchcraft that she took her tormentors to court on charges of slander; and Increase Mather, an exorcism-performing minister famed for his knowledge of witches, this volume provides a unique tour through the darkest history of English and North American witchcraft.

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PENGUIN The Penguin Book of Witches - image 2 CLASSICS

THE PENGUIN BOOK OF WITCHES

KATHERINE HOWE , the direct descendant of three accused Salem witches, is the New York Times bestselling author of the novels The Physick Book of Deliverance Dane, The House of Velvet and Glass, and the young-adult novel Conversion, a modern-day retelling of The Crucible set in a Massachusetts prep school. She teaches in the American Studies program at Cornell University in Ithaca, New York.

PENGUIN BOOKS An imprint of Penguin Random House LLC penguinrandomhousecom - photo 3

PENGUIN BOOKS

An imprint of Penguin Random House LLC

penguinrandomhouse.com

First published in Penguin Books 2014

Introduction and selection copyright 2014 by Katherine Howe

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

eBook ISBN 9780698141841

Cover art: Map of the moon, British Library, London, UK / British Library Board. The Bridgeman Art Library.

btb_ppg_139102252_c0_r1

For my parents

Contents
Introduction

Marblehead, Massachusetts, is a bedroom community in suburban Boston, a comfortable seaside enclave of historic houses. It has good public schools, intermittent bus service, and a weekly newspaper that is read mainly for the juicy names-naming police log. It is not the sort of place where one would expect to find a witch.

But a witch did live there, though she is not buried there. Wilmot Redd, or sometimes Reed, was one of the more than one hundred people who was accused during the Salem witch crisis of 1692, and, like the other condemned witches, her body was thrown into a shallow ditch at the base of a rocky ledge to the west of Salem Town after being cut down from the gallows. At that time, the area at the foot of the hill where the gallows stood was flooded with brackish water at high tide, and so Wilmot Redd, after resting uneasily in the rocky earth of coastal Essex County, was most likely carried out to sea. Today the ditch she was thrown into is hidden under a pharmacy parking lot.

Redd, like the other North American witches who have left impressionssometimes lasting, sometimes glancingin the historical record, presents something of a conundrum. How can the English colonists who settled North America, who were relatively literate compared with their European cousins, who were reasonably thoughtful and self-examining, who lived in tightly interconnected communities dependent on collective effort for success, have believed in witches? And not just believed in witches, but also put them to death? The historical fact of witchcraft weighs uneasily in our current culture, particularly given how much symbolic, nation-building weight the colonists are required to bear in the realms of popular history.

Histories of witchcraft have often revealed more about the time in which the historian was writing than about witchcraft itself. Within each all-encompassing theory of witchcraft in the English Atlantic world came a new set of contemporary biases and prerogatives, obscuring the fact that, to the individual living in the early modern world, from the sixteenth through the middle part of the eighteenth centuries, witchcraft was a legitimate, but dangerous, category for explaining reality. Witchcraft intersected, contained, and sometimes overwrote other important social questionsmost notably of gender, class, inequality, and religionbut to treat it merely as a proxy for those other ideas, because those other ideas have persisted into our own time while witchcraft has not, strips away the explanatory power that witchcraft held for the people who were touched by it.An idea, even today, does not have to be empirically verifiable for it to matter.

A surer way to access the meaning and function of witchcraft in the early modern world is to peel back the layers of popular myth and academic historiography and to look with fresh eyes at the primary sources. What ultimately emerges is a complicated picture. The witch appears first, in biblical terms, as the Other, as that which is not doctrinaire. Witchcraft is less a set of defined practices than a representation of the oppositional, as the intentional thwarting of the machinery of power, whether that power lies with the church, with the king, or with the dominant cultural group. Under the heavy guidance of English theologians, witches and witchcraft assume a set of identifiable principles and practices, though those practices remain distilled from oppositional definitions. Witches pervert the generative properties of womanhood in their suckling of imps and their copulations with devils; they subvert the churchs authority by turning Christian rituals on end; and they undermine class hierarchy by claiming unearned power for themselves.

The English abstraction of who a witch is, and what she is likely to do, travels with the colonists to North America. While primarily a Puritan phenomenon on North American shores, witchcraft penetrates deeper into colonial life than might initially be suspected. The majority of witch trials were held in New England, though the cultural content of witchcraft finds expression throughout the colonies, and in ongoing dialogue with England. The use of English precedent as template and justification for the conduct of the Salem trials underscores the fact that Salem, rather than being an aberration, was instead the most intense, and perhaps the most defining, expression of North American religious, cultural, and legal thought.

Whereas nineteenth-century historians treated colonial-era belief in witchcraft as a faintly embarrassing holdover of medieval thought that was quickly purged, the belief in and pursuit of witches must instead be seen as a central concept informing a shifting North American identity. Even after Salem forever changed the way that witchcraft would (and, soon enough, would not) be prosecuted, belief in witchcraft persisted well into the Enlightenment. Witches served as both literal and figurative scapegoats for frontier communities under profound economic, religious, and political pressure. The figure of the witch, the idea of the witch, and the need to flush her out of her hiding place and into the light served as a binding agent among fragile communities that were subject to waves of arrival and departure, living with uncertain rights in unsecured territories. The witchever the embodiment of the oppositionalserved a vital role in the formation of what would eventually be a new united nation. Thats one of the reasons that she and the events of Salem persist in our political discourse and in our popular culture. We need her in order to know who we are not so that we can begin to imagine who we are.

...............

This book argues for witchcrafts presence in the mainstream of thought in colonial North American culture, extending beyond passing fits of unreason or hysteria. Belief in witchcraft was not an anomalous throwback to late medieval thought by provincial colonists, nor was it an embarrassing blip in an otherwise steady march to an idealized nationhood. It was not a disease. It was not a superstition. Witchcrafts presence or absence was constitutive to the colonial order. It was a touchstone that reinforced what was normal and what was aberrant. For upper echelons of societyin the world of the Protestant church and the court systemprosecution of witchcraft allowed for the consolidation of power and the enforcement of religious and social norms. For common people, belief in witchcraft explained away quotidian unfairness and misfortune. These two circles of belief intersected in the bodies of individuals, usually women, who were out of step with their society, and who were thought to have pledged themselves to the Devil in exchange for the power to work their will through invisible means.

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