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Rachel Rubin Wolf - Splash 12: Celebrating Artistic Vision

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Rachel Rubin Wolf Splash 12: Celebrating Artistic Vision
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The Splash series has earned a reputation as a premier showcase of contemporary watercolor. Year after year, artists and art enthusiasts look forward to its big, beautiful images, innovative approaches and insightful commentary. Continuing the tradition, this 12th edition celebrates artistic vision--delivering a stunning diversity of ideas, inspiration, and breathtaking art--in short, everything fans of this series have come to expect, including the wonderfully unexpected. Explore how artists seize upon moments of beauty and wonder, inject emotional content and personal interpretation, and translate it all into brilliant standout paintings.

Impossibly red tomatoes picked fresh from the garden...A chance pose by an impatient child model...The simple view through a weathered door...

These are just a few of the sparks behind the more than 120 striking paintings on these pages. Captions offer insight from the artists themselves who share the approaches they use to bring their visions into focus.

The late Henry Fukuhara painted the scene on page 90 when he was 96 years old, completely blind and bedridden, a profound testament to the power of an artists vision. His advice: Dont be a reporter; be an entertainer. Page after page, Splash 12 offers up this kind of hard-earned wisdom, personal epiphanies and artist-to-artist advice for making others stop, look, and enjoy the view. Dive in, and see where 100 of todays brightest watercolor visionaries have taken this celebrated medium.

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celebrating artistic vision

SPLASH 12

THE BEST OF WATERCOLOR

edited by
Rachel Rubin Wolf

wwwartistsnetworkcom THE HENS ARE IN THE HEN HOUSE MICHAEL ALLEN MCGUIRE - photo 1

www.artistsnetwork.com

THE HENS ARE IN THE HEN HOUSE MICHAEL ALLEN MCGUIRE Transparent watercolor on - photo 2

THE HENS ARE IN THE HEN HOUSE MICHAEL ALLEN MCGUIRE

Transparent watercolor on 140-lb. (300gsm) Arches, 22 30 (56cm 76cm)

This watercolor was done from a black-and-white felt-pen drawing I created on site in rural Ohio. The actual drawing for this watercolor is featured in North Light Books Strokes of Genius 2. I grew up around these charming farm relics, working and playing within their cavernous walls, always in awe of their magnificence yet wary of what could lurk in the dark and mysterious corners. When I happened upon this gem, I was struck by how stately it stood atop this private hillside presenting such powerful perspective. So with quick permission, I captured what has become one of my favorites of all the barns Ive been privileged to study. I continue to delight in sketching these vanishing monarchs.

CONTENTS

NATURE WHEELS AND WHATSITS PEOPLE TOWN AND COUNTRY - photo 3
NATURE

WHEELS AND WHATSITS PEOPLE TOWN AND COUNTRY THE ANIMAL WORLD - photo 4
WHEELS AND WHATSITS

PEOPLE TOWN AND COUNTRY THE ANIMAL WORLD STILL LIFE - photo 5
PEOPLE

TOWN AND COUNTRY THE ANIMAL WORLD STILL LIFE - photo 6
TOWN AND COUNTRY

THE ANIMAL WORLD STILL LIFE INTRODUCTION Though we travel the - photo 7
THE ANIMAL WORLD

STILL LIFE INTRODUCTION Though we travel the world over to find the - photo 8
STILL LIFE

INTRODUCTION Though we travel the world over to find the beautiful we must - photo 9

INTRODUCTION

Though we travel the world over to find the beautiful, we must carry it with us or we find it not.

Ralph Waldo Emerson

In this edition of Splash we are celebrating artistic visionthat undefinable gift of the artistthe ability to make visual that which exists in the minds eye, or perhaps only in the heart. Some inspiration comes from the beauty around us, yet each artist still exercises the beauty receptors he or she carries withineach different, each unique.

Sandra Blair submitted a quote from Vincent van Gogh: It is not the language of painters but the language of nature which one should listen to. The feeling for the things themselves, for reality, is more important than the feeling for pictures.

Then again, Nancy Fortunato finds that she was inspired directly from the language of paintersin fact that of van Gogh himself! Several others found vision in old family photographs, melding interesting images with deep connections and emotions. Still-life artists find inspirational vision in placing meaningful, or perhaps even humorous, objects together, thereby creating a small personal cosmos and bringing it to life.

Many artists exercise their vision in observing people and expressing the emotion of a fleeting moment in a facial expression or a bodily gesture. Others find their inspiration in the timeless moments of nature and in things that will far outlast our lifetimes. But in all of these cases each artist carries within them the beauty that is just waiting to be energized by an inspirational moment or idea.

And, oh yes, we are reminded by Bev Jozwiak that there is also some hard work involved. Having ones beauty receptors in place is the first step but, as Bev says, To be able to fulfill your artistic vision, you must first put in the hard work of learning to paint. Tenacity wins out over talent every time.

This is why we are celebrating the vision of the artists in this book. They not only admired the beauty they saw or imagined, they put in the time to learn how to translate it into paint and paper so that we can share their vision. For that we are all richer.

RIO DI SAN BARNABA CA REZZONICO JAMES TOOGOOD Watercolor on paper 14 11 - photo 10

RIO DI SAN BARNABA (CA REZZONICO) | JAMES TOOGOOD

Watercolor on paper, 14 11 (36cm 28cm)

The Ca Rezzonico, on the left, is a splendid 17th century palazzo (palace) that faces the Grand Canal in the Dorsoduro section of Venice. I took several liberties including giving the back wall of the palazzo more color, and exaggerating atmospheric perspective to the far buildings. I made architectural changes to the buildings on both sides of Rio di San Barnaba, and changed the patterns of light so that shadows would climb up a portion of the wall on the left. Finally I used the work of Jean Dubuffet as inspiration to simply make up abstract patterns of reflections in the water, all to give the painting more visual interest.

1 NATURE One of the great epiphanies on the artistic road is the realization - photo 11

1 | NATURE

One of the great epiphanies on the artistic road is the realization that we are painting light, not things. If you can paint light, you can paint anything under the sun.

Picture 12Frank LaLumia

{art on previous spread}

SNOW IN THE FOOTHILLS | FRANK LALUMIA

Transparent watercolor on cold-pressed Arches, 22 30 (56cm 76cm)

Snow in the Foothills is our road home, the foothills of the Sangre de Cristo Mountains just west of Trinidad, Colorado. Whether were driving or walking through the hills with our dog Naya, it is a landscape to which I feel deeply connected. Ive painted it in all seasons, both plein air and in the studio. Drawing inspiration from the world around us is a big part of being an artist. Your body of work is your autobiography.

AT THE CENTER KATHY COLLINS Watercolor on paper 22 30 56cm 76cm If in - photo 13

AT THE CENTER | KATHY COLLINS

Watercolor on paper, 22 30 (56cm 76cm)

If in doubt, fade it out!

Picture 14Kathy Collins

Bicycling by a river in early evening, I witnessed shimmering light on the water contrasted with the dark wooded riverbanks. Pulling a sketchbook from my backpack, I penned a quick line drawing. Just then, a motorboat rounded the rivers curve, leaving a wake in the form of an arabesquea perfect focus for the composition! In the studio I splashed watercolor onto a full sheet of paper, trying to recreate my impression of the dramatic value contrast, while retaining the softness of the fading light.

Artistic vision comes from seeing with your eyes and feeling with your heart - photo 15

Artistic vision comes from seeing with your eyes and feeling with your heart.

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