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Norman Spinrad - The Iron Dream

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Norman Spinrad The Iron Dream

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Norman Spinrads 1972 alternate history, gives us both a metafictional what-if novel and a cutting satire of one of the 20th centurys most evil regimes . . .In 1919, a young Austrian artist by the name of Adolf Hitler immigrated to the United States to become an illustrator for the pulp magazines and, eventually, a Hugo Award-winning SF author.This volume contains his greatest work, Lord of the Swastika: an epic post-apocalyptic tale of genetic trueman Feric Jagger and his quest to purify the bloodline of humanity by ruthlessly slaughtering races of the genetically impure - a quest Norman Spinrad expertly skewers through ironic imagery and over-the-top rhetoric.Spinrad hoped to expose some unpalatable truths about much of SF and Fantasy literature and its uncomfortable relationship with fascist ideologies - an aim that was not always apparent to neo-fascist readers. In order to make his aims clear to the hard-of-understanding, Spinrad added an imaginary critical analysis by a fictional literary scholar, Homer Whipple, of New York University.

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THE IRON DREAM

Norman Spinrad

wwwsfgatewaycom Enter the SF Gateway In the last years of the twentieth - photo 1

www.sfgateway.com

Enter the SF Gateway

In the last years of the twentieth century (as Wells might have put it), Gollancz, Britains oldest and most distinguished science fiction imprint, created the SF and Fantasy Masterworks series. Dedicated to re-publishing the English languages finest works of SF and Fantasy, most of which were languishing out of print at the time, they were and remain landmark lists, consummately fulfilling the original mission statement:

SF MASTERWORKS is a library of the greatest SF ever written, chosen with the help of todays leading SF writers and editors. These books show that genuinely innovative SF is as exciting today as when it was first written.

Now, as we move inexorably into the twenty-first century, we are delighted to be widening our remit even more. The realities of commercial publishing are such that vast troves of classic SF & Fantasy are almost certainly destined never again to see print. Until very recently, this meant that anyone interested in reading any of these books would have been confined to scouring second-hand bookshops. The advent of digital publishing has changed that paradigm for ever.

The technology now exists to enable us to make available, for the first time, the entire backlists of an incredibly wide range of classic and modern SF and fantasy authors. Our plan is, at its simplest, to use this technology to build on the success of the SF and Fantasy Masterworks series and to go even further.

Welcome to the new home of Science Fiction & Fantasy. Welcome to the most comprehensive electronic library of classic SFF titles ever assembled.

Welcome to the SF Gateway.

Contents

Let Adolf Hitler transport you to a far-future Earth, where only FERIC JAGGAR and his mighty weapon, the Steel Commander, stand between the remnants of true humanity and annihilation at the hands of the totally evil Dominators and the mindless mutant hordes they completely control.

Lord of the Swastika is recognized as the most vivid and popular of Hitlers science Fiction novels by fans the world over, who honored it with a Hugo as Best Science Fiction Novel of 1954. Long out of print, it is now once more available in this new edition, with an Afterword by Homer Whipple of New York University. See for yourself why so many people have turned to this science-fantasy novel as a beacon of hope in these grim and terrifying times.

Other Science fiction Novels by Adolf Hitler

EMPEROR OF THE ASTEROIDS

THE BUILDERS OF MARS

FIGHT FOR THE STARS

THE TWILIGHT OF TERRA

SAVIOR FROM SPACE

THE MASTER RACE

THE THOUSAND YEAR RULE

THE TRIUMPH OF THE WILL

TOMORROW THE WORLD

About the Author

Adolf Hitler was born in Austria on April 20, 1889.

As a young man he migrated to Germany and served in the German army during the Great War. After the war, he dabbled briefly in radical politics in Munich before finally emigrating to New York in 1919. While learning English, he eked out a precarious existence as a sidewalk artist and occasional translator in New Yorks bohemian haven, Greenwich Village. After several years of this freewheeling life, he began to pick up odd jobs as a magazine and comic illustrator. He did his first interior illustration for the science fiction magazine Amazing in 1930. By 1932, he was a regular illustrator for the science fiction magazines, and, by 1935, he had enough confidence in his English to make his debut as a science fiction writer. He devoted the rest of his life to the science fiction genre as a writer, illustrator, and fanzine editor. Although best known to present-day SF fans for his novels and stories. Hitler was a popular illustrator during the Golden Age of the thirties, edited several anthologies, wrote lively reviews, and published a popular fanzine, Storm, for nearly ten years.

He won a posthumous Hugo at the 1955 World Science fiction Convention for Lord of the Swastika, which was completed just before his death in 1953. For many years, he had been a popular figure at SF conventions, widely known in science fiction fandom as a wit and nonstop raconteur. Ever since the books publication, the colorful costumes he created in Lord of the Swastika have been favorite themes at convention masquerades.

Hitler died in 1953, but the stories and novels he left behind remain as a legacy to all science fiction enthusiasts.

Lord of the Swastika

With a great groaning of tired metal and a hiss of escaping steam, the roadsteamer from Gormond came to a halt in the grimy yard of the Pormi depot, a mere three hours late; quite a respectable performance by Borgravian standards. Assorted, roughly humanoid, creatures shambled from the steamer displaying the usual Borgravian variety of skin hues, body parts, and gaits. Bits of food from the more or less continuous picnic that these mutants had held throughout the twelve-hour trip clung to their rude and, for the most part, threadbare clothing. A sour stale odor clung to this gaggle of motley specimens as they scuttled across the muddy courtyard toward the unadorned concrete shed that served as a terminal.

Finally, there emerged from the cabin of the steamer a figure of startling and unexpected nobility: a tall, powerfully built true human in the prime of manhood. His hair was yellow, his skin was fair, his eyes were blue and brilliant. His musculature, skeletal structure, and carriage were letter-perfect, and his trim blue tunic was clean and in good repair.

Feric Jaggar looked every inch the genotypically pure human that he in fact was. It was all that made such prolonged close confinement with the dregs of Borgravia bearable; the quasi-men could not help but recognize his genetic purity. The sight of Feric put mutants and mongrels in their place, and for the most part they kept to it.

Feric carried his worldly possessions in a leather bag which he hefted easily; this enabled him to avoid the grubby terminal entirely and embark directly upon Ulm Avenue which led through the foul little border town toward the bridge over the Ulm by the shortest route possible. Today he would at last put the Borgravian warrens behind him and claim his birthright as a genotypically pure human and a Helder, with a spotless pedigree that was traceable back for twelve generations.

With his heart filled with thoughts of his goal in fact and in spirit, Feric was almost able to ignore the sordid spectacle that assailed his eyes, ears, and nostrils as he loped up the bare earth boulevard toward the river. Ulm Avenue was little more than a muddy ditch between two rows of rude shacks constructed for the most part of crudely dressed timber, wattle, and rusted sheet-steel.

Nevertheless, this singularly unimpressive track was apparently the pride and joy of the denizens of Pormi, for the fronts of these filthy buildings were festooned with all manner of garish lettering and rude illustrations advertising the goods to be had within, mostly local produce, or the castoff artifacts of the higher civilization across the Ulm.

Moreover, many of the shopkeepers had set up street stands purveying rotten-looking fruit, grimy vegetables, and fly-specked meat; these fetid goods they hawked at the top of their lungs to the creatures which thronged the street, who in turn added to the din with shrill and argumentative cajolery.

The rank odor, raucous jabbering, and generally unwholesome atmosphere reminded Feric of the great marketplace area of Gormond, the Borgravian capital, where fate had confined him for so many years. As a child, he had been shielded from close contact with the environs of the native quarter; as a young man he had taken great pains, and at no little expense, to avoid such places as much as was practicable.

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