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Arno Pronk - Flexible Forming for Fluid Architecture

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Arno Pronk Flexible Forming for Fluid Architecture
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Flexible Forming for Fluid Architecture: summary, description and annotation

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This book on flexible formwork for fluid architecture is a multi-faceted research that covers a broad field: from design to material and technology, and from history to future developments. It offers a pragmatic approach that can be extended with more cases, materials, techniques and methods for fluid architecture, and provides a better understanding of the main aspects of fluid architecture and to help them find the most suitable combinations of all aspects.

The book is a challenging experience with many new discoveries, including two patents: one on moulding of fluid surfaces and one on 3D printing of fibrereinforced ice. It also features two world records: the larges span (30 meters) and the highest thin shell structure (30,5 meters) in ice as well as a method for the construction of a fully laminated shell structure in insulated glass.

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Book cover of Flexible Forming for Fluid Architecture Arno Pronk Flexible - photo 1
Book cover of Flexible Forming for Fluid Architecture
Arno Pronk
Flexible Forming for Fluid Architecture
1st ed. 2021
Logo of the publisher Arno Pronk The Built Environment Eindhoven - photo 2
Logo of the publisher
Arno Pronk
The Built Environment, Eindhoven University of Technology, Eindhoven, The Netherlands
ISBN 978-3-030-71550-2 e-ISBN 978-3-030-71551-9
https://doi.org/10.1007/978-3-030-71551-9
Springer Nature Switzerland AG 2021
This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

This Springer imprint is published by the registered company Springer Nature Switzerland AG

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

Preface

For Bilbao, the Guggenheim Museum is the international cultural icon. The success of this sculptural building for the reputation of Bilbao made that every city would like to have at least one archetypical iconic building. These types of buildings have no functional necessity, are always challenging, complex and expensive. They tend to be irregular, dynamic and geometrically complex and therefore the biggest problem is how to make them.

Buildings like the Bilbao Guggenheim are often described as digital, free-form or blob architecture. However, in free-form architecture technique and material have become the limiting factors. Because of these limitations, the word free is misleading. Therefore, I propose to use the word fluid: fluid architecture consists of unique buildings with curved surfaces. In fluid architecture one has to perceive fluidity: there is no absolute demand for a physical fluidity as long as the audience will perceive the building as fluid. The highlights of fluid architecture from the past 20 years clearly demonstrate that there is an area of tension between idea and technique; there is not only beauty of the designs, but also the tremendous complexity with regard to construction. The aim of this book is to support people dealing with fluid architecture with a better understanding of the main aspects of fluid architecture and to help them find a personal, suitable combination of architectural concepts and technical possibilities.

The building industry is accustomed to working with large tolerances compared to other industries. The combination of curved surfaces, unique products and large tolerances makes fluid architecture an interesting application for flexible moulding. These moulds can be used to create complex shapes. The cast materials will make a phase change from liquid to rigid. Therefore, the materials water/ice, polymer composite, concrete and glass were researched in combination with flexible moulding. This research resulted in a matrix with 25,000 theoretical possibilities for each material. 200 of these could be feasible. 49 case studies were researched and described. They are intended as a helpful instrument for both researchers and designers. It might help them to find the ultimate combination of perceived fluid architecture, material and flexible moulding techniques.

The case studies in this research resulted in several patents for moulding techniques, world records for the highest tower in ice and largest span in ice, a prototype of a laminated glass dome and several systems of composites and concrete with inflatables and mechanically pre-stressed membranes. This book is an important step in the design and realization of fluid architecture.

Arno Pronk
Eindhoven, The Netherlands
Contents
About the Author
Fig 1 Portrait of Arno Pronk 2013 painted by Donovan Spaanstra Photo by Arno - photo 3
Fig. 1

Portrait of Arno Pronk 2013, painted by Donovan Spaanstra. Photo by Arno Pronk (cover picture)

Arno Pronk
graduated as an Architect at the TU Delft Faculty of Architecture in 1994. During his studies he explored both sculptural art and technical innovation. After his studies, not only did he work as an Architect but also as a Designing Technician. His technical interest had been developed further during a two-year post-graduate course at the chair Product Development (TU Delft). In cooperation with Professor Lichtenberg (TU/e) he developed a patented flooring system, which was successfully introduced on the Dutch market and used in several high-profile buildings (among others Kraanspoor in Amsterdam and the European Patent office by Jean Novel). He had two years experience as an Assistant Professor at TU Delft, 12 years of experience in the same job at the Eindhoven University of Technology (0.8 FTE) and in addition in the past seven years as a lecturer on material science at KU Leuven Faculty of Architecture (0.2 FTE). This Ph.D. research on flexible moulding for fluid architecture connects fluid architecture with technology. It is a summary of the intensive and long-lasting research in flexible forming with different techniques and materials. It has resulted in the realization of several projects and technologies (Please see the project list for more information). In addition to practical projects, he has organized several international workshops and conferences. The biggest ones were Adaptables (2006), Bridges Leeuwarden (2008) and IASS Amsterdam (2015). In 2017 he became the chair of IASS workgroup 21 about advanced manufacturing and materials (Fig. ).
Springer Nature Switzerland AG 2021
A. Pronk Flexible Forming for Fluid Architecture https://doi.org/10.1007/978-3-030-71551-9_1
1. Research Approach
Arno Pronk
(1)
The Built Environment, Eindhoven University of Technology, Eindhoven, The Netherlands
Arno Pronk
Email:
1.1 Introduction

The straight line belongs to man. The curved line belongs to God. This quotation from Gaudi (Gruber ) is an example of the historical appreciation of curvature by some designers and architects throughout history. For the realization of their ideas, architects have a constant demand for new ways of expression in forms, techniques and materials. The designer could look for a new innovative way to solve a functional problem, but he can also be inspired by the possibilities of a new material, form or technique and look for its application in architecture.

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