• Complain

Brian Fagan - Elixir: A History of Water and Humankind

Here you can read online Brian Fagan - Elixir: A History of Water and Humankind full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2011, publisher: Bloomsbury Press, genre: Romance novel. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Elixir: A History of Water and Humankind
  • Author:
  • Publisher:
    Bloomsbury Press
  • Genre:
  • Year:
    2011
  • Rating:
    4 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 80
    • 1
    • 2
    • 3
    • 4
    • 5

Elixir: A History of Water and Humankind: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Elixir: A History of Water and Humankind" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Elixir spans five millennia, from ancient Mesopotamia to the parched present of the Sun Belt. As Brian Fagan shows, every human society has been shaped by its relationship toour most essential resource. Fagans sweeping narrative moves across the world, from ancient Greece and Rome, whose mighty aqueducts still supply modern cities, to China, where emperors marshaled armies of laborers in a centuries-long struggle to tame powerful rivers. He sets out three ages of water: In the first age, lasting thousands of years, water was scarce or at best unpredictable-so precious that it became sacred in almost every culture.

By the time of the Industrial Revolution, human ingenuity had made water flow even in the most arid landscapes.This was the second age: water was no longer a mystical force to be worshipped and husbanded, but a commodity to be exploited. The American desert glittered with swimming pools- with little regard for sustainability. Today, we are entering a third age of water: As the earths population approaches nine billion and ancient aquifers run dry,we will have to learn once again to show humility, even reverence, for this vital liquid. To solve the water crises of the future, we may need to adapt the water ethos of our ancestors.

Brian Fagan: author's other books


Who wrote Elixir: A History of Water and Humankind? Find out the surname, the name of the author of the book and a list of all author's works by series.

Elixir: A History of Water and Humankind — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Elixir: A History of Water and Humankind" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Cro-Magnon: How the Ice Age Gave Birth to the First Modern Humans

Where We Saw a Whale: The Story of Lake Clark National Park, Alaska

The Great Warming

Fish on Friday: Feasting, Fasting, and the Discovery of the New World

From Stonehenge to Samarkand (editor)

Chaco Canyon: Archaeologists Explore the Lives of an Ancient Society

Before California

The Long Summer: How Climate Changed Civilization

The Little Ice Age: How Climate Made History, 13001850

Egypt of the Pharaohs

Floods, Famines, and Emperors

Into the Unknown

From Black Land to Fifth Sun

Eyewitness to Discovery (editor)

The Oxford Companion to Archaeology (editor)

Time Detectives

Kingdoms of Jade, Kingdoms of Gold

Journey from Eden

Ancient North America

The Great Journey

The Adventure of Archaeology

The Aztecs

Clash of Cultures

Return to Babylon

Quest for the Past

Elusive Treasure

The Rape of the Nile

Elixir

A H ISTORY OF W ATER AND H UMANKIND

Brian Fagan

Copyright 2011 by Brian Fagan All rights reserved No part of this book may be - photo 1

Copyright 2011 by Brian Fagan

All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher except in the case of brief quotations embodied in critical articles or reviews. For information address Bloomsbury Press, 175 Fifth Avenue, New York, NY 10010.

Published by Bloomsbury Press, New York

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Fagan, Brian M.
Elixir : a history of water and humankind / Brian Fagan. 1st U.S. ed.
p. cm.
Human history of water
Includes bibliographical references and index.
ISBN-13: 978-1-60819-003-4 (hardcover)
1. Water. 2. WaterHistory. 3. WaterSocial aspectsHistory. 4. Water and civilizationHistory. I. Title. II. Title: Human history of water.
GB671.F34 2011
553.7dc22
2010032082

First published in the United States by Bloomsbury Press in 2011
This e-book edition published in 2011

E-book ISBN: 978-1-60819-357-8

www.bloomsburypress.com

For

My best girls

Alexa, Ana, Juno, Lesley, and Pipette

Now John, quod Nicholas, I wol nat lye;

I have yfounde in myn astrologye,

As I have looked in the moone bright,

That now a Monday next, at quarter nyght,

Shal falle a reyn, and that so wilde and wood

That half so greet was nevere Noes flood.

This world, he seyde, in lasse than an hour

Shal al be dreynt, so hidous is the shour.

Thus shal mankynde drenche, and lese hir lyf.

Geoffrey Chaucer, The Millers Tale (c. 1390 C.E. )

The tending of the rice plants, from the time of replanting to the harvest, the sensuality of wading in the warm mud, the concentration of nurturing the fragile plants as one would a child, the sense of continuity one gets from finding under ones fingers, during the weeding of the new crop, the half decayed vestiges of the last crop buried in the terrace to fertilize the soil, all these experiences are experiences of the senses and of the body.

Arlette Ottino

Contents

Part I

Part II

Part III

Part IV

Part V

M ANY YEARS AGO , three San hunters and I trekked across southern Africas arid Kalahari Desert on a searingly hot morning at the end of the dry season. We had stalked duiker since dawn, searching unsuccessfully for the elusive antelope in the shady thickets where they settled as the sun climbed in the sky. My companions moved effortlessly, apparently without fatigue or thirst, as I paused to take regular swigs from my water bottle. We came to a dry watercourse and a solitary grove of trees that cast the only shade for miles around in the seemingly waterless landscape. The men paused to rest. One of them examined the dry streambed and dug into the sand with his wooden digging stick. At first, the soil was dry, then it was damp, then, miraculously, water appeared. The hunter crouched, swept the precious liquid up with his hands, and drank deeply. His companions followed; so did I, allowing the water to flow over my sweating face and hands. I have never felt such a close, sensuous connection with the most vital elixir of life. My companions had found water where I had thought there was none. As I got to know them better, I learned something of a new way of looking at the landscape: as an edible and drinkable persona, rich in liquid-bearing plants and hidden water. I realized that San existence depended on the distribution of water across the landscape and on the ancient traditions that passed water knowledge from one generation to the next. Since that defining moment, water has always had a profound significance to me.

I CLOSED MY eyes, listened, and was calmed. The gentle riffle of fountains, of softly flowing water, permeated my senses on that hot afternoon in Granadas Alhambra Palace. Id walked through the hilltop park, famous for its nightingales, never far from the cooling sounds of running water. A few minutes later, I stood in the Court of the Pond, where a great rectangular pool lined by myrtles cools the palace. Goldfish swim in the calm waters. When the crowds are gone, the courtyard exudes a profound serenity. Looking out over the city and the sunburnt hills in the distance, I marveled at the lush oasis around me. Later, I learned that the Islamic architects had built a five-mile (eight-kilometer) conduit to bring water from the Darro River.

The marvels continued at Jannat al-Arif, the Generalife Palace, across a nearby ravine. Nasrid sultan Muhammad III built his summer palace during the first decade of the fourteenth century. He spared no expense on the magnificent landscaping, one of the oldest surviving Islamic gardens in the world. In the Water-Garden Courtyard, arcing jets of water play on your senses as they soar, sparkle, and tumble into a long, rectangular pond. This is a place of colonnades and pavilions for leisure and contemplation; flower beds press on the shimmering pool; the gentle sounds of flowing water add to the impression of paradise. And a human paradise it is, in a harsh land of steep terrain and unpredictable rainfall.

The four rivers of the Islamic paradise are rivers of water incorruptible, which nourish gardens beneath whose trees rivers flow. The Prophet greets the faithful near a pool in paradise named Kauthar. Granadas resplendent gardens are a green oasis, an ideal of serenity and well-being. They epitomize the close relationship between humans and water, common to all societies on earth, yet expressed in all manner of ways, some of them startlingly direct and intimate.

Water: It caresses and comforts us, provides sustenance and refreshment, is something that humanity has cherished since the beginning of history, and means something different to everyone. Water gives us pleasure, as it does at the Alhambra, and has profound sacred qualities. It figures largely in many holy and special placesthe soft murmuring of a sacred spring at Delphi, in Greece; the reflecting pools of Indias Taj Mahal; the reservoirs that surround Angkor Wat, in Cambodia, symbolizing the primordial waters of the universe; the font for holy water in Christian cathedrals. Water evokes serenity, harmony and peaceful existence, the very essence of life, and is commemorated by grand shrines and elaborate rituals in honor of the deities that ensure the continuity of waterand life itself.

Water: We turn a faucet, and it is there for drinking, something we take completely for granted. So commonplace is water in our daily lives that we are indifferent to it and have been for a long time. Years ago, Rachel Carson wrote that in an age when man has forgotten his origins and is blind even to his most essential needs for survival, water along with other resources has become the victim of his indifference. Of all the resources that we rely on for survival in todays world, water is the least appreciated and certainly the most misunderstood. For generations, we in the industrial West have just assumed that fresh drinking water is ours to enjoy and to use with dazzling promiscuity in any way we wish. This shouldnt surprise us in an urban age when almost everyone buys their food as packaged commodities from supermarkets, in an era when many city children never see a cow except in pictures. Water is like beef, milk, and pasta, an integral part of our lives that we never think abouta great mistake.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Elixir: A History of Water and Humankind»

Look at similar books to Elixir: A History of Water and Humankind. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Elixir: A History of Water and Humankind»

Discussion, reviews of the book Elixir: A History of Water and Humankind and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.