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N. Scott Momaday - The Way to Rainy Mountain

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First published in paperback by UNM Press in 1976, The Way to Rainy Mountain has sold over 200,000 copies.The paperback edition of The Way to Rainy Mountain was first published twenty-five years ago. One should not be surprised, I suppose, that it has remained vital, and immediate, for that is the nature of story. And this is particularly true of the oral tradition, which exists in a dimension of timelessness. I was first told these stories by my father when I was a child. I do not know how long they had existed before I heard them. They seem to proceed from a place of origin as old as the earth. The stories in The Way to Rainy Mountain are told in three voices. The first voice is the voice of my father, the ancestral voice, and the voice of the Kiowa oral tradition. The second is the voice of historical commentary. And the third is that of personal reminiscence, my own voice. There is a turning and returning of myth, history, and memoir throughout, a narrative wheel that is as sacred as language itself.--from the new Preface

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title The Way to Rainy Mountain author Momaday N Scott - photo 1

title:The Way to Rainy Mountain
author:Momaday, N. Scott.; Momaday, Al.
publisher:University of New Mexico
isbn10 | asin:0826304362
print isbn13:9780826304360
ebook isbn13:9780585187907
language:English
subjectKiowa mythology, Kiowa Indians--Folklore.
publication date:1998
lcc:E99.K5M64 1996eb
ddc:398.2/089/974
subject:Kiowa mythology, Kiowa Indians--Folklore.
Page iii
The Way to Rainy Mountain
N. Scott Momaday
Illustrated by Al Momaday
UNIVERSITY OF NEW MEXICO PRESS
Page iv
Acknowledgments
The Introduction to this book first appeared in The Reporter for January 26, 1967. In slightly different form, it was incorporated in the text of my novel House Made of Dawn, published by Harper & Row in 1968.
I wish also to acknowledge my own book, The Journey of Tai-me, which is in a special sense the archetype of the present volume. The earlier work was produced in collaboration with D. E. Carlsen and Bruce S. McCurdy at the University of California, Santa Barbara, in a fine edition limited to 100 hand-printed copies.
Finally I should like here to thank those of my kinsmen who willingly recounted to me the tribal history and literature which informs this book.
1969 by the University of New Mexico Press
All rights reserved.
Library of Congress Catalog Card No. 69-19154.
ISBN 0-8263-0436-2.
University of New Mexico Press paperback edition, 1976
Fourteenth paperback printing, 1998
Page v
FOR AL AND NATACHEE
Page vii
Contents
Prologue
3
Introduction
5
The Setting Out
15
The Going On
43
The Closing In
65
Epilogue
85

Page 2
HEADWATERS
Noon in the intermountain plain:
There is scant telling of the marsh
A log, hollow and weather-stained,
An insect at the mouth, and moss
Yet waters rise against the roots,
Stand brimming to the stalks. What moves?
What moves on this archaic force
Was wild and welling at the source.
Page 3
Prologue
The journey began one day long ago on the edge of the northern Plains. It was carried on over a course of many generations and many hundreds of miles. In the end there were many things to remember, to dwell upon and talk about.
"You know, everything had to begin...." For the Kiowas the beginning was a struggle for existence in the bleak northern mountains. It was there, they say, that they entered the world through a hollow log. The end, too, was a struggle, and it was lost. The young Plains culture of the Kiowas withered and died like grass that is burned in the prairie wind. There came a day like destiny; in every direction, as far as the eye could see, carrion lay out in the land. The buffalo was the animal representation of the sun, the essential and sacrificial victim of the Sun Dance. When the wild herds were destroyed, so too was the will of the Kiowa people; there was nothing to sustain them in spirit. But these are idle recollections, the mean and ordinary agonies of human history. The interim was a time of great adventure and nobility and fulfillment.
Tai-me came to the Kiowas in a vision born of suffering and despair. "Take me with you," Tai-me said, "and I will give you
Page 4
whatever you want." And it was so. The great adventure of the Kiowas was a going forth into the heart of the continent. They began a long migration from the headwaters of the Yellowstone River eastward to the Black Hills and south to the Wichita Mountains. Along the way they acquired horses, the religion of the Plains, a love and possession of the open land. Their nomadic soul was set free. In alliance with the Comanches they held dominion in the southern Plains for a hundred years. In the course of that long migration they had come of age as a people. They had conceived a good idea of themselves; they had dared to imagine and determine who they were.
In one sense, then, the way to Rainy Mountain is preeminently the history of an idea, man's idea of himself, and it has old and essential being in language. The verbal tradition by which it has been preserved has suffered a deterioration in time. What remains is fragmentary: mythology, legend, lore, and hearsayand of course the idea itself, as crucial and complete as it ever was. That is the miracle.
The journey herein recalled continues to be made anew each time the miracle comes to mind, for that is peculiarly the right and responsibility of the imagination. It is a whole journey, intricate with motion and meaning; and it is made with the whole memory, that experience of the mind which is legendary as well as historical, personal as well as cultural. And the journey is an evocation of three things in particular: a landscape that is incomparable, a time that is gone forever, and the human spirit, which endures. The imaginative experience and the historical express equally the traditions of man's reality. Finally, then, the journey recalled is among other things the revelation of one way in which these traditions are conceived, developed, and interfused in the human mind. There are on the way to Rainy Mountain many landmarks, many journeys in the one. From the beginning the migration of the Kiowas was an expression of the human spirit, and that expression is most truly made in terms of wonder and delight: "There were many people, and oh, it was beautiful. That was the beginning of the Sun Dance. It was all for Tai-me, you know, and it was a long time ago."
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