SparkNotes - Shakespeares Sonnets

2003, 2007 by Spark Publishing

This Spark Publishing edition 2014 by SparkNotes LLC, an Affiliate of Barnes & Noble

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means (including electronic, mechanical, photocopying, recording, or otherwise) without prior written permission from the publisher.

Sparknotes is a registered trademark of SparkNotes LLC

Spark Publishing
A Division of Barnes & Noble
120 Fifth Avenue
New York, NY 10011
www.sparknotes.com /

ISBN-13: 978-1-4114-7753-7

Please submit changes or report errors to www.sparknotes.com.

10 9 8 7 6 5 4 3 2 1

Likely the most influential writer in all of English literature and certainly the most important playwright of the English Renaissance, William Shakespeare was born in 1564 in the town of Stratford-upon-Avon in Warwickshire, England. The son of a successful middle-class glove-maker, Shakespeare attended grammar school, but his formal education proceeded no further. In 1582 , he married an older woman, Anne Hathaway, and had three children with her. Around 1590 he left his family behind and traveled to London to work as an actor and playwright. Public and critical success quickly followed, and Shakespeare eventually became the most popular playwright in England and part owner of the Globe Theater. His career bridged the reigns of Elizabeth I (ruled 1558 - 1603 ) and James I (ruled 1603 - 1625 ); he was a favorite of both monarchs. Indeed, James granted Shakespeares company the greatest possible compliment by endowing them with the status of kings players. Wealthy and renowned, Shakespeare retired to Stratford, and died in 1616 at the age of fifty-two. At the time of Shakespeares death, such luminaries as Ben Jonson hailed him as the apogee of Renaissance theatre.

Shakespeares works were collected and printed in various editions in the century following his death, and by the early eighteenth century his reputation as the greatest poet ever to write in English was well established. The unprecedented admiration garnered by his works led to a fierce curiosity about Shakespeares life; but the paucity of surviving biographical information has left many details of Shakespeares personal history shrouded in mystery. Some people have concluded from this fact that Shakespeares plays in reality were written by someone elseFrancis Bacon and the Earl of Oxford are the two most popular candidatesbut the evidence for this claim is overwhelmingly circumstantial, and the theory is not taken seriously by many scholars.

In the absence of definitive proof to the contrary, Shakespeare must be viewed as the author of the plays and sonnets that bear his name. The legacy of this body of work is immense. A number of Shakespeares plays seem to have transcended even the category of brilliance, becoming so influential as to affect profoundly the course of Western literature and culture ever after.

Shakespeares sonnets are very different from Shakespeares plays, but they do contain dramatic elements and an overall sense of story. Each of the poems deals with a highly personal theme, and each can be taken on its own or in relation to the poems around it. The sonnets have the feel of autobiographical poems, but we dont know whether they deal with real events or not, because no one knows enough about Shakespeares life to say whether or not they deal with real events and feelings, so we tend to refer to the voice of the sonnets as the speakeras though he were a dramatic creation like Hamlet or King Lear.

There are certainly a number of intriguing continuities throughout the poems. The first of the sonnets seem to be addressed to an unnamed young nobleman, whom the speaker loves very much; the rest of the poems (except for the last two, which seem generally unconnected to the rest of the sequence) seem to be addressed to a mysterious woman, whom the speaker loves, hates, and lusts for simultaneously. The two addressees of the sonnets are usually referred to as the young man and the dark lady; in summaries of individual poems, I have also called the young man the beloved and the dark lady the lover, especially in cases where their identity can only be surmised. Within the two mini-sequences, there are a number of other discernible elements of plot: the speaker urges the young man to have children; he is forced to endure a separation from him; he competes with a rival poet for the young mans patronage and affection. At two points in the sequence, it seems that the young man and the dark lady are actually lovers themselvesa state of affairs with which the speaker is none too happy. But while these continuities give the poems a narrative flow and a helpful frame of reference, they have been frustratingly hard for scholars and biographers to pin down. In Shakespeares life, who were the young man and the dark lady?

Of all the questions surrounding Shakespeares life, the sonnets are perhaps the most intriguing. At the time of their publication in 1609 (after having been written most likely in the 1590 s and shown only to a small circle of literary admirers), they were dedicated to a Mr. W.H, who is described as the onlie begetter of the poems. Like those of the young man and the dark lady, the identity of this Mr. W.H. remains an alluring mystery. Because he is described as begetting the sonnets, and because the young man seems to be the speakers financial patron, some people have speculated that the young man is Mr. W.H. If his initials were reversed, he might even be Henry Wriothesley, the Earl of Southampton, who has often been linked to Shakespeare in theories of his history. But all of this is simply speculation: ultimately, the circumstances surrounding the sonnets, their cast of characters and their relations to Shakespeare himself, are destined to remain a mystery.

A sonnet is a fourteen-line lyric poem, traditionally written in iambic pentameterthat is, in lines ten syllables long, with accents falling on every second syllable, as in: Shall I compare thee to a summers day? The sonnet form first became popular during the Italian Renaissance, when the poet Petrarch published a sequence of love sonnets addressed to an idealized woman named Laura. Taking firm hold among Italian poets, the sonnet spread throughout Europe to England, where, after its initial Renaissance, Petrarchan incarnation faded, the form enjoyed a number of revivals and periods of renewed interest. In Elizabethan Englandthe era during which Shakespeares sonnets were writtenthe sonnet was the form of choice for lyric poets, particularly lyric poets seeking to engage with traditional themes of love and romance. (In addition to Shakespeares monumental sequence, the Astrophel and Stella sequence by Sir Philip Sydney stands as one of the most important sonnet sequences of this period.) Sonnets were also written during the height of classical English verse, by Dryden and Pope, among others, and written again during the heyday of English Romanticism, when Wordsworth, Shelley, and particularly John Keats created wonderful sonnets. Today, the sonnet remains the most influential and important verse form in the history of English poetry.

Two kinds of sonnets have been most common in English poetry, and they take their names from the greatest poets to utilize them: the Petrarchan