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John Neary - Something and Nothingness: The Fiction of John Updike and John Fowles

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John Neary shows that the theological dichotomy of via negativa (which posits the authentic experience of God as absence, darkness, silence) and via affirmativa (which emphasizes presence, images, and the sounds of the earth) is an overlooked key to examining and comparing the works of John Fowles and John Updike.Drawing on his extensive knowledge of both Christian and secular existentialism within the modern theology of Barth and Levinas and the contemporary critical theory of Derrida and J. Hillis Miller, Neary demonstrates the ultimate affinity of these authors who at first appear such opposites. He makes clear that Fowless postmodernist, metafictional experiments reflect the stark existentialism of Camus and Sartre while Updikes social realism recalls Kierkegaards empirical faith in a generous God within a kind of Christian deconstructionism.Nearys perception of uncanny similarities between the two authorswhose respective careers are marked by a series of novels that structurally and thematically parallel each otherand the authors shared long-term interest in existentialism and theology support both his critical comparison and his argument that neither author is philosophically more sophisticated nor aesthetically more daring.

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title Something and Nothingness The Fiction of John Updike John Fowles - photo 1

title:Something and Nothingness : The Fiction of John Updike & John Fowles
author:Neary, John.
publisher:Southern Illinois University Press
isbn10 | asin:0809317427
print isbn13:9780809317424
ebook isbn13:9780585178868
language:English
subjectUpdike, John--Criticism and interpretation, Fowles, John,--1926- --Criticism and interpretation, Literature, Comparative--American and English, Literature, Comparative--English and American.
publication date:1992
lcc:PS3571.P4Z785 1992eb
ddc:823/.91409
subject:Updike, John--Criticism and interpretation, Fowles, John,--1926- --Criticism and interpretation, Literature, Comparative--American and English, Literature, Comparative--English and American.
Page iii
Something and Nothingness
The Fiction of John Updike & John Fowles
John Neary
Southern Illinois University Press
Carbondale and Edwardsville
Page iv
Copyright 1992 by the Board of Trustees,
Southern Illinois University
All rights reserved
Printed in the United States of America
Edited and designed by Melissa L. Riddle
Production supervised by Natalia Nadraga
95 94 93 92 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Neary, John, 1952
Something and nothingness: the fiction of John Updike and John
Fowles / John Neary.
p. cm
Includes bibliographical references and index.
1. Updike, John Criticism and interpretation. 2. Fowles, John,
1926 Criticism and interpretation. 3. Literature, Comparative
American and English. 4. Literature, Comparative English and
American. I. Title.
PS3571.P4Z785 1992
823'.91409 dc20 90-25137
ISBN 0-8093-1742-7 CIP
The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
Page v
For Laura, Kevin, and Kyle
Page vii
Contents
Acknowledgments
ix
1
Introduction
1
2
Rebellion and Repetition in The Collector
7
3
Rebellion and Repetition in Rabbit, Run
43
4
Biographical Excursion
85
5
Self and the Other in Two Bildungsromane: The Centaur and The Magus
103
6
Sex as a Subversion of Convention: Couples and The French Lieutenant's Woman
144
7
Nothing/Something
176
Works Cited
227
Index
231

Page ix
Acknowledgments
I wish to thank the following publishers who have given permission to use extended quotations from copyrighted works. The Centaur (1963), Couples (1968), Assorted Prose (1965), Midpoint and Other Poems (1969), A Month of Sundays (1975), Rabbit, Run (1960), Roger's Version (1986), and S. (1989) by John Updike are reprinted by permission of Alfred A. Knopf, Inc. and Andre Deutsch, Ltd.
Permission has been granted by Little, Brown and Company and by Anthony Sheil Associates, Ltd. to quote from the following works by John Fowles: The Collector (copyright 1963 by John Fowles, Ltd.), The French Lieutenant's Woman (copyright 1969 by John Fowles, Ltd.), A Maggot (copyright 1985 by John Fowles, Ltd.), The Magus: A Revised Version (first edition copyright 1965 by John Fowles; revised edition copyright 1977 by John Fowles, Ltd.). The first British publisher of Fowles's novels was Jonathan Cape, Ltd. Permission has also been granted by Little, Brown and Company and by Anthony Sheil Associates, Ltd. to quote from The Tree by John Fowles and Frank Horvat, text and English translation copyright 1979 by the Association for All Speech Impaired Children (AFASIC). And permission has been granted by the Ecco Press and by Anthony Sheil Associates, Ltd. to reprint the poem "A Tree in the Suburbs" (copyright by John Fowles), from Poems, first published by The Ecco Press in 1973, reprinted by permission.
Portions of chapter 1 appeared in Essays in Literature, Volume 15.1 (Spring 1988): 4662. Reprint permission granted by Essays in Literature, Western Illinois University, Macomb, Illinois. Portions of chapter 2 appeared in Religion and Literature, Volume 21.1 (Spring 1989): 89110. Reprint permission granted by Religion and Literature, University of Notre Dame, Notre Dame, Indiana. Portions of chapter 3 appeared in Renascence: Essays on Values in Literature, Volume 38.4 (Summer 1986): 22844. Reprint permission granted by Renascence: Essays on Values in Literature, Marquette University, Milwaukee, Wisconsin.
Page x
I wish to thank Ken Zahorski, St. Norbert College's Director of Faculty Development, and the St. Norbert Faculty Development Committee, for two generous summer grants that permitted me to do concentrated work on this project. I am also thankful to Morton Kelsey, who taught me most of what I know about theology, and James McMichael, who introduced me to the work of Alain-Fournier, Denis de Rougemont, and Emmanuel Levinas. In addition, I want to thank Curtis Clark and Melissa Riddle, acquisitions editor and manuscript editor at Southern Illinois University Press, for their civil, gracious treatment of me and my manuscript. And I am indebted to Jill Landes, who helped me prepare the book's index.
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