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Walter Foster Creative Team - Painting Tools & Materials: A Practical Guide to Paints, Brushes, Palettes and More

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Painting Tools & Materials: A Practical Guide to Paints, Brushes, Palettes and More: summary, description and annotation

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Discover the essential tools, materials, and techniques needed to get started in painting.

The Artists Toolbox series provides easy-to-use reference guides for beginning and aspiring artists. While many instructional art books gloss over important concepts, focusing instead on how to simply replicate a piece of art, the Artists Toolbox series breaks down the whats, whens, whys, and hows of each relevant tool or technique, clearly demonstrating its purpose and how to employ it to achieve desired effects.

In Painting Tools & Materials, artists will discover the important differences in brush styles, sizes, shapes, and types; how each brush is used to create different types of strokes; and how different types of brushes interact with various paints and supports. Artists will learn how to properly load brushes with paint, how to shape brushes to create specific strokes and effects, when to choose synthetic-hair over natural-hair, and much more. Experienced art instructors focus on the key concepts and practical aspects of working with specific tools, materials, and mediums to impart a complete understanding for those seeking to learn the fundamentals of painting.

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PAINTING TOOLS MATERIALS A practical guide to PAINTS BRUSHES PALETTES - photo 1
PAINTING TOOLS & MATERIALS
A practical guide to PAINTS BRUSHES PALETTES and more INTRODUCTION - photo 2

A practical guide to
PAINTS, BRUSHES, PALETTES
and more

INTRODUCTION Quaint art stores welcoming studios and blank canvases resonate - photo 3

INTRODUCTION

Quaint art stores, welcoming studios, and blank canvases resonate with potential in the minds of artists. Whether youre a beginner new to the world of painting or a seasoned artist looking to brush up on basic knowledge, were all connected by the excitement and intrigue we feel from the topic of art materials.

Today we have access to more supplies than ever before, whether we purchase at art and craft stores or through online retailers. As you develop your collection of art materials, its a good idea to buy the best you can afford at the time. Higher-quality artist-grade materials are more costly than student-grade materials, but they contain less fillers, yield richer colors, afford the artist more control over the medium, and are less likely to fade over time. Purchasing high-quality materials from the start will likely save you frustration in the long run.

This book covers all the supplies involved in paintingfrom brushes and palettes to paint and supports. Youll also find ample information on setting up an effective studio, executing techniques, and understanding basic painting concepts and methods. The final chapter features six step-by-step projects in a variety of painting media, allowing you to practice your newfound knowledge of tools and techniques. Meet the contributing artists on the following page!

Buying supplies online is convenient for purchasing some materials but theres - photo 4

Buying supplies online is convenient for purchasing some materials, but theres nothing like viewing and holding art materials in person at a local art and craft store. Photo courtesy of H.R. Meininger Co. in Colorado Springs, Colorado.

MEET THE ARTISTS

In 2004, Maury Aaseng began his career in freelance illustration in San Diego, where he created graphics for young-adult nonfiction. His work since then has expanded into instructional line-drawn illustrations, cartooning, medical and anatomical illustration, and more traditional media such as drawing and watercolor. He now lives in Duluth, Minnesota, with his wife and daughter.

Varvara Harmon of Windham, Maine, is an award-winning multimedia artist who has mastered oil, acrylic, watercolor, silk painting, and ink and pencil drawing. Her work has been juried into national and international exhibitions and is in private collections around the world. Varvara is a member of several artist organizations and has been featured in numerous publications. She teaches workshops and classes in acrylic, watercolor, and oil.

Jim McConlogue is a professional fine artist from Encinitas, California. He paints with oil, both plein air and at his home studio. Having studied life drawing, painting, and illustration through several notable schools and workshops, he has been featured in fine-art and instructional books, magazines, and newspapers. Jim currently works on commissioned paintings, and his original oils and gicle prints are displayed at galleries in Leucadia and La Jolla, California.

Jennifer McCully is a graphic designer who unleashed her creative spirit to include mixed media work. Her endless creativity can be seen on her bold canvases, which feature vibrant and simple objects that are energetic and inspiring. Her childlike creations evoke happiness, and her inspiration is drawn from practically anything. Jennifer is a full-time Etsy seller and the author of There are No Mistakes in Art.

Patti Mollica lives and works with her fellow-artist and jazz musician husband, Mark Hagan, in New York City and Nyack. An impressionistic and contemporary painter, she believes that a painters job is to show the viewer the inherent beauty of all subjects and scenes. She has been selected by Golden Paints to conduct lectures and facilitate workshops demonstrating Creative Techniques Using Golden Paints and Mediums.

Paul Talbot-Greaves is a professional watercolor and acrylic landscape painter from the UK. A member of several art societies and panels, Paul has written for The Artist magazine and published several instructional art books. His work often depicts rugged scenery, crumbling walls, ancient pastures, and moorland terrain.

Caroline Zimmermann began painting in oils at age 6, earned her Bachelor of Fine Arts in Illustration from California State University, Fullerton in 1989, and obtained her Master of Fine Arts in Painting from the California College of the Arts and Crafts in Oakland in 1994. Her permanent residence is in the artists community of Laguna Beach, where she has lived, surfed, and painted for more than 30 years. She now divides her time between her home in Laguna Beach and her studio in Tuscany.

CHAPTER 1: Studio & Storage

An efficient studio or workspace can make all the difference for an artist. A well-designed space can help you stay organized, tidy, and comfortableand it can simplify the artistic process by providing good lighting and effective working surfaces. A studio doesnt have to be its own room; you can create a workspace anywhere in your home or garage. This chapter covers the following topics:

EASELS WORKING SURFACES Your working surface should depend on your chosen - photo 5
EASELS & WORKING SURFACES

Your working surface should depend on your chosen medium. For artists working in watercolor, a flat or slightly tilted surface works best, whereas easels are the traditional choice when working in oil or acrylic.

SURFACES FOR WATERCOLOR

Watercolor artists often work on flat, smooth surfaces, such as tables or simple desks. Some choose to work on craft or drafting tables, which allow users to tilt the surface to varying degrees. (However, watercolor artists avoid steeply angled surfaces to prevent unwanted drips and runs.) Drafting tables are often made of wood, composite wood, or tempered glass and have ledges or compartments for holding art materials. Many also feature wheeled legs and drawers for storing supplies.

Shown above is one option of many craft tables available from Martin Universal - photo 6

Shown above is one option of many craft tables available from Martin Universal Design.

STUDIO EASELS

Studio easels are sturdy, freestanding canvas supports. Traditionally they are made of wood, but you can also find lighter-weight metal varieties. Studio easels often fold flat so you can tuck them away into a corner of the studio if needed.

An A-frame easel is perhaps the most common format The main frame shaped - photo 7

An A-frame easel is perhaps the most common format. The main frame, shaped loosely like an A, is supported by a third leg.

An H-frame easel is a classic format that can support large canvases A - photo 8
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