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Stephanie Laurens - The Truth about Love

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When New York Times bestselling author Stephanie Laurens created the Cynsters, a phenomenon was born. Bold, passionate, and possessive, the Cynster men let nothing stand in their way when it comes to claiming the women of their hearts. Now, Stephanie Laurens has written her most romantic and powerful novel to date, one that dares tell The Truth About Love. Gerrard Debbington is one of the chosen few the gentlemen whove learned their social and amorous skills at the feet of the masters. Handsome and wealthy, protg and brother-in-law of Vane Cynster, Gerrard is part of the charmed Cynster family circle. One of the most eligible gentlemen in the ton, Gerrard is constantly besieged by offers from Londons most sought-after beauties, but as the tons foremost artistic lion, theres only one offer he wants to accept the chance to paint the fantastical but seldom-seen gardens of reclusive Lord Tregonnings Hellebore Hall. That chance is dangled before Gerrard, but to grasp it he must fulfill Lord Tregonnings demand that he also create an open and honest portrait of the mans daughter. Gerrard loathes the idea of wasting his time and talents on some simpering miss, but with no alternative, he agrees Only to discover that Jacqueline Tregonning inspires him as no other lady has. Certainly she is beautiful, but Gerrard is stunned by the deep emotions she stirs and is captivated by her passionate nature and innate goodness. He is soon convinced that Jacqueline is the soul mate he needs as his wife. But something is horribly wrong at Hellebore Hall. Evil lurks in the beautiful gardens and along the rambling pathways. And that evil reaches out to ensnare Jacqueline, trapping her in a web of insidious whispers whispers that paint her as a double murderess. The rumors are false, but someone is actively spreading them. Convinced that Jacqueline is innocent of all wrongdoing, Gerrard is confident his portrait will open others eyes to the truth he sees, but when a long-dead body is discovered in the gardens, the campaign to blame Jacqueline escalates Gerrard and she are running out of time. The days they spend together lead to nights of sweeping passion and Gerrard vows to move heaven and earth to protect the woman who, for him, personifies the truth about love.

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Stephanie Laurens The Truth about Love Book 13 in the Cynster series 2005 - photo 1

Stephanie Laurens

The Truth about Love

Book 13 in the Cynster series, 2005

To Merilyn Bourke,

longtime friend, fellow author and romance critic extraordinaire

with thanks and much love

SL

1 London Early June 1831 Mr Cunningham as Ive already made clear - photo 2***

1

London, Early June 1831

Mr. Cunningham, as Ive already made clear, I have no interest whatever in painting a portrait of Lord Tregonnings daughter. Gerrard Reginald Debbington lounged elegantly in an armchair in the smoking room of his select gentlemans club. Concealing his mounting frustration, he held Lord Tregonnings agents gaze. I agreed to this meeting in the hope that Lord Tregonning, having been informed of my refusal of the commission to paint the portrait, had agreed to allow me access to the Hellebore Hall gardens.

He was, after all, the tons foremost landscape painter; Lord Tregonnings famous gardens were long overdue a visit from such as he.

Cunningham blanched. Clearing his throat, he glanced down at the papers spread on the small table between them.

Around them, a discreet hum held sway; Gerrard was peripherally aware of occasional glances thrown their way. Other members saw him, but on noticing Cunningham, they checked; recognizing that business was being conducted, they refrained from intruding.

Cunningham was in his mid-twenties, some years younger than Gerrards twenty-nine. Attired in sober, rusty black over serviceable linen and a biscuit-colored waistcoat, his round face, faint frown, and the intent attention he gave to his papers marked him clearly as someones business agent.

By the time Cunningham deigned to speak, Gerrard had a sketch assembled in his head, titled Business Agent at Work.

Lord Tregonning has instructed me to convey that while he appreciates your reservations over committing to a portrait of a subject you havent yet seen, such reservations only strengthen his conviction that you are indeed the painter he needs for this work. His lordship fully comprehends that you will paint his daughter as you see her, without any obfuscation. That is precisely what he wishes-he wants the portrait to be a faithful rendition, to accurately portray Miss Tregonning as she truly is.

Gerrards lips thinned; this was going nowhere.

Without looking up, Cunningham went on, In addition to the fee offered, you may take as many months short of a year as you deem necessary to complete the portrait, and over that time you will have unfettered access and unrestricted permission to sketch and paint the gardens of Hellebore Hall. Should you wish, you may bring a friend or companion; you would both be accommodated at Hellebore Hall for the duration of your stay.

Gerrard stifled his exasperation. He hadnt needed to hear that offer again, no matter how sweetly laced; hed turned it down two weeks ago, when Cunningham had first sought him out.

Stirring, he caught Cunninghams eye. Your employer misunderstands-I do not, indeed, have never painted on commission. Painting is an abiding interest, one Im wealthy enough to indulge. Painting portraits, however, is no more than an incidental pastime, successful perhaps, but not in the main of serious attraction to me, to my painterly soul if you will.

Not strictly true, but in the present circumstance, apt enough. While I would be delighted to have the opportunity to paint the Hellebore Hall gardens, not even that is sufficient incentive to tempt me to agree to a portrait I have no inclination, or need, to paint.

Cunningham held his gaze. He drew in a tight breath, glanced briefly down, then looked up again, his gaze fixing over Gerrards left shoulder. His lordship instructed me to inform you that this will be his final offerand that should you refuse it, he will be forced to find some other painter to undertake the portrait, and that other painter will be accorded the same license in respect of the gardens as was offered to you. Subsequently, Lord Tregonning will ensure that during his lifetime and that of his immediate heirs, no other artist will be allowed access to the gardens of Hellebore Hall.

Suppressing his reaction, remaining seated, took all Gerrards considerable willpower. What the devil was Tregonning about, resorting to what amounted to extortion?

He looked away, unseeing.

One thing was clear. Lord Tregonning was bound and determined to have him paint his daughter.

Leaning his elbow on the chair arm, his clenched jaw on his fist, fixing his gaze across the room, he searched for some acceptable way out of the well-baited trap. None immediately leapt to mind; his violent antipathy to allowing some portrait panderer to be the only artist to gain access to the fabulous landscapes said to surround Hellebore Hall was clouding his perception.

He looked at Cunningham. I need to consider his lordships proposal more carefully.

Given the clipped accents that had infected his speech, he wasnt surprised that Cunningham kept his expression carefully neutral. The agent nodded once. Yes, of course. How long?

Twenty-four hours. If he let such a subject torture him for any longer, unresolved, hed go insane. He rose and extended his hand. Youre at the Cumberland, I believe?

Hurriedly gathering his papers, Cunningham stood and grasped his hand. Yes. AhIll wait to hear from you.

Gerrard nodded curtly. He remained by the chair until Cunningham had left, then stirred and followed him out.

He walked the parks of the capital-St. James, Green Park, then into Hyde Park. A poor choice; his boots had barely touched the lawn when he was hailed by Lady Swaledale, eager to introduce him to her daughter and her niece. A bevy of matrons with bright-eyed damsels in tow leaned from their carriages, hoping to catch his attention; others hovered, parading along the grassed verge.

Spotting his aunt Minnie, Lady Bellamy, in her carriage drawn up by the side of the Avenue, he excused himself to a particularly clinging fond mama on the grounds of paying his respects. The instant he reached the carriage, he grasped Minnies hand and with an extravagant gesture, kissed it. Im throwing myself on your mercy-save me, he implored.

Minnie chortled. She patted his hand and leaned down to offer her lined cheek, which he dutifully bussed. If youd just make your choice, dear, theyd go off and hunt someone else.

Not, of course, that we want you to rush your choice. Timms, Minnies companion, leaned forward to give Gerrard her hand. But while you remain unattached, you must expect to be pursued.

Gerrard assumed an expression of mock-dismay. Et tu, Timms?

Timms snorted. Shed grown more gaunt with the years, but there was nothing wrong with her mind.

Or with Minnies; she regarded him shrewdly, if affectionately. Endowed as you are with an excellent estate, and the business interests the Cynsters have sponsored you into, let alone being my principal heir, theres no getting away from it, mboy-if youd been as ugly as sin you might have given them pause, but as you are, celebrated gentleman painter that youve become, youre in a fair way to being a matchmaking mamas fondest dream.

Gerrard looked his disgust. Im not at all sure marriage, at least in the near future, is in my best interests.

That was his current stance, although not one hed to date shared with anyone else.

Oh? Minnie opened her eyes wide. Serious for a moment, she searched his face, then her soft smile returned. I wouldnt worry your head with such considerations, dear. She patted his hand. When the right lady appears, itll all be very plain.

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