Ilona Andrews - Magic Binds

MAGIC BITES

MAGIC BURNS

MAGIC STRIKES

MAGIC BLEEDS

MAGIC SLAYS

MAGIC RISES

MAGIC BREAKS

MAGIC SHIFTS

MAGIC BINDS

GUNMETAL MAGIC

ON THE EDGE

BAYOU MOON

FATES EDGE

STEELS EDGE

MAGIC MOURNS

MAGIC DREAMS

MAGIC GIFTS

MAGIC STEALS

ALPHAS: ORIGINS

To Uncle Gene. We miss you.

We would like to thank our agent, Nancy Yost, and the wonderful crew at NYLA for their dedication, professional expertise, and friendships. We appreciate you very much.

We are deeply grateful to our editor, Anne Sowards, for steering us through this project and once again taking a mess and through careful guidance turning it into a book. Our work is so much stronger because of you.

Thank you to all of the wonderful people who worked to bring the manuscript to publication: the production editor, Michelle Kasper; the assistant production editor, Jennifer Myers; the art director, Judith Lagerman; and Juliana Kolesova, the artist responsible for the image on the cover.

Thank you to Stephanie Mowery, Shannon Daigle, Sandra Bullock, and Kristi DeCourcy for early feedback.

The following people generously donated their time and effort to read the book early: Robin Snyder, Valerie Hockens, Ronnie Buck, Kathryn Holland, Susan Hester, Jennifer Whaley, Ying Dallimore, Julie Krick, Carrie Harlan, Paroma Chakravarty, Lisa Louk, Jill Woodley, Jessica Haluska, Beatrix Kaser, William Stonier, Omar Jimenez, and AMW. Special thanks to Becky Slemons for coming up with a title for this book.

THE SKULL GLARED at me out of empty eye sockets. Odd runes marked its forehead, carved into the yellowed bone and filled with black ink. Its thick bottom jaw supported a row of conical fangs, long and sharp like the teeth of a crocodile. The skull sat on top of an old Stop sign. Someone had painted the surface of the octagon white and written KEEP OUT across it in large jagged letters. A reddish-brown splatter stained the bottom edge, looking suspiciously like dried blood. I leaned closer. Yep, blood. Some hair, too. Human hair.

Curran frowned at the sign. Do you think hes trying to tell us something?

I dont know. Hes being so subtle about it.

I looked past the sign. About a hundred yards back, a large two-story house waited. It was clearly built post-Shift, out of solid timber and brown stone laid by hand to ensure it would survive the magic waves. But instead of the usual simple square or rectangular box of most post-Shift buildings, this house had all the pre-Shift bells and whistles of a modern prairie home: rows of big windows, sweeping horizontal lines, and a spacious layout. Except prairie-style homes usually had long flat roofs and little ornamentation, while this place sported pitched roofs with elaborate carved gables, beautiful bargeboards, and ornate wooden windows.

Its like someone took a Russian log cabin and a pre-Shift contemporary house, stuck them into a blender, and dumped it over there.

Curran frowned. Its his . . . What do you call it? Terem.

A terem is where Russian princesses lived.

Exactly.

Between us and the house lay a field of black dirt. It looked soft and powdery, like potting soil or a freshly plowed field. A path of rickety old boards, half rotten and splitting, curved across the field to the front door. I didnt have a good feeling about that dirt.

Wed tried to circle the house and ran into a thick, thorn-studded natural fence formed by wild rosebushes, blackberry brambles, and trees. The fence was twelve feet tall and when Curran tried to jump high enough to see over it, the thorny vines snapped out like lassos and made a heroic effort to pull him in. After I helped him pick the needles out of his hands, we decided a frontal assault was the better option.

No animal tracks on the dirt, I said.

No animal scents either, Curran said. There are scent trails all around us through the woods, but none here.

Thats why he has giant windows and no grates on them. Nothing can get close to the house.

Its that, or he doesnt care. Why the hell doesnt he answer his phone?

Who knew why the priest of the god of All Evil and Darkness did anything?

I picked up a small rock, tossed it into the dirt, and braced myself. Nothing. No toothy jaws exploded through the soil, no magic fire, no earth-shattering kaboom. The rock just sat there.

We could come back later, when the magic was down. That would be the sensible thing to do. However, we had driven ten miles through lousy traffic in the punishing heat of Georgias summer and then hiked another mile through the woods to get here, and our deadline was fast approaching. One way or another, I was getting into that house.

I put my foot onto the first board. It sank a little under my weight, but held. Step. Another step. Still holding.

I tiptoed across the boards, Curran right behind me. Think sneaky thoughts.

The dark soil shivered.

Two more steps.

A mound formed to the right of us, the dirt shifting like waves of some jet-black sea.

Uh-oh.

To the right, I murmured.

I see it.

Long serpentine bone spines pierced the mound and slid through the soil toward us, like fins of a sea serpent gliding under the surface of a midnight-black, powdery ocean.

We sprinted to the door.

Out of the corner of my eye, I saw a cloud of loose soil burst to the left. A black scorpion the size of a pony shot out and scrambled after us.

If we killed his pet scorpion, wed never hear the end of it.

I ran up the porch and pounded on the door. Roman!

Behind me the bone spines whipped out of the soil. What Id thought were fins turned into a cluster of tentacles, each consisting of bone segments held together by remnants of cartilage and dried, ropy connective tissue. The tentacles snapped, grabbing Curran. He locked his hands on the bones and strained, pulling them apart. Bone crunched, connective tissue tore, and the left tentacle flailed, half of it on the ground.

Roman! Damn it all to hell.

A bone tentacle grabbed me and yanked me back and up, dangling me six feet off the ground. The scorpion dashed forward, its barb poised for the kill.

The door swung open, revealing Roman. He wore a T-shirt and plaid pajama bottoms, and his dark hair, shaved on the sides into a long horselike mane, stuck out on the left side of his head. He looked like hed been sleeping.

Whats all this?

Everything stopped.

Roman squinted at me. What are you guys doing here?

We had to come here because you dont answer your damn phone. Currans voice had that icy quality that said his patience was at an end.

I didnt answer it because I unplugged it.

Roman waved his hand. The scorpion retreated. The tentacles gently set me down and slithered back into the ground.

You would unplug yours too if you were related to my family. My parents are fighting again and theyre trying to make me choose sides. I told them they could talk to me when they start acting like responsible adults.

Fat chance of that. Romans father, Grigorii, was the head black volhv in the city. His mother, Evdokia, was one-third of the Witch Oracle. When they had fights, things didnt boil over, they exploded. Literally.

So far Ive avoided both of them, so Im enjoying the peace and quiet. Come in.

He held the door open. I walked past him into a large living room. Golden wooden floors, huge fireplace, thirty-foot ceilings, and soft furniture. Bookshelves lined the far wall, crammed to the brink. The place looked downright cozy.