Jeremy Robinson - Screenplay Workbook: The Writing Before The Writing
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- Book:Screenplay Workbook: The Writing Before The Writing
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![For Hilaree Robinson and Lisa Henderson Without your love and support this - photo 1](/uploads/posts/book/340625/images/Robi_9780307875204_epub_cvi_r1.jpg)
![For Hilaree Robinson and Lisa Henderson Without your love and support this - photo 2](/uploads/posts/book/340625/images/Robi_9780307875204_epub_tp_r1.jpg)
For Hilaree Robinson
and
Lisa Henderson
Without your love and support,
this book would never
have become a reality.
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We would like to thank the following individuals for their time, input and expertise:
Hilaree Robinson, for supreme editing.
Joanne Parrent, for unparalleled proposal writing advice.
Sheri Fults, Jeremys literary manager, for sound advice and honest critiques.
Mark Byers, Beverly Diehl and Karl Iglesias, for adding to the proposal.
Lisa Henderson, for her brilliant ideas and contributions.
The Robinson, Brodeur and Mungovan families, for their continuing support and encouragement.
Lauren Rossini, our editor at Lone Eagle, for making our first non-fiction experience a pleasure.
![F or many screenwriters the day they decide to write their first screenplay - photo 3](/uploads/posts/book/340625/images/Robi_9780307875204_epub_001_r1.jpg)
F or many screenwriters, the day they decide to write their first screenplay often goes something like this: while watching a movie they think to themselves, I could do this! Heck, I could do better then this! I havent written since high school, but if this film got made, my film surely would be! And then Id be rich, rich, rich, at which point they push their fingers together in a Montgomery Burns fashion and fiendishly whisper, Exxxcellent.
The next few steps in the budding screenwriters development are the systematic and brutal tearing down of their misconceptions. Not only is writing a screenplay difficultwith its rigid format, page count requirements, visual writing style and realistic dialoguescreenwriting demands preparation.
Characters, layers upon layers of plot and subplot, and every emotional rise and fall the audience experiences need to be planned out in advance, like a blueprint. For years screenwriters have been creating this blueprint from scratch, spending hours compiling research and ideas scribbled out on random notebook pages. But all that is about to change.
My name is Jeremy Robinson and I am the co-author of The Screenplay Workbook, along with Tom Mungovan. While Tom and I are both screenwriters, we also both have backgrounds in graphic design. It was only a matter of time before Tom came to me and said, Hey, I made this worksheet that can help us create better characters. After all, if we dont know our characters, who will?
To which I replied, Cool, this will make creating characters easy!
While our dialogue may have been a little stilted, the enthusiasm was genuine. The wheels in my head began to crank (which isnt always easy to do after a day of typing in front of a glaring computer screen) and I began to have an epiphany. I asked Tom something like, Wouldnt it be nice if we had a bunch of different worksheets that helped create and manage concepts, plots and characters? only slightly less salesman-like sounding.
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