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Shmoop - The Rime of the Ancient Mariner

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Shmoop The Rime of the Ancient Mariner
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Dive deep into The Rime of the Ancient Mariner by Samuel Taylor Coleridge anywhere you go: on a plane, on a mountain, in a canoe, under a tree. Or grab a flashlight and read Shmoop under the covers. Shmoops award-winning Poetry Guides are now available on your eReader. Shmoop eBooks are like having a trusted, fun, chatty, expert poetry-tour-guide always by your side, no matter where you are (or how late it is at night).

This Shmoop Poetry Guide offers fresh analysis, a line-by-line close reading of the poem, examination of the poets technique, form, meter, rhyme, symbolism, jaw-dropping trivia, a glossary of poetry terms, and more. Best of all, Shmoops analysis aims to look at a topic from multiple points of view to give you the fullest understanding.

Experts and educators from top universities, including Stanford, UC Berkeley, and Harvard, have written Shmoop guides designed to engage you and to get your brain bubbling. Shmoop is here to make you a better lover (of poetry) and to help you make connections to other poems, works of literature, current events, and pop culture. For more information, check out http://www.shmoop.com/poetry/

Smart and consistently humorous. - The Academy of American Poets

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Table of Contents In a NutshellOverview Even though Samuel Taylor Coleridge - photo 1

Table of Contents
In a Nutshell/Overview

Even though Samuel Taylor Coleridge 's Rime of the Ancient Mariner is one of the most influential poems in the English language, it's still a doozy of a confusing read. It's about an old sailor who stops a wedding guest from entering a wedding celebration, and says, essentially, "I know you want to get your drink and your dance on, but now I'm going to tell you a really long story about how I got my entire crew killed and almost died myself because I acted like a jerk while sailing the far reaches of the globe."
Chances are that this poem is unlike anything you've read before. It will probably leave you with a bunch of questions: Why does Coleridge speak in such an old-fashioned voice? Why does the poem sound so corny? Did Coleridge think this poem was a big joke? Why is the Mariner saved after committing such an atrocious act? And, our favorite: Why on earth did the Mariner shoot the albatross!? None of these questions are stupid or silly. Depending on your tolerance for ghost stories that are filled with strange images and questions that never get answered, you'll either be fascinated by the Mariner and his crazy exploits, or you'll be completely frustrated by him. Either way, have patience, and the poem will seem richer the more time you spend with it.
The Rime of the Ancient Mariner was published in 1798 in Lyrical Ballads, a collection of poems that essentially launched the movement known as British Romanticism. The book contained works by Coleridge and his equally talented pal William Wordsworth. In terms of the density of classic works contained in Lyrical Ballads, you could compare it to The Beatles's The White Album. For people who love poetry, every page is like, "Oh, I can't believe that one is in here, too!"
A lyrical ballad is a poem that combines two different genres: story-telling (a ballad) and intense expressions of subjective and emotional experience (a lyric). The collection marked a pretty radical departure from the standard poetry of the time, and The Rime of the Ancient Mariner has several hallmarks that would later become associated with Romanticism: elements of the supernatural, a deep sense of history, lots of dramatic images of nature, formal experimentation, and an interest in conversational language, among others. After this poem, Coleridge went on to write more famous poems and publish some important works of literary criticism.

Why Should I Care?

If there's one phrase to take away from this poem, it's "albatross around the neck." Let us explain:
Have you ever done something stupid and known it was stupid at the time? It's one thing to mess up because you haven't thought through the consequences of your action. It's quite another to think, "Yeah, if I do this, it's going to cause huge problems for me, and I'm going to wish I hadn't done it, but I'm going to do it anyway."
Maybe your parents said that if you went out a certain night you'd be grounded for a month, but you decide to do it anyway, knowing full well that your parents will find out, and it totally won't be worth it. That's a trivial example. How about if a close friend or family member tries to help you, and for no apparent reason, you do something nasty that drives them away? That's more like it.
The Mariner's act of shooting the albatross (that had once brought good luck to his ship) is the mother of irrational, self-defeating acts. He never offers a good explanation for why he does it, and his crewmates get so upset that they hang the dead albatross around his neck as a burden, so he won't forget what he did. To have an albatross around your neck is to have a constant reminder of a big mistake you made. Instead of the gift that keeps on giving, it's the blunder that keeps on taking. As in, "I spent all my money on that motorcycle because I thought it would be cool, but now I can't sell it, and it's too expensive to maintain. That thing is just an albatross around my neck."

Read the Poem

Part I
It is an ancient mariner
And he stoppeth one of three.
- "By thy long grey beard and glittering eye,
Now wherefore stoppest thou me?
The bridegroom's doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din."
He holds him with his skinny hand,
"There was a ship," quoth he.
"Hold off! unhand me, grey-beard loon!"
Eftsoons his hand dropped he.
He holds him with his glittering eye
The wedding-guest stood still,
And listens like a three-years' child:
The mariner hath his will.
The wedding-guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed mariner.
"The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.
The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.
Higher and higher every day,
Till over the mast at noon - "
The wedding-guest here beat his breast,
For he heard the loud bassoon.
The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.
The wedding-guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed mariner.
"And now the storm-blast came, and he
Was tyrannous and strong;
He struck with his o'ertaking wings,
And chased us south along.
With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And forward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.
Listen, stranger! Mist and snow,
And it grew wondrous cold:
And ice mast-high came floating by,
As green as emerald.
And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken
The ice was all between.
The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!
At length did cross an albatross,
Thorough the fog it came;
As if it had been a Christian soul,
We hailed it in God's name.
It ate the food it ne'er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!
And a good south wind sprung up behind;
The albatross did follow,
And every day, for food or play,
Came to the mariners' hollo!
In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moon-shine."
"God save thee, ancient mariner!
From the fiends, that plague thee thus!
Why lookst thou so?" - "With my crossbow
I shot the albatross.
Part II
The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.
And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners' hollo!
And I had done an hellish thing,
And it would work 'em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!
Nor dim nor red, like an angel's head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
'Twas right, said they, such birds to slay,
That bring the fog and mist.
The fair breeze blew, the white foam flew,

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